The Squid's Ear
Recently @ Squidco:

Roadworks (Gallio / Streuli): As If You Were Here / Glassware [2 LPS + CD + DOWNLOAD] (Percaso)

A deluxe 2 album release: "Glassware" on CD was composed by Swiss saxophonist Christoph Gallio for a commission by the Art Council Of The Canton Aargau, performed with Raphael Loher (piano), Ernst Thoma (synth), Dominique Girod (bass), and Nicolas Stocker (drums); then reworked into something creatively experimental in the 2 LP "As If You Were Here"; engaging and spellbinding! ... Click to View


Joe Morris : Instantiation: Paradoxical (Glacial Erratic)

One part of New York improvising guitarist and composer Joe Morris' "Instantiation" project, where each part is uniquely composed with specific notated and operational components making each impossible to perform the same way twice, here in a studio recording with clarinetist Dan O'Brien, bassist Brad Barrett, and violinist Elinor Speirs. ... Click to View


William Parker : Conversations III [BOOK] (RogueArt)

The third book in New York improvising bassist William Parker's interview with other improvisers, here with 33 interviews, 29 works of art by Jeff Schlangler and 13 photographs by Jacques Bisceglia; interviews include Steve Dalachinsky, Pheeroan Aklaff, Hamiet Bluiett, Craig Harris, Gerry Hemingway, Jason Kao Hwang, Ingrid Laubrock, Joe McPhee, &c. ... Click to View


Phil Gibbs / Neil Metcalfe / Adrian Northover / Marcello Magliocchi: The Visitors (FMR)

Bringing diverse experience to collective improvisation, including various associations with Paul Dunmall, the quartet of guitarist Philip Gibbs, flutist Neil Metcalfe, saxophonist Adrian Northover on alto and tenor, and drummer Marcello Magliocchi are heard in six passionately restrained and technically superb improvisations beautifully recorded in the studio. ... Click to View


Monash Art Ensemble (Grabowsky / Neal / Ford / Hannaford Williamson / Evans / Hope): Here Now Hear [2 CDs] (FMR)

"Here Now Hear" is comprised of nine innovative Australian works commissioned and recorded by the Monash Art Ensemble between 2017-2019f, featuring an eclectic mix of contemporary cross-genre music by significant Australian composers: Paul Grabowsky, Kate Neal, Andrew Ford, Robert Burke, Cat Hope, Marc Hannaford, Paul Williamson, Johannes Luebbers and Sandy Evans. ... Click to View


Udo Schindler / Eric Zwang Eriksson: Poetry?? Ein Wurfelwurf (FMR)

Udo Schindler marks his 80th Salon fur Klang+Kunst in Munich as his first duo recording with a drummer, in a first-time meeting with long-time acquaintance, drummer/percussionist Eric Zwang Eriksson, joining him as they find inspired common ground with Schindler on alto sax, bass clarinet, cornet and euphonium and Eriksson using all aspects of his drums and percussive devices. ... Click to View


Speak Easy (Wassermann / Minton / Lehn / Blume): @ Konfrontationen (Confront)

Since 2009 the UK & European ea-improvising quartet Speak Easy with two remarkable vocalists, Phil Minton and Ute Wasserman (also on birdcall whistles), Thomas Lehn on analog synthesizer and Martin Blume on drums & percussion, have startled and amazed listeners, as heard here in this extended performance at the 2016 Festival Konfrontationen in Nickelsdorf. ... Click to View


CARTOON (Biscoe / Pope / Turner): Change of Meaning (Confront)

A trio of UK free improvisers--Chris Biscoe on alto saxophone, soprano saxophone, John Pope on double bass, and Roger Turner on drumset & percussion--in two extended performances, one recorded in the studio in West London, the other live at The Bridge in Newcastle, collective improvisation of great clarity, direction and creativity. ... Click to View


Hymn (Dowding / Hallett / Ross): Silence, Then Birds (Confront)

Mysteriously evolving improvisations from the trio of Chris Dowding on trumpet, Sylvia Hallett on violin, bicycle wheel & saw, and Dave Ross using a self-designed time modulator, two recordings from St. Paul's Church in Marylebone and one at Camouflage in Norwich, ea-improv that has a natural feeling and beautifully paced development; fascinating. ... Click to View


Brain Dead Ensemble (Eldridge / Kiefer / Polymeneas / Magnusson): EFZ (Confront)

