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Peter Brotzmann The Octet : Machine Gun [VINYL] (Cien Fuegos)

One of the exemplary albums of European free jazz originally issued on Peter Brotzmann's on BRO label in 1968, aggressive but astute music from now-legendary players Brotzmann, Evan Parker & Gerd Dudek on tenor sax (Brotzmann doubles on baritone sax), Peter Kowald on bass, Fred Van Hove on piano, Buschi Niebergall on bass, and two drummers - Han Bennink and Sven-Ake Johansson. ... Click to View


Peter Brotzmann The Octet : Machine Gun - Alternate Takes [VINYL] (Cien Fuegos)

First time issued on vinyl: alternate takes from the essential "Machine Gun" album on Brotzmann's BRO label in 1968, aggressive but astute music from now-legendary players Brotzmann, Evan Parker & Gerd Dudek on tenor sax (Brotzmann doubles on baritone sax), Peter Kowald on bass, Fred Van Hove on piano, Buschi Niebergall on bass, and two drummers - Han Bennink & Sven-Ake Johansson. ... Click to View


Derek Bailey / Jamie Muir: Dart Drug [VINYL] (Honest Jons Records)

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Derek Bailey: Aida [VINYL 2 LPs] (Honest Jons Records)

Extending UK improvising guitarist Derek Bailey's 1980 solo album on his own Incus label with a full additional album of solo guitar recordings from the BBC in the same year, giving a fuller story of Bailey's development of his self-defined non-idiomatic improvisation, wonderfully commanding playing of great technical skill and clear intention. ... Click to View


Amado / Mcphee / Kessler / Corsano: A History Of Nothing (Trost Records)

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Amado / Mcphee / Kessler / Corsano: A History Of Nothing [VINYL] (Trost Records)

Following up their 2015 Not Two album "This is Our Language", the quartet organized by tenor saxophonist Rodrigo Amado with Joe McPhee on soprano saxophone and pocket trumpet, Kent Kessler on double bass, and Chris Corsano, a superb album of intense communication and soloing from a collective that merges free and lyrical playing, from ballads to full-on fury. ... Click to View


Spring Heel Jack / Wadada Leo Smith / Pat Thomas / Steve Noble: Hackney Road [VINYL] (Treader)

The Spring Heel Jack duo of guitarist and multi-instrumentalist John Coxon and keyboard & electronics player Ashley Wale are joined by UK improvising masters Pat Thomas on synth, keyboard & theremin, Steve Noble on drums, and US legend Wadaa Leo Smith on trumpet for a six "Scene" album of staggeringly intense improvisation over rich soundscapes; superb. ... Click to View


Fay Victor's SoundNoiseFunk (feat Joe Morris): Wet Robots (ESP)

SoundNoiseFUNK is New York free vocalist Fay Victor's quartet with Sam Newsome on soprano sax, Joe Morris on electric guitar and Reggie Nicholson on drums, a great collective group of leaders who perfect support Fay's wordless vocals and pointed statements, the title "Wet Robots" refererring to technology that is useless to help in an apocalyptic age; essential. ... Click to View


Acid Mothers Temple & The Melting Paraiso U.F.O.:: Hallelujah Mystic Garden Part 1 (Important Records)

Two long sides of "blissed-out, super tight Acid Mothers Temple jams that somehow stretch into the future while staying strongly rooted in the group's celebrated psychedelic history" performed with AMT regulars Cotton Casino (voice), Kawabata Makoto (guitar), Higashi Hiroshi (keys), Mitsuru Tabata (guitar), Staoshima Nani (drums), and S/T Wolf (bass). ... Click to View


Buck Curran: Morning Haikus, Afternoon Ragas [VINYL] (ESP-Disk)

American singer, songwriter, and guitarist, known for the psych-folk duo Arborea with Shanti Deschaine, in his second solo album of mostly instrumental acoustic guitar work, rich, reflective and confident work that fits in a John Fahey mode, with Adele Pappalardo providing vocals on one track, and Nicolo Melocchi playing Basuri Flute on another. ... Click to View


