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Sprawl: Sprawl [VINYL] (Trost Records)

Intense and beautifully harsh improvisation from drummer Michael Wertmuller (16-17, Alboth!, Full Blast) with Peter Brotzmann (reeds), Stephan Wittwer (guitar), Alex Buess (reeds & electronics), and William Parker (bass), originally released on CD in 1997. ... Click to View


Russell / Beresford / Edwards / Liavik Solberg: Will It Float? [VINYL] (VA FONGOOL)

Norwegian drummer Stale Liavik Solberg leads this quartet with prominent British improvisers, guitarist John Russell, bassist John Edwards, and Steve Beresford on electronics and objects, the latter adding an unusual edge to superb interactive playing. ... Click to View


Gallio / Rupp: Fasane Hula Punk (Rapid Moment)

The duo of electric guitarist Olaf Rupp and soprano saxophonist Christoph Gallio in a set of 13 studio improvisations, restrained and thoughtful dialog of great technical skill and unusual tonal approaches to both instruments. ... Click to View


Yannis Kyriakides + Andy Moor: A Life Is A Billion Heartbeats (Unsounds)

Yannis Kyriakides and Andy Moor's exploration and mining of the rich and mysterious terrain of Greek rebetika music from early 20th century, using a combination and juxtaposition of rebetika elements with their own distinct sonic explorations. ... Click to View


Charlemagne Palestine & Grumbling Fur Time Machine Orchestra: ggrrreeebbbaaammmnnnuuuccckkkaaallloooww!!! [VINYL] (Important Records)

The 2nd night of Charlemagne Palestine residency at London's Cafe OTO, collaborating with Grumbling Fur--Daniel O'Sullivan and Alexander Tucker--in a ritualistic performance using crystalware, processed strings, live tape manipulations, Indian harmonium, Fisher-Price toys, &c. ... Click to View


SAKA: Posh?! (FMR)

The free improvising trio of bassist Jon Rune Strom (Frode Gjerstad Trio, Paal Nilssen-Love, &c), tenor saxophonist Kristoffer Berre Alberts and percussionist Dag Erik Knedal Andersen, fiery free jazz with great technical skills and an oddly playful side. ... Click to View


Ian Watson / Susie Hodder-Williams : The Tao Of Homeopathy (FMR)

A meditative double CD with subtle flavours of flute and gamelan accompanying a reading by Ian Watson, the author of "The Tao of Homeopathy" exploring the philosophies and practices of homeopathy and Taoism."-Susie Hodder-Williams ... Click to View


Marcin Masecki : Variations (Bolt)

Composer & pianist Marcin Masecki wrote this work, inspired by Frederic Rzewski and presenting variations on the Chilean song "El pueblo unido jamas sera vencido" (The town united will never be defeated) and invited pianist Piotr Nowicki to perform it for this recording. ... Click to View


Gintas K: Blind Man Tales (Bolt)

Gintas K, in a moment of frustration, took more than 40 elements from some recent work he was preparing and put them into multichannel software which, with a few corrections, became this surprising and complex work of organized and detailed sound. ... Click to View


Candelaria Valiente Saenz / Marcin Masecki: Hymnen (Bolt)

Based on the anthems of nations that have endured recent struggles, from the duo of Marcin Masecki on keys and Candelaria Saenz Valiente on vocals and percussion, embraceable songs with unusual structures paying tribute to the beautiful themes for each nation. ... Click to View


Arturas Bumsteinas : Different Trains (Bolt)

A collection of experimental, electroacoustic, and comprovized works from composer, sound artist, performer, and improviser Arturas Bumsteinas, inspired by Central European cultural landscape, including a radio play commisioned by Bolt Records. ... Click to View


Joanna Sokolowska Halszka: Msza (Bolt)

A chamber opera by Joanna Halszka Sokolowska at Opera// REMIX at Komuna// Warszawa, using sung and spoken voice, piano, and a variety of tonal instruments to present an intriguing set of variations informed by numerological methods, scientific statistics, &c.. ... Click to View


Alexander Schlippenbach Von Trio: Pakistani Pomade [VINYL] (Cien Fuegos)

One of saxophonists Evan Parker's favorite recordings from the long-running trio led by pianist Alexander von Schlippenbach with drummer Paul Lytton, the powerhouse free improvised "Pakistani Pomade" alubm is reissued on 180 gram vinyl with its original cover. ... Click to View