Two feedback cellos, a feedback bass and a threnoscope, a software tool used for for drones, live coding & microtonal composition, as the quartet of Alice Eldridge, Chris Kiefer, Thanos Polymeneas and Thor Magnusson meet in the studio in Glasgow to perform these heavily dark and subtly detailed improvisations, incredible environments of ominous and cathartic sound. ... Click to View


Harris Eisenstadt (w/ Wooley / Hawkins / Niggenkemper): Canada Day Quartet Live (Clean Feed)

While staying in the village Poschiavo in Switzerland at the Uncool Artist Residency program with his wife and son, drummer/composer Harris Eisenstadt composed more than 50 single-line, three-system unison compositions and multi-voice tunes, flexible to be arranged for any size group, as heard in this all-star quartet configuration of his Canada Day ensemble. ... Click to View


Eve Risser: Apres Un Reve (Clean Feed)

A remarkably varied and unique approach to prepared piano that French pianist Eve Risser refers to as "piano droit", heard in her performance at FGO Barbara, in Paris on an upright piano, chosen for its specific mechanical qualities that allow Risser to generate a surprising amount of rhythmic variety, as she performs a single work mixing composed and improvised elements. ... Click to View


Zack Clarke Trio (w/ Kim / Cass / Dre Hocevar): Vertical Shores (Clean Feed)

A lyrical album of original compositions from New York pianist Zack Clarke, in an acoustic jazz piano trio with double bassist Kim Cass and drummer Dre Hocevar, recording in the Systems Two studio in Brooklyn for nine pieces of both optimistic and mercurial temperament, a great example mixing virtuosic form and perceptive communication in a classic configuration. ... Click to View


Arthurs / Khroustaliov / Sartorious: Hangkerum (Clean Feed)

An album of alien soundscape and un-anticipatable rhythm with seductive brass sonority floating above, from the Swiss trio of trumpeter Tom Arthurs, Isambard Khroustaliov on electronics, and Julian Sartorious on drums & percussion, contrasting complex and strangely aberrant sonic and rhythmic environments with lyrically virtuosic trumpet work. ... Click to View


Joao Lencastre's Communion 3 (w/ Sacks / Opsvik): Song(s) Of Hope (Clean Feed)

The 2nd release on Clean Feed by drummer Joao Lencastre's Communion, a shape-shifting ensemble here configured with 2 New York improvisers from Lencastre's associations over 15 years in NYC--pianist Jakob Sacks and bassist Eivind Opsvik--for 10 studio recordings which include the 4-part "Magnetic Frequency", blurring lyrical avant jazz and chamber forms; beautiful. ... Click to View


Gabriel Ferrandini (w/ Faustino / Sousa): Volupias [VINYL] (Clean Feed)

Turning to one third of his more familiar Red Trio setting, percussionist/drummer Gabriel Ferrandini enlists bassist Hernani Faustino and tenor saxophonist Pedro Sousa (Sousa/Berthling/Ferrandini, PeterGabriel Duo) to perform 9 Ferrandini compositions named after streets in Lisbon leading from Ferrandini's house to his studio and then to ZDB. ... Click to View


Oddly Imploded (Gregoretti / Argenziano): They Just Sit About (Shhpuma)

Italian sonic explorer Francesco Gregoretti uses his drumkit like a lead instrument, amplifying and modifying its sound through effects, as he pursues his varied "Imploded" bands (Strongly Imploded, Grizzly Imploded) fueled by the mathematics of Chaos Theory, here with guitarist Maurizio Argenziano in an album of dense sound, from near-minimal to highly interactive. ... Click to View


Spirit in Spirit (Lencastre / Van der Weide / Govaert): Live at Zaal 100 (FMR)

A free jazz project from the trio of Portuguese alto saxophonist Jose Lencastre, French double bassist Raoul Van der Weide, and Dutch drummer Onno Govaert, performing at Amsterdam's Zaal 100 in 2018 for a concert of collective improvisation, intelligent discourse of coherently creative progressions and energetic but never overblown playing; exemplary. ... Click to View


Threnody (Berthling / Kuchen / Noble): A Paradigm Of Suspicion (Trost Records)

Previously a trio under their own names releasing the album "Threnody", the grouping of saxophonist Martin Kuchen (Angles), Johan Berthling (Fire!, Angles) and Steve Noble (St. Francis Duo, SFQ) now take the name Threnody as they burn through four extended improvisations of quickly shifting rhythm and dynamic and intensity; a remarkably passionate album. ... Click to View


Ted Daniel with Henry Grimes / Michael Marcus: Duology [VINYL] (Ujamaa Records)

