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Perelman, Ivo / Matthew Shipp / Joe Hertenstein: Scalene (Leo)

Scalene describes a triangle having sides unequal in length, but there's nothing uneven in the back and forth from the NY trio of tenor saxophonist Ivo Perelman, pianist Matthew Shipp, and new to Perelman & Shipp's many collaborations, drummer Joe Herteinstein, in a 10-part studio recording of energetic spontaneous improvisation with a strong lyrical center.
 

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product information:


UPC: 5024792080823

Label: Leo
Catalog ID: LEO 808
Squidco Product Code: 25262

Format: CD
Condition: New
Released: 2017
Country: UK
Packaging: Jewel Case
Recorded at Parkwest, in Brooklyn, New York, in June, 2017, by Jim Clouse.


Personnel:

Ivo Perelman-tenor saxophone

Matthew Shipp-piano

Joe Hertenstein-drums

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track listing:


1. Part 1 6:44

2. Part 2 4:05

3. Part 3 3:54

4. Part 4 6:42

5. Part 5 4:15

6. Part 6 4:35

7. Part 7 5:55

8. Part 8 5:19

9. Part 9 3:28

10. Part 10 5:23

Related Categories of Interest:


Leo Records
Improvised Music
Jazz
Free Improvisation
NY Downtown & Jazz/Improv
Trio Recordings
New in Improvised Music
Recent Releases and Best Sellers

sample the album:








descriptions, reviews, &c.

"First It was Jeff Cosgrove, then Bobby Kapp, and now it is yet another new drummer Joe Hertenstein. Says Ivo: "I'm opening up to every musician on earth. It's not that I have exhausted the musical potential with my favorite gang. But it's time to expand - and this will reflect a growth within my gang. If you socialize and talk with other people, it's good for your old friends too." With new friends like Hertenstein, no one's complaining."-Leo Records



"The Perelman/Shipp trio is completed once again by a new name, Joe Hertenstein. Where the saxophonist's most recent discs have relied upon the established pulse of Gerald Cleaver or Whit Dickey, he has expanded his universe to include drummers Andrew Cyrille on Dione (2017), Bobby Kapp Tarvos (2017) Heptagon (see below), and Jeff Cosgrove (see above). This studio date evolved from Shipp's two recordings with Hertenstein and The Core Trio released on FreeBass Productions (2014) and Evil Rabbit Records (2016).

The music is, of course, all spontaneous, and it once again is influenced by the newest member. Hertenstein is more rock than roll here, an approach not heard with his trio HNH (with Pascal Niggenkemper and Thomas Heberer). Let's say he lit the candle in the midst of these two heavyweight improvisors to earn his bones. In any case, the recording is a carbonated affair. As Perelman is quoted in the liner notes, "he plays symphonic music, he plays jazz; he plays things that don't make sense." Like Paal Nilssen-Love, Hertenstein is a proponent of the aggressive rattle and bang. He turns the opening "Part 1" inside-out, inciting Shipp's thunderous march and Perelman's upper register gymnastics. Even the quieter pieces, "Part 2" and "Part 6" are busy affairs, swarming with cymbal and clink. This new trio alliance communicated great promise for things to come."-MARK CORROTO


Get additional information at All About Jazz

Artist Biographies:

"Born in 1961 in São Paulo, Brazil, Perelman was a classical guitar prodigy who tried his hand at many other instruments - including cello, clarinet, and trombone - before gravitating to the tenor saxophone. His initial heroes were the cool jazz saxophonists Stan Getz and Paul Desmond. But although these artists' romantic bent still shapes Perelman's voluptuous improvisations, it would be hard to find their direct influence in the fiery, galvanic, iconoclastic solos that have become his trademark.

Moving to Boston in 1981, to attend Berklee College of Music, Perelman continued to focus on mainstream masters of the tenor sax, to the exclusion of such pioneering avant-gardists as Albert Ayler, Peter Brötzmann, and John Coltrane (all of whom would later be cited as precedents for Perelman's own work). He left Berklee after a year or so and moved to Los Angeles, where he studied with vibraphonist Charlie Shoemake, at whose monthly jam sessions Perelman discovered his penchant for post-structure improvisation: "I would go berserk, just playing my own thing," he has stated.

Emboldened by this approach, Perelman began to research the free-jazz saxists who had come before him. In the early 90s he moved to New York, a far more inviting environment for free-jazz experimentation, where he lives to this day. His discography comprises more than 50 recordings, with a dozen of them appearing since 2010, when he entered a remarkable period of artistic growth - and "intense creative frenzy," in his words. Many of these trace his rewarding long-term relationships with such other new-jazz visionaries as pianist Matthew Shipp, bassists William Parker, guitarist Joe Morris, and drummer Gerald Cleaver.

