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Peter Evans Being & Becoming (Evans / Ross / Jozwiak / Ode):
Ars Memoria (More Is More)

The second album from New York trumpeter Peter Evan's band Being and Becoming stretches out his concepts in five extended works that dovetails superb contemporary jazz integrating extended techniques and solid vibraphone work with beautifully rich and explorative passages, masterfully performed with Joel Ross (vibes), Nick Jozwiak (bass) and Michael Shekwoaga (drums). ... Click to View


Peter Evans Being & Becoming (Evans / Ross / Jozwiak / Ode):
Ars Memoria [VINYL 180gm] (More Is More)

The second album from New York trumpeter Peter Evan's band Being and Becoming stretches out his concepts in five extended works that dovetails superb contemporary jazz integrating extended techniques and solid vibraphone work with beautifully rich and explorative passages, masterfully performed with Joel Ross (vibes), Nick Jozwiak (bass) and Michael Shekwoaga (drums). ... Click to View


Ivo Perelman (Fowler / Workman / Cyrille):
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Recording with the legendary rhythm section of bassist Reggie Workman and drummer Andrew Cyrille, tenor saxophonist Ivo Perelman and stritch & saxello player Chad Fowler perfectly complement each other as they play off and complete each other's lines and phrases under the support of astute foundational support, an exemplary album of collective, cross-generational free improvisation. ... Click to View


Gregorio / Smith / Bryerton:
The Cold Arrow (Balance Point Acoustics)

The second trio release from clarinetist Guillermo Gregorio, double bassist Damon Smith and Jerome Bryerton on gongs, selected metal & cymbals (but no drums), in a sophisticated album of eight collective improvisations numbered as "The Planar Effect" and two Gregorio compositions, an absolutely impressive set that obscures the line between "spontaneous" and "composition". ... Click to View


Andre Duchesne:
Ch'val (Ambiances Magnetiques)

Montreal composer, guitarist and arranger Andre Duchesne developed the pieces on this solo album as a tribute to his sister Carole, "the one who dreamed of horses," who passed in 2010, his pieces incorporating elements of rock, improvisation and compositional forms, a sincere tribute developed by recording daily over a month as a virtual rock band of guitar, bass and drum programming. ... Click to View


Bill Harris:
MACRODOSE (Amalgam)

Combining acoustic drums, percussion and electronics, the third solo album from Chicago drummer Bill Harris delves deeper into the sonic aspects of his improvisations while providing them in discrete segments through eleven succinct recordings, a diverse set demonstrating unique approaches to rhythm and sound, enhanced on some pieces through studio techniques. ... Click to View


Dante Boon (Beuger / Boon / Elina / Holtkamp / Schuppe / Van der Ster):
Duos (Edition Wandelweiser Records)

A collection of works from pianist & composer Dante Boon in diverse duos and virtual duo compositions that reflect on John Cages's "inner clock" concept from "Two2", each of Boon's compositions directing the players through systems of notation and counting unique to each player, varying the rules of how the two players eventually synchronize their performances. ... Click to View


Joane Hetu / Ensemble SuperMusique:
Monnomest (Ambiances Jazz)

A fascinating work dedicated to improvising cellist Remy Belanger de Beauport written by Montreal composer Joane Hétu and performed by the large Ensemble SuperMusique with Jean Derome, Lori Freedman, Scott Thomson, dian Labrosse, Danielle Palardy Roger, Pierre Tanguay, &c. commissioned and perofrmed for the Ensemble's 40th anniversary and expanded for this studio edition. ... Click to View


Joelle Leandre / Pascal Contet:
Miniatures (Trost Records)

A collaboration that goes back 30 years, French improvising bassist Joëlle Léandre and avant accordionist Pascal Contet in their fifth album together, turning from their more typically extended conversations to a series of 10 "Miniatures", shorter and diverse dialogs recorded live in 2022 at the beautiful Arsenal Concert Hall in Metz, France. ... Click to View


Chad Fowler / Shanyse Strickland / Sana Nagano / Melanie Dyer / Ken Filiano / Anders Griffen:
Birdsong (Mahakala Music)

Highlighting the parallel to changes in birdsong in urban areas because of anthropogenic ambient noise, this diverse ensemble demonstrates the evolution of improv approaches through unique origins and backgrounds; with Chad Fowler (stritch, flute), Shanyse Strickland (French Horn), Sana Nagano (violin), Melanie Dyer (viola), Ken Filiano (bass) and Anders Griffen (drums). ... Click to View