John Butcher / Andy Moor: Experiments With A Leaf (Unsounds)

Since working together in Thermal, saxophonist John Butcher and The Ex guitarist Andy Moor have collaborated in live performance, here recording in a cathedral in Berne, Switzerland in 2013, using its natural reverb to augment their impeccably paced and inspired dialog. ... Click to View


L'Ensemble Volta: Les Nuages de Magellan (Recommended Records)

ReR's 3rd collection featuring the ondes Martenot, an early electronic musical instrument invented in 1928 by cellist Maurice Martenot; this volume, performed by the 4 piece L'Ensemble Volta + Antoine Alerinie is dedicated to Spectralist composer Tristan Murail. ... Click to View


John Greaves / Peter Blegvad / Lisa Herman : Kew Rhone (Recommended Records)

Taking Rock In Opposition into difficult territory, Peter Blegvad and John Greave's song cycle is a perplexing and rewarding album blending literature with rock and jazz forms, performed in an ensemble including Carla Bley and Michael Mantler; an intricate masterwork. ... Click to View


Stepmother (Simonis / Visser / Gilonis / Kerman): Calvary Greetings (Megaphone / Knock 'Em Dead)

Bringing together members from RIO-oriented bands like Vril, AA Kismet, The Work, Hat Shoes, Hail, 5uus, Present, & Thinking Plague, Stepmother presents a strange conglomerate of styles in short songs with twisted elements, strange intent, and superb playing. ... Click to View


Motorpsycho: Demon Box [VINYL 2 LPs] (Rune Grammofon)

Still the favorite of many Motorpsycho fans, the iconic "Demon Box" was also this Norwegian rock band's breakthrough album from the early 90s, hard-edged prog oriented rock (think Sleepytime Gorilla Museum), presented in its original 2 LP format on 180 gm vinyl. ... Click to View


Beatriz Ferreyra : GRM Works [VINYL] (Recollection GRM)

Electronic composer Beatriz Ferreyra was a pioneer alongside Pierre Schaeffer, developing the famous Music Theory of the Sounding Object in the 50s, and continued to compose with Bernard Baschet and his Structures Sonores, holding residencies at Dartmouth College. ... Click to View


Michel Redolfi: Pacific Tubular Waves/Immersion [VINYL] (Recollection GRM)

Electroacoustic landscape composer Michel Redolfi in a work for Synclavier digital synthesizer recorded between 1979 & 1980, attempting to musically translate his research on underwater sound in the Pacific, from the movement of rolling waves to its depths. ... Click to View


The Necks: The Necks Box [8 CD BOX SET] (Recommended Records)

Formed in Australia the late 1980s by Chris Abrahams, Tony Buck and Lloyd Swanton, the Necks play post-jazz, post-rock, post-everything, slowly morphing improvised music, here in a limited numbered box set presenting 8 of their CDs from the UK Recommended Records label. ... Click to View


Reinhold Friedl : Golden Quinces, Earthed For Spatialised Neo-Bechstein (Bocian)

Reinhold Friedl performs on one of the last remaining of 150 Neo-Bechstein amplified Grand Pianos, using unusual recording techniques to find unexpected sonic aspects to the instrument, producing a dark ambient and industrial work of great intensity. ... Click to View


Alva Noto: Xerrox Vol. 3 (Raster-Noton)

Alva Noto continues his Xerrox series with the 3rd volume,"Towards Space", using the process of copying and manipulation of data as a basis for sound compositions, here showing a warmer music inspired by film memories, creating an imaginary soundtrack. ... Click to View


Eric La Casa: W2 (1998-2008) [2 CDs] (Herbal International)

A journey in sound from composer Eric La Casa, who organized these recordings of water and wind captured over 12 years as a sonic journal of the various geographic locations he visited, transforming them into an absorbing story about the living world. ... Click to View


John Zorn: The Song Project Live At LPR (Tzadik)

In celebration of his 60th birthday Zorn asked his most acclaimed vocal collaborators to write lyrics to select compositions from his vast musical catalog, first released as a 7" box set, and now here in red velvet covered CD package from a live performance in NYC, 2015. ... Click to View


Steve Coleman & the Council of Balance: Synovial Joints (Pi Recordings)