Legendary New York trumpeter Ted Daniel, whose skills were honed in the 70s Loft Scene, in his 4th Duology album with the trio of Michael Marcus on clarinets and Henry Grimes on bass and violin, the leader also performing on French hunting horn, an album of varied mood and intensity that sits firmly in the free jazz legacy of daring harmonies and melodies. ... Click to View


Leap of Faith Orchestra & Sub-Units: Virtual Particles [2 CDS] (Evil Clown)

An octet version of the Boston improvising ensemble Leap of faith Orchestra, in a 3-part work using composer and multi-reedist, multi-instrumentalist David Pecks' timed segments, guiding the musicians through the piece while keeping the performance exuberantly controlled and intensely focused, finding unusual paths for creative statement. ... Click to View


Brotzmann / Schlippenbach / Bennink: Fifty Years After... Live at the Lila Eule 2018 (Trost Records)

50 years after saxophonist Peter Brotzmann's Octet recorded the legendary "Machine Gun" album, the trio of Berlin pianist, composer Alexander von Schlippenbach and Dutch percussionist Han Bennink commemorated the album at Lila Eule in Bremen, the concert heard here so successful that the trio decided to release the album and continue on as a working trio. ... Click to View


Kodian Trio: III (Trost Records)

Recorded during their 2018 European tour, the 3rd album from the Kodian Trio of Andrew Lisle on drums, Dirk Serries on guitar, and Colin Webster on alto saxophone, is influenced by their active traveling and performing, evoking those experiences in inventive free jazz with experimental intention, from the boisterously energetic to the introspectively reflective. ... Click to View


Keiji Haino / Sumac: Even for just the briefest moment Keep charging this "expiation" [VINYL 2 LPs] (Trost Records)

The second collaboration between the American avant-metal rock trio Sumac of guitarist Aaron Turner, drummer Nick Yacyshyn and bassist Brian Cook and Japanese legendary guitarist and vocalist Keiji Haino finds the quartet settling down from their first blast of an album, here slowly building their heavy feedback-drenched, ponderous and epic music. ... Click to View


Keiji Haino / Jim O'Rourke / Oren Ambarchi: In the past only geniuses were capable of staging the perfect crime (also known as a revolution) Today anybody can accomplish their aims... (Black Truffle)

The ninth album from the enduring trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi, recorded in 2015 at Tokyo's SuperDeluxe, with both Ambarchi and O'Rourke performing on drums and percussion, O'Rourke also using a Hammond Organ and Ambarchi on flute, while Haino asserts himself on guitar, electronics and voice, in 2 groove-based pieces and 2 side-long epics. ... Click to View


Konstrukt + Ken Vandermark: Kozmik Bazaar [VINYL] (KARLRECORDS)

In November 2018, the groove-oriented Turkish electric improvising quartet Konstrukt of saxophonist & electronic artist Korhan Futaci, guitarist Umut Caglar, double bassist Apostolos Sideris, and drummer Berkan Tilavel, met with Chicago multi-reedist Ken Vandermark in Instanbul, recording these improvisation, a mix of muscular playing and psychedelic interaction. ... Click to View


Max Eastley / Fergus Kelly / Mark Wastell: The Map Is Not The Territory (Confront)

The 8th release on Confront's Core series of factory-pressed CDs brings together improvisers Max Eastley, Fergus Kelly and Mark Wastell, employing electroacoustic devices, invented instruments, metal percussion, a piano frame and tam tam to create a rich and mysterious sound world, darkly hopeful emanations in a nighttime traversal across unknown lands. ... Click to View


Chris Burn / Philip Thomas: as if as (Confront)

Contemporary composer, improviser and pianist Chris Burn in 4 lively, playful and fasciatingly structured works, as heard in Philip Thomas's renderings: "as if as"; "only the snow"; a transcription of Derek Bailey's "from ten, two, and three" in 6 parts; "pressings and screening" in 4 parts; and "the sky a silver dissonance" with Kate Ledger as a 2nd pianist. ... Click to View


Bill Orcutt: Odds Against Tomorrow (Palilalia)

After his recent work interpreting the American Songbook, guitarist Bill Orcutt returns to his own compositions in an album cleanly recorded through a Fender Twin in Orcutt's living room, with three pieces multi-tracked, the rest simply pure Orcutt, reflecting beautiful blues-tinged lyricism, jarring interwining of notes, and impressive passages of superb virtuosity. ... Click to View


Bill Orcutt: Odds Against Tomorrow [VINYL] (Palilalia)