Hal Russell NRG Ensemble:
The Hal Russell Story (ECM Records)

This 1996 recording of the Hal Russell NRG Ensemble of Mars Williams (reeds), Brian Sandstrom (bass, guitars, trumpets), Kent Kessler (bass, trombone) and Steve Hunt (drums & percussion) was recorded five week before Russell's passing, a wild parting gift of twenty succinct improvisations covering an incredible amount of territory with power, humor and amazing musical skill. ... Click to View


Ernesto Rodrigues / Dirk Serries / Joao Madeira / Jose Oliveira :
Dripping (Creative Sources)

crackle box, João Madeira on double bass and Jose Oliveira on percussion, extended to a quartet with Netherland's New Wave of Jazz/Vidna Obmama archtop guitarist Dirk Serries, presenting the 9-part "Dripping" series of free chamber-oriented lowercase improvisation. ... Click to View


Friedl / Siewert:
Lichtung (KARLRECORDS)

Zeitkratzer director and pianist Reinhold Friedl meets with Martin Siewert (Radian, Fake the Facts, Dry Thrust) for three improvised explorations on piano, guitar and electronics, through the course of powerful transitions building from deep introspection into prickly, bellicose interaction, yielding to a brooding finale of subtle electronics and punctuation; profound. ... Click to View


Niels Lokkegaard Lyhne / Quatuor Bozzini:
Colliding Bubbles (Important Records)

Copenhagen composer Niels Lyhne Løkkegaard's long form work refers to units of compositional structure and in systems of instruments, each a "bubble" that interacts and collides creating fluctuations, ruptures and tension release in an hypnotic sonic tapestry, performed by Montreal's Quatuor Bozzini on violins, viola, cellos and harmonica; mesmerizing. ... Click to View


Merzbow:
Cafe OTO [2 CDs] (Cold Spring Records)

A live and extended performance of brutal but shifting sonic assault performed before an appreciative audience at London's Cafe OTO in 2016, a solo performance from Japanese noise legend Masami Akita, AKA Merzbow, each of the 2 CDs in this set more than 50 minutes of tightly controlled electronic mayhem from the unremitting determination of one of the globe's masters of noise. ... Click to View


Charles Mingus:
Presents Charles Mingus To Pre Bird, Revisited (ezz-thetics by Hat Hut Records Ltd)

Three sides of Charles Mingus in this remastered reissue set: the 1961 Candid album Mingus Presents Mingus with the classic quartet of Eric Dolphy, Ted Curson and Dannie Richmond; then the Mercury release Pre-Bird from the same year, in ensembles performing the music of or influenced by Duke Ellington, along with the ambitious and brilliant through-composed work, "Half Mast Inhibition". ... Click to View


Franz Koglmann:
Near Blue - A Taste of Melancholy (ezz-thetics by Hat Hut Records Ltd)

Presented in two versions--a stereo mix and a binaural mix for headphones--flugelhorn improviser and composer Franz Koglmann leads his septet of exceptional players through 10 original Koglmann compositions, sophisticated works that show influences from Ellington to Franz Joseph Haydn or Johann Strauss, in pieces influenced by or tipping the hat to modern artists, musicians and writers. ... Click to View


Nikolaus Gerszewski :
3 Works For Strings, Giusto Chamber Orchestra (ezz-thetics by Hat Hut Records Ltd)

Giusto Chamber Orchestra performs three works for twelve strings by German composer and visual artist Nikolaus Gerszewski, whose music of shifting pitches, vibrations and volumes--compared with experimental sound & noise work--is influenced by composers Radulescu and Dumitrescu's spectral music, James Tenney's "swell form" and Cornelius Cardew's graphic scores. ... Click to View


Void Patrol (Sharp / Stetson / Martin / MacDonald):
Live @ Victo (Victo)

A wild and adventurous concert and one of the highlights of the 39th Festival International de Musique Actuelle de Victoriaville from the electric improvising quartet of Elliott Sharp on electric guitar & electronics, Colin Stetson on bass, alto & tenor saxophones, Billy Martin on drums & percussion and Payton Macdonald on marimba, vibraphone & African xylophone. ... Click to View


Federico Ughi (w / Leo Genovese / Brandon Lopez):
Infinite Cosmos Calling You You You, Vol. 1 (577 Records)

The first album under 577 label leader and drummer Federico Ughi's name in five years brings together the incredible bass skills of Brandon Lopez and expansive Argentinean keyboard sonics of Leo Genovese, the first of two planned volumes recorded in the studio for a boundary-less album of acoustic and electric improv influenced by the music and philosophy of Sun Ra. ... Click to View