Composer and alto saxophonist Steve Coleman in a superb modern jazz album, written by applying characteristics of human synovial joints to compositional process, and using "camouflage orchestration" to orchestrate players into the fore-, middle- and background. ... Click to View


Graham Lambkin / Michael Pisaro: Schwarze Riesenfalter (erstwhile)

Balancing active organized sound worlds from Graham Lambkin with Wandelweiser discretion from Michael Pisaro in five tracks that punctuate concrete sound compositions with Feldman-esque piano progressions, bound together by a short poem; captivating and elusive. ... Click to View


Jeph Jerman / Tim Barnes: Matterings (erstwhile)

The pairing of eccentric sound artist Jeph Jerman with Quakebasket label leader/percussionist Tim Barnes, using unidentifiable sound sources, field recordings, and the occasional acoustic instrument to create unique, curious and absorbing environments. ... Click to View


Eric La Casa / Taku Unami: Parazoan Mapping (erstwhile)

Using "recordings" and "devices", this is the first release from the long-standing collaboration of Eric La Casa and Taku Umani, 15 untitled tracks of curious and subtly discursive sound work recorded in a diverse set of locations. ... Click to View


Ingar Zach / Miguel Angel Tolosa: Loner (Sofa)

Using electronics, field recordings, and acoustic percussion, the duo of Ingar Zach and Miguel Angel Tolosa (Ubeboet) create murky soundscapes punctuated and driven by percussion and ringing tones, rich ea-improv using tone and drones to envelope the listener. ... Click to View


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  Ingebrigt Haker Flaten 
  Steel: Live in Bucharest  
  (Tektite Records) 


  
   review by Florence Wetzel
  2012-05-22
Ingebrigt Haker Flaten: Steel: Live in Bucharest (Tektite Records)

Norwegian bassist Ingebrigt Håker Flaten is surely one of the most energetic players on the international music scene. Born in Norway in 1971, Flaten studied with bassist Odd Magne Gridseth at the Trondheim Conservatory of Music in the early nineties, then spent ten years honing his craft before his first release as a leader, Quintet (Jazzland, 2004). In addition to solo projects, over the years Flaten has worked with groups such as the Thing, Atomic, Free Fall, and Scorch, as well as in duets with three great international saxophonists: Joe McPhee (American), Evan Parker (English), and Håkon Kornstad (Norwegian).

Now based in Austin, Texas, Flaten recently took the plunge and started his own label, Tektite Records. Since Flaten is an integral part of the creative music world in both Scandinavia and the United States, he is ideally positioned to present today's music. Plans for the label include solo work from other artists, some of Flaten's ensemble work, and a box set of creative music concerts from Texas. Steel is the label's second release, a solo concert by Flaten that was recorded in 2010 at the Round Hall of the National Center of Dance in Bucharest, Romania.

The concert is in four parts and lasts just over twenty minutes, but it's amazing how much ground Flaten covers. Each piece has a distinctive feel, with various sonic flavors — jazz, free, classical, rock, noise, Middle Eastern — floating through the performance. Part one is notable for Flaten's strong, resonant plucking that gives each note its full due. Flaten's notes sing and linger, twist and turn, and his runs are wonderfully shaped. He can be a tremendously lyrical player as well, dancing his fingers over the strings in Spanish-tinged flourishes. In part two, Flaten busts out his bow, showing his strength as an arco player. One gets a sense of his deep concentration and intention as he moves the music from spare sounds to frenzied cries reminiscent of the human voice. Part three has insistent, forceful playing with a bit of a rock feel, and at one point Flaten sounds like he's hitting his bow on the floor — this must have been quite a concert to see as well as hear. The performance comes to an exciting close with part four, where Flaten sounds like he's playing backward and forward and sideways, then winds up by doing a call-and-response with himself.

In jazz clubs where a listening policy is not enforced, bass solos suffer the most; it can be practically impossible to hear bassists when there's a screen of conversation and clinking glasses. So it's a real pleasure to hear a bass on its own, with an audience that is listening quietly and respectfully. It's also a joy to behold someone so intimate with their instrument, so playful and open-minded and intense. Steel is a must for bass lovers, and for anyone who loves creative music played with passion and taste. Flaten's label is off to an excellent start, with more exciting music on the way.



Ingebrigt Haker Flaten: Steel: Live in Bucharest
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