Joelle Leandre : A Woman's Work [8 CD BOX SET] (Not Two)

A thorough overview of bassist and vocalist Joelle Leandre's recent work in a boxed set of 8 CDs and a 16 page booklet of essays, photos and credits, each CD bringing a unique grouping from Les Diaboliques to duos with Mat Maneri, Fred Frith, Lauren Newton, & Jean-Luc Cappozzo, plus one solo disc and a quartet with Zlatko Kaucic, Evan Parker and Augusti Fernandez; magnificent. ... Click to View


Samara Lubelski / Bill Nace: (Relative Pitch)

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Irene Aranda / Johannes Nastejo / Nuria Andorra: Inner Core (Relative Pitch)

Referencing geothermal physics in the titles of their improvisations, these three Spanish improvisers create a riveting and radical set of experimental works, with Irene Aranda working inside and out of the piano, Johannes Nastejo extending and adapting his double bass, and percussionist Nuria Andorra using an arsenal of metallic and percussive objects. ... Click to View


Matthew Lux's Communication Arts Quartet: Contra/Fact [VINYL] (Astral Spirits)

Chicago bassist Matthew Lux (Isotope 217, Exploding Star Orchestra) in an album of effusive and spiritual percussive grooves under electronic and acoustic leads, performed with Ben Lamar Gay on cornet, electronics and percussion, Mikel Patrick Avery on drums, percussion, mellotron and more, and Jayve Montgomery on various woodwinds, samples and percussion. ... Click to View


Andrew Barker / Daniel Carter : Polyhedron [CASSETTE] (Astral Spirits)

Four duos from New York multi-reedist, wind and brass improviser Daniel Carter and drummer/percussionist Andrew Barker, dedicating each of four pieces to each player's past collaborators--Roy Campbell, Sabir Mateen, William Parker and Charles Water--through informed dialog that push each player into passionate territory with strong lyrical affinity. ... Click to View


John McCowen: 4 Chairs In Three Dimensions [CASSETTE] (Astral Spirits)

Using only acoustic techniques and recording live, New York clarinetist and contrabass clarinetist John McCowen (Tweak Bird, Wei Zhongle) draws out an incredibly impressive array of harmonic difference tones, interference beats and inexplicable sound from these typically monophonic instruments, using circular breathing to create long drones and aberrant textures. ... Click to View


Liudas Mockunas / Jacek Mazurkiewicz / Hakon Berre: Live In Warsaw [CASSETTE] (Astral Spirits)

Lithunian reedist Liudas Mockunas, Polish bassist and electronicicst Jacek Mazurkiewicz (3Fonia, Warsaw Improvisers Orchestra, Modular String Trio) and Norwegian drummer Hakon Berre (Aram Shelton, Susana Santos Silva) are captured live in Warsaw at Mozg in 2015 for three exploratory improvisations with Mockunas on clarinet, soprano & tenor saxes. ... Click to View


Luke Stewart: Works for Upright Bass & Amplifier [CASSETTE] (Astral Spirits)

Bassist and sound artist Luke Stewart is a Washington, CD stalwart, a member of a variety of improvised and rock bands and active in Sonic Circuits, and also an Artist-In-Residence at Union Arts and Manufacturing; this solo work uses the resonant feedback of an amplifier with unusual double bass technique to coax a fascinating journey that accompanied his 2017 art exhibit. ... Click to View


Ghost Trees Big Band: Goodyear [2 7-inch VINYL RECORDS] (Future Recordings)

The hard-working duo Ghost Trees of saxophonist Brent Bagwell and drummer Seth Nanaa, extended their group to a 10-piece band of interesting orchestration--piano, vibraphones, sax, pedal steels guitar, bass, cellos and violas--taking over the Charlotte, NC Goodyear building to present their interesting compositions blending conceptual composition and improvisation. ... Click to View


Ghost Trees: The Fascination [VINYL] (Future Recordings)