After his recent work interpreting the American Songbook, guitarist Bill Orcutt returns to his own compositions in an album cleanly recorded through a Fender Twin in Orcutt's living room, with three pieces multi-tracked, the rest simply pure Orcutt, reflecting beautiful blues-tinged lyricism, jarring interwining of notes, and impressive passages of superb virtuosity. ... Click to View


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The Squid's Ear
Squidco Sales

Op-Ed (Opinions and Editorials)
  • October 18, 2019:

    Squidco Harvest Sale Today we launched our 2019 Harvest Sale. A friend asked me: "where do you harvest vinyl records?" to which we both laughed, imagining a large field of molten plastic forming into discs. But I also explained that this summer was a surprisingly busy summer of new releases, reassuring anyone who wonders if new music is still be pressed to physical formats: there is, fortunately, no end of new releases being pressed to vinyl, CD or cassette. So the music we "harvest" in this sale was building up through this summer from a crop of established and new musicians who continue to create and captivate us with their approach to music and sound. Regardless, there was a bit of silliness behind the choice of this sale's name, and a fairly arbitrary title to signify that it was time for a sale! For those curious, the eyes in the pumpkin in the picture above are from the very first Squidco logo from 2002, and the mouth is from the Squid's Ear logo, turned on its side. The kitten is, of course, our very own Cassette, who is growing at a very quick pace!

    Squidco original Day Sale

    Meanwhile, the last couple of weeks have been busy and productive here at Squidco, with a large number of purchases in motion or just arrived. I also spent a good amount of time taking control of our review process at The Squid's Ear. 2019 has seen several new writers join our magazine, and without realizing it we built up more than 50 unpublished reviews in the editing queue. I don't like to rush a review to the web, preferring to take time to edit carefully, and to sequence our review publishing in a manner that provides diversity to our readers. That said, the new methods I implemented to track submitted reviews will see an increased pace of publishing on the site. As an aside, one of our distributors remarked to me recently that few record stores publish reviews these days, reminding me of Cadence and their determination to review and disseminate quality information about the music they sold. I hope that our magazine is as useful, not only to Squidco customers, but to anyone looking for serious insight into improvised and composed music, and the many shades of intention in between.






    One of the albums from this month's releases I've spent quite a bit of time with is the most recent Confront Core album, the trio of Max Eastley, Fergus Kelly & Mark Wastell. The instrumentation is as mysterious as the music they make, consisting of an arc electro acoustic monochord, invented instruments, found metals, electronics, tam tam, metal percussion, and piano frame. According to Wikipedia, the electro-acoustic monochord is an instrument Eastley developed from an aeolian sculpture, that consists of a single string stretched lengthwise across a long piece of wood (around ten feet long) which can be played with a bow, fingers or short glass rods. Like acousmatic music, it's hard to determine where or from who any sound emanates from on this album. The trio's coherence, pacing and similar attitude keep this album fascinating, surprising, but never histrionic or overdone. Subsequent listens reveal details previously hidden, appropriate as the album unfolds like a shared secret closely held and spellbinding to those who learn its meaning.

    Eastley, Max / Fergus Kelly / Mark Wastell: The Map Is Not The Territory (Confront)

    The 8th release on Confront's Core series of factory-pressed CDs brings together improvisers Max Eastley, Fergus Kelly and Mark Wastell, employing electroacoustic devices, invented instruments, metal percussion, a piano frame and tam tam to create a rich and mysterious sound world, darkly hopeful emanations in a nighttime traversal across unknown lands.








    We continue to catalog a great set of new albums on Boston's Evil Clown imprint, run by reedist/multi-instrumentalist/composer David Peck, aka PEK. PEK's approach to composing allows large groups of musicians to follow a framework that explains each musician's approach to each piece, without requiring rehearsing before performance or recording. This works with the calibre of musicians he attracts, and the availability of spaces in which they can record or perform. I was saddened to read, and very sympathetic to, the comments accompanying the Virtual Particles album, where PEK explains that Boston's "Union Square has been gentrifying and our host Susan can't pay the landlords rent hikes, so she has closed it down." Having lost our last space two years ago to gentrification, I understand the difficulties in finding a new location to continue work that is important and that one is driven toward. Virtual Particles is the last album in that particular space, presenting 3 distinct groupings from the collective, and is a great starting point for anyone interested in learning about their very distinctive strategy to improvisation.

    Leap of Faith Orchestra & Sub-Units: Virtual Particles [2 CDS] (Evil Clown)

    An octet version of the Boston improvising ensemble Leap of faith Orchestra, in a 3-part work using composer and multi-reedist, multi-instrumentalist David Pecks' timed segments, guiding the musicians through the piece while keeping the performance exuberantly controlled and intensely focused, finding unusual paths for creative statement.