Federico Ughi (w / Leo Genovese / Brandon Lopez):
Infinite Cosmos Calling You You You, Vol. 1 [VINYL] (577 Records)

The first album under 577 label leader and drummer Federico Ughi's name in five years brings together the incredible bass skills of Brandon Lopez and expansive Argentinean keyboard sonics of Leo Genovese, the first of two planned volumes recorded in the studio for a boundary-less album of acoustic and electric improv influenced by the music and philosophy of Sun Ra. ... Click to View


Sven-Ake Johansson / Alexander Von Schlippenbach:
uber Ursache und Wirkung der Meinungsverschiedenheiten beim Turmbau zu Babel [VINYL 2 LPs & PAL DVD] (Trost Records)

Documenting the 1994 avant music drama composed by pianist Alexander von Schlippenbach and accordionist Sven-Ake Johansson, uber Ursache und Wirkung der Meinungsverschiedenheiten beim Turmbau zu Babel (on the cause and effect of the disagreements over the building of the Tower of Babel) through a double LP, DVD, libretto and 16-page booklet in a solid box set. ... Click to View


Musicworks:
#147 Winter 2024 [MAGAZINE + CD] (Musicworks)

Winter 2024 issue of Canada's premiere new music magazine, with Saxophonist Andrew MacKelvie on the cover; plus features on Indonesia's Music Subculture; Sonny-Ray Day Ride; Solidaridad Tango; A History of the Canadian Electronic Ensemble; plus album reviews, essays and a CD of tracks from artists covered in the magazine. ... Click to View


Witches & Devils (Williams / Vandermark / Lonberg-Holm):
At the Empty Bottle (Knitting Factory Works)

Before his ecstatic Xmas series, An Ayler Xmas, Chicago saxophonist Mars Williams led the Witches & Devils quintet of Mars Williams on reeds, Ken Vandermark on reeds, Jim Baker on keyboards, Fred Lonberg-Holm on cello and Kent Kessler on bass, an incredible and passionate free jazz group paying tribute to the music of Albert Ayler, heard live at The Empty Bottle in 1997. ... Click to View


Simulacrum:
Mechatronics (Evil Clown)

This ensemble features 3 core Evil Clown members--David Peck on reeds, winds, percussion & electronics; Eric Woods on analog synth; and Bob Moores on space trumpet, guitar & electronics--with guests Michael Caglianone on reeds & percussion, Robin Amos on electric zither and keyboards; Faruq Hassan on samplers & keys; Albey OnBass on bass; and Michael Knoblach on military devices. ... Click to View


Peter Brotzmann / Paal Nilssen-Love:
Chicken Shit Bingo (Trost Records)

Often performing together as a duo after their initial 2004 Chicago Tentet encounter, drummer/percussionist Paal Nilssen and multi-reedist Peter Brötzmann typically released albums of live performances, this 2015 studio date in Antwerp unique in their catalog, an exemplary set of recordings, particularly with Brötzmann on a new contra-alto clarinet and Paal adding gongs to their improvisations. ... Click to View


Peter Brotzmann / Paal Nilssen-Love:
Chicken Shit Bingo [VINYL] (Trost Records)

Often performing together as a duo after their initial 2004 Chicago Tentet encounter, drummer/percussionist Paal Nilssen and multi-reedist Peter Brötzmann typically released albums of live performances, this 2015 studio date in Antwerp unique in their catalog, an exemplary set of recordings, particularly with Brötzmann on a new contra-alto clarinet and Paal adding gongs to their improvisations. ... Click to View


Jean Derome:
La Chaleur De La Pensee (Ambiances Magnetiques)

Concepts of community, dialog, sharing and transmission, or "recontre", are the linking ideas between these four works commissioned of Montreal composer and wind player Jean Derome, developed for four Quebec ensembles, these pieces combine contemporary and improvisational forms, the scores shaped by constraints from the combinatorial mathematics of Marin Mersenne. ... Click to View


Giuseppe Doronzo / Andy Moor / Frank Rosaly:
Futuro Ancestrale (Clean Feed)

Having worked together in other collaborations, this was the first meeting as a trio by Giuseppe Doronzo on baritone sax & Iranian bagpipe, Andy Moor on electric guitar and Frank Rosaly on drums, performing live at BIMHUIS in Amsterdam for a contemplatively charged set of unorthodox instrumental approaches using contemporary improv attitudes through structured and collective playing. ... Click to View


Norbert Pfammatter / Florestan Berset / Francesco Losavio:
A Vol D'Oiseau (Listen! Foundation (Fundacja Sluchaj!))