Recording in Asheville, NC, the Ghost Trees Duo of Seth Nanaa on drums and Brent Bagwell on tenor sax release their 3rd album as a clear vinyl LP, 11 inventive dialogs of expressive and energetic jazz born from fifteen years working together, from the trio The Eastern Seaboard to their own hard-working duo and recent Ghost Tree Big Band project. ... Click to View


Jose Lencastre / Jorge Nuno / Pedro Santo : 08.30/18.09/10.10/10.18 (Creative Sources)

Three free improvisations from the Lisbon, Portugal trio of Jorge Nuno on electric guitar, Jose Lencastre on alto saxophone and Pedro Santo on drums, four pieces titled for the length of their dialog as they explore spacious sound sculpting and energetic free playing, a nicely balanced set of work that transition with finesse between ardor and tranquility. ... Click to View


Wilkinson / Edwards / Noble: 3 Of A Kind [VINYL] (Bo Weavil Recordings)

Recorded live at IKLECTIK, in London, 2017, the trio of Alan Wilkinson on alto and baritone saxophones and bass clarinet and the rhythm team of John Edwards on double bass, and Steve Noble on drums, perform a steaming and cathartic free jazz informed by decades of experience and a fierce energy and determination that only masterful players like these can create. ... Click to View


Clifford Thornton Memorial Quartet, The (McPhee / Lazro / Foussat / Sato): Sweet Oranges (Not Two)

An absolutely fitting and exceptional tribute to late trumpeter & trombonist Clifford Thornton from a quartet of NY and European free jazz musicians, particularly Joe McPhee who recorded with Thornton and cites him as an influence, plus Daunik Lazro (sax), Makoto Sato (drums) and Jean-Marc Foussate (synth), recorded live at Nickelsdorf's Konfrontationen Festival 2017. ... Click to View


Okkyung Lee: Cheol-Kkot-Sae (Steel.Flower.Bird) (Tzadik)

Cellist Okkyung Lee explores her Korean roots in an amazing long-form composition combining electronics, improvisation, composed melodies and noise with Korean traditional music, performed with the superb ensemble of John Edwards (bass), Ches Smith (drums), John Butcher (sax), Jae Hyo Chang (Korean percussion), Song Hee Kwon (Pansori singing), and Lasse Marhaug (electronics). ... Click to View


David Behrman: Music With Memory [VINYL] (Alga Marghen)

Unreleased pieces from David Behrman focused on his '70s work with microcomputers: "Interspecies Smalltalk" commissioned by John Cage and Merce Cunningham, performed with Takehisa Kosugi (violin) & David Behrman (electronics); an early version of "Leapday Night", here performed with Werner Durand on saxophone; plus "All Thumbs" for 2 electrified mbiras. ... Click to View


Chantal Acda / Bill Frisell: Live at Jazz Middelheim (Glitterhouse)

New York improvising guitarist Bill Frisell recording with Dutch/Belgian chanteuse Chantal Acda (Sleepingdog) at the 2017 Jazz Middelheim Fest, in Antwerp, Belgium, which they agreed to do based on mutual satisfaction of their collaboration on Acda's studio album "Bounce Back" that year, resulting in a wonderfully compatible concert of rich and beautiful music. ... Click to View


William Parker: Voices Fall From The Sky [3 CD BOX SET] (Aum Fidelity)

William Parker developed these works presented in three complementary albums titled "Voices Fall From The Sky", "Songs", and "Essence", bringing together new compositions with long unavailable or new versions of previous pieces, performed in various configurations from solo to large ensemble, the songs reflecting freedom, compassion, anti-oppression, anti-violence, a love of nature, spirit and creation; essential elements in Parker's optimistic oeuvre. ... Click to View


Szilard Mezei Septet: Hajnali APN (FMR)

Serbian violinist and composer Szilard Mezei's septet in a recording for KCNS Novi Sad from 2015, three tracks of contemporarily orchestrated free improvisation performing three extended Mezei compositions, sophisticated works with effortlessly elaborate structures affording his septet opportunity in group interplay and well-developed soloing, a great achievement. ... Click to View