    One of the more fascinating albums I've been listening to is Paul Gallio's deluxe double-LP/CD/download album, Glassware and As If You Were Here. The music on Glassware, commissioned by XXXX, is a wonderful mix of lyrical modern jazz and improvisation, electronic and ea-improv moments, and narrative asides. It's joyful, not dark but sometimes mysterious, sometimes pensive or introspective, but always leading back to an optimistic sound. The second album, As If You Were Here, takes the material from the first album and reworks it into a new series of compositions, laid out on 3 sides of a double LP set. Here Gallio's power as a composer and editor are in the foreground, and the treatments and arrangements take the original material into directions one would never suspect. As someone who works with computer composition, and who envies those who can improvise with virtuosic technique, I find myself an enamored listener. The quality and volume of that quality in this release, priced in a very reasonable manner, will likely make this one of my picks of the year.

    Roadworks (Gallio / Streuli): As If You Were Here / Glassware [2 LPS + CD + DOWNLOAD] (Percaso)

    A deluxe 2 album release: "Glassware" on CD was composed by Swiss saxophonist Christoph Gallio for a commission by the Art Council Of The Canton Aargau, performed with Raphael Loher (piano), Ernst Thoma (synth), Dominique Girod (bass), and Nicolas Stocker (drums); then reworked into something creatively experimental in the 2 LP "As If You Were Here"; engaging and spellbinding!








    I suppose it's unfair to group any musicians into the sphere of another when each has such a vital career of their own... but PauL Dunmall provides an easy category to associate the playing of a great number of UK and European free improvisers,. Such is the case with the recent album The Visitors where frequent Dunmall associates Philip Gibbs and Neil Metcalfe join with Remote Viewers saxophonist Adrian Northover and drummer Marcello Magliocchi. You'll hear Dunmall, Gibbs and Metcalfe on the Sun Inside album from 2011, as well as 2014's The Ravens Look where they perform as a trio, or 2015's I Look At You, or 2018's Seascapes. Of course, the other way to look at The Visitors is that three of these musicians Gibbs, Metcalfe and Northover are core members of The Runcible Quintet (which is further associated with the London Improvisers Orchestra!) Regardless of the focus, the UK has a vital set of improvising musicians who associate in a variety of groups, for which our ears are much richer.

    Gibbs, Phil / Neil Metcalfe / Adrian Northover / Marcello Magliocchi: The Visitors (FMR)

    Bringing diverse experience to collective improvisation, including various associations with Paul Dunmall, the quartet of guitarist Philip Gibbs, flutist Neil Metcalfe, saxophonist Adrian Northover on alto and tenor, and drummer Marcello Magliocchi are heard in six passionately restrained and technically superb improvisations beautifully recorded in the studio.



    Dunmall / Gibbs / Metcalfe / Rogers: Sun Inside (FMR)

    The quartet of Paul Dunmall on soprano sax and bass clarinet; Philip Gibbs on guitar; Neil Metcalf on flute; and Paul Rogers on 7-string bass; a unique orchestration with impressive improvisational results.



    Dunmall, Paul / Philip Gibbs / Neil Metcalfe: The Ravens Look (FMR)

    Paul Dunmall performs on soprano sax along with clarinets and contra bassoon, in a give and take album with flutist Neil Metcalf and guitarist Philip Gibbs, a trio that allows space and a free melodic approach to guide their intelligent discourse.



    Dunmall, Paul / Phillip Gibbs / Alison Blunt / Neil Metcalfe / Hanna Marshall: I Look At You (FMR)

    Blending free and compositional players, saxophonist Paul Dunmall leads the quintet of Neil Metcalfe on flute, Hanna Marshall on cello, Alison Blunt on violin and Phillip Gibbs on guitar for a refined and sprightly set of extended improvisations recorded at Birmingham Conservatory.



    Dunmall, Paul / Philip Gibbs / Neil Metcalfe / Ashley John Long : Seascapes (FMR)

    Long-time collaborators, saxophonist Paul Dunmall and guitar Philip Gibbs are joined by Neil Metcalfe on flute and Ashley-John Long on bass for a concert at the Victoria Rooms, in Bristol, England in 2017, six collective improvisation of spectacular technique and inventive playing, often at very fast tempos, but always resolving to an inner calm and beauty.



    continued...




  • The Squid's Ear presents
    reviews about releases
    sold at Squidco.com
    written by
    independent writers.

    Squidco

    Recent Selections @ Squidco:


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