The Swiss guitar trio of Florestan Berset on electric guitar with Norbert Pfammatter on drums and Francesco Losavio on double bass perform a mix of lyrical compositions from Berset, along with lyrically inclined collective improvisation from the group, each player bringing unique approaches to their instruments in a highly compatible set of conversations. ... Click to View



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  Ran Blake & Anthony Braxton 
  A Memory of Vienna  
  (hatOLOGY) 


  
   review by Kurt Gottschalk
  2010-04-21
Ran Blake & Anthony Braxton: A Memory of Vienna (hatOLOGY)

The various approaches to the standards repertoire make up one of the strangest sectors within the colossal work of Anthony Braxton. From a wide-open 1974 session with Tete Montolu, Niels-Henning Orsted Pedersen and Albert Tootie Heath (What's New: In the Tradition) where he takes Mingus's dedication to Lester Young ("Goodbye Porkpie Hat") on contrabass clarinet; to his disarmingly geometric and occasionally pounding piano playing on Piano Quartet, Yoshi's 1994; to this impassioned and daresay straight-ahead 1988 duet with Ran Blake: no matter what a jazz musician does, playing standards is going to end up some sort of proving ground, and in the case of Braxton it can be as puzzling as his simultaneous orchestras.

There is, at times, something academic about Braxton's approach to the tradition. It's a claim that has dogged him his whole career, with people somehow finding fault in the fact that he is smart about music that's supposed to be about heart. (There's a deeply racist underpinning here as well, that the black musician should be "soulful," which keeps innovative work by African American composers restricted largely to venues where alcohol is served.) But like it or lump it, Anthony Braxton is very, very, very smart. And sometimes he is led to treat a Benny Golson or Thelonious Monk tune as information, as a structure to be worked with.

In his excellent new book Time and Anthony Braxton (Mercury Press), Stuart Broomer discusses Braxton's "standards quartet," in a passage that could be applied to much of Braxton's repertoire work:

If a great artist reinvents the tradition, then a conservative ideologue merely echoes it, diminishes it, making it less than its extant record. What Braxton is doing here is "making known," a phrase chosen carefully to avoid the failed metaphor of "saying." If Braxton wanted to "say" something, he's quite capable of doing it using words. But this music makes meaning in a way that is extra-linguistic or meta-linguistic, something that may be analogous to language, but which is fundamentally different in the way it imprints its messages. What this music does is to make its own assembled views of the music and messages of jazz history; it makes known the social, moral, historical imperatives that drive this music and are imbedded in the tradition: it makes known/felt — in ways deeper than words ever might — the spirit of spontaneity, community, change, freedom, life and creation.

In other words, where Braxton's interpretations of jazz standards might be radical, they are not (as some would have it) disrespectful. In fact, they are deeply respectful. This is not a punk band playing a Monkees song. This is contextual, analytic and loving.

All of this, however, is preamble to consideration of Braxton and Blake's A Memory of Vienna, recently reissued by hatOLOGY. For this is one for the purists (and within all his complexities, Braxton can be counted as a purist as well). The piano duo might be the most insistent pairing for the saxophonist. The player is unavoidably, more than ever, cast as vocalist, must deal with being Ella Fitzgerald alone with Oscar Peterson or deal with rejecting that role. Braxton embraces the setting, turning in a sweet, informed and, yes, soulful performance. The session was cut quickly and suddenly, using the remaining studio time after wrapping a session by Franz Koglmann's Pipetet. Braxton and Blake were both on that session, and the decision to record a set of standards was spontaneously made and executed. Blake, of course, is the perfect partner for such a project. Some of his earliest work was a vocal duo, with the outre traditionalist Jeanne Lee and he has recorded an acclaimed tribute to Sarah Vaughn. He came up under the tutelage of George Schuller and has worked with Jaki Byard and Steve Lacy. Like Braxton, he knows there's more than one chair you can sit in while inhabiting the tradition.

The relaxed immediacy of the session is apparent, as is the mastery of the players. The explorations run deep at times, as on "Alone Together" or "I'm Getting Sentimental Over You," but never do they stray so far as to upset the apple cart. If indeed Braxton needs to prove something to the guardians of genre, Memories of Vienna covers it.



Ran Blake & Anthony Braxton: A Memory of Vienna
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