Oren Ambarchi / Kassel Jaeger / James Rushford: Face Time [VINYL] (Black Truffle)

The 2nd release from the trio of Oren Ambarchi, Kassel Jaeger, and James Rushford in two side-long pieces, simmering stews of electronic smears, pitched-down animal moans, and mysteriously emotive microtonal organ chords, crossed with elements twisted from dub and techno alongside unusually treated percussive elements; chilling and disturbed music. ... Click to View


Luc Ferrari: Atelier De Liberation De La Musique [VINYL] (Alga Marghen)

Six recordings from Luc Ferrari's Atelier De Liberation De La Musique, a collective he created together with Martin Davorin Jagodic (electric piano), Philippe Besombes (synthesizer), and Alain Petit (sax, clarinet & flute) in 1975 for a series of performances at the Galliera Museum in Paris to take place within an audio-visual labyrinth. ... Click to View


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  Katsura Mouri and Tim Olive 
  Various Histories  
  (845 Audio) 


  
   review by Dave Madden
  2013-08-26
Katsura Mouri and Tim Olive: Various Histories (845 Audio)

Luigi Russolo, painter and author — and non-musician — of the 1913 Futurist text The Art of Noises, believed that instruments had grown pedantic and stale as far as what they were intended to produce: an evolving variety of sound; the future of exciting, liberating "music" would run in tandem with the advent and "multiplication of machines". He advised that the world stop ignoring the new symphony built from the urban sonic landscape, as "In this way the motors and machines of our industrial cities will one day be consciously attuned, so that every factory will be transformed into an intoxicating orchestra of noises."

That was 100 years ago, and so-called noise musicians abound — and, though we have an abyss of devices from which to manipulate and mangle, many still aren't listening to the gears, circuits and hum that surrounds them, instead interpreting change and non-idiosyncrasy as grounds for hostile, aggressive, forced revolution. However, there are some who, as Russolo writes, "enlarge and enrich the field of sound", particularly Katsura Mouri and Tim Olive who can take broken-down turntables, pickups, "metals", bits and bobs and engage you toward a quizzical torpor.

Whereas Olive's solo explorations inhabit a gentler, subtler universe of objects in drive-by of his "guitar" (a piece of wood with a couple of strings nailed to it) pickups, each piquing the magnets to clang and reverberate, Mouri's input adds a more directional progression, though one in a jagged, circular stasis like plastic record player and abused records she appears with live would suggest. The first of five untitled tracks begins in a tense rumble underneath occasional pings and pops, the former soon giving way to short bursts of contorted information (you can almost make out a distressed voice at one point) and a slowly pulsing hum. Track Two follows suit, only with a heightened excitement via an expanded sonic palette and platter speed across even dustier surfaces. By Track Four, the duo has established the arch of the record as loud and soft, both members now working with more interdependence to build a texture resembling a controlled, distant windstorm just-rattling your patio furniture. For the fifteen-minute-plus finale, we have a marriage of perfect fifth in La Monte Young's Composition 1960 #7 or Éliane Radigue's Milarepa odes with the next musical steps: movement within the drone. All is tranquil with Olive and Mouri exhibiting a rocking (as in "chair") motion of roomy, congruous ostinatos that comfortably ease into a controlled feedback loop that endures, sheds and eventually (eleven minutes later) reveals itself as a sine wave; meanwhile, below the horizon the ensemble swirls with lower frequency fog to bring the work to a close — effectively replicating Kyoto's "sweltering summer day in 2010, in non-air-conditioned discomfort" when / where the works were captured.

To further lean on Russolo's words, "The new orchestra will not evoke new and novel emotions by imitating the noises of life, but by finding new and unique combinations of timbres and rhythms in noise..." Through sensitive attention to possibility, Olive and Mouri have truly found a "way to fully express the rhythm and sound that stretches beyond normal un-inebriated comprehension."



Katsura Mouri and Tim Olive: Various Histories
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