Critics have lauded Perelman's no-holds-barred saxophone style, calling him "one of the great colorists of the tenor sax" (Ed Hazell in the Boston Globe); "tremendously lyrical" (Gary Giddins); and "a leather-lunged monster with an expressive rasp, who can rage and spit in violence, yet still leave you feeling heartbroken" (The Wire). Since 2011, he has undertaken an immersive study in the natural trumpet, an instrument popular in the 17th century, before the invention of the valve system used in modern brass instruments; his goal is to achieve even greater control of the tenor saxophone's altissimo range (of which he is already the world's most accomplished practitioner).

Perelman is also a prolific and noted visual artist, whose paintings and sketches have been displayed in numerous exhibitions while earning a place in collections around the world."

-Ivo Perelman Website (http://www.ivoperelman.com/bio/)
4/23/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Matthew Shipp was born December 7, 1960 in Wilmington, Delaware. He started piano at 5 years old with the regular piano lessons most kids have experienced. He fell in love with jazz at 12 years old. After moving to New York in 1984 he quickly became one of the leading lights in the New York jazz scene. He was a sideman in the David S. Ware quartet and also for Roscoe Mitchell's Note Factory before making the decision to concentrate on his own music.

Mr Shipp has reached the holy grail of jazz in that he possesses a unique style on his instrument that is all of his own- and he's one of the few in jazz that can say so. Mr. Shipp has recorded a lot of albums with many labels but his 2 most enduring relationships have been with two labels. In the 1990s he recorded a number of chamber jazz cds with Hatology, a group of cds that charted a new course for jazz that, to this day, the jazz world has not realized. In the 2000s Mr Shipp has been curator and director of the label Thirsty Ear's "Blue Series" and has also recorded for them. In this collection of recordings he has generated a whole body of work that is visionary, far reaching and many faceted."

-Matthew Shipp Website (http://www.matthewshipp.com/bio.html)
4/23/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joe Hertenstein is among the busiest and most versatile drummers and band leaders of the improvised-music scene of New York City. Trained at the Hochschule for Music and Dance in Cologne, Germany, he came to New York in 2007 to complete his Master of Arts studies at City University of New York. His mission was to learn from and explore music with many master musicians, some of which he calls friends and colleagues by now. He hopes to encourage and experience the dialogue with all cultures through music, through the abstract, through friendship and inspiration.

Joe has released five albums as a leader with the bands HNH, POLYLEMMA, Future Drone and TØRN and many more as a sideman on labels such as MoersMusic, Cleanfeed, Red Toucan, jazzwerkstatt Berlin, Creative Sources, 2nd Floor/Loft-Cologne, Skirl, Leo, Engine, and Konnex.

He has performed at the Philharmonic in Cologne, and at the Moers Festival in Germany, the Warsaw Jazz Summer Days, the Bush Hall London for BBC, the Opera House in Toronto, the World Trade Center in Dubai, the John F. Kennedy Center for the Performing Arts in Washington DC, as well as Carnegie Hall, Webster Hall, Roulette, Issue Project Room, Dizzy's Club, The Stone, Nublu and the Vision Festival in New York City among many others.

In 2005, the magazine AllAboutJazzNewYork hailed his drumming style as "...shaping the music from the bottom up." and for April 2011, the Managing Editor of TheNYCJazzRecord, Laurence Donohue-Greene, selected Joe's album Crespect by TØRN as "Recommended New Release". The same year, the website www.allaboutjazz.com praised his album POLYLEMMA as thus: "The soloists' focused interactions intimate a highly artistic game plan that supersedes the tried and true." POLYLEMMA won Belgian music critic Stef Gijssels' freejazzblog's Happy-New-Ears-Award 2011 for most innovative listening experience. Joe's latest album HNH2 made it on Gijssels' list of top 10 albums of 2015: "Fantastic trumpet, bass, drums trio redefining the format through inventive music."

Some of the international festivals Joe has performed at are the Hoeilaart Jazzfestival Brussels (BE), JekerJazz Maastricht (NL), the Leverkusener Jazztage, Moers New Jazz Festival, Triennale 2007, ViveLeJazz (GER), Portalegre Jazzfest (PGL), Warsaw Jazz Summer Days (P), Vision Festival, Red Hook Jazz Festival and Nublu Festival NYC, Clean Feed Festival at The Stone NYC, and many more.

The growing circle of international musicians he has worked with include Ravi Coltrane, Kenny Werner, Chris Potter, Tim Hagans, Rufus Reid, Steve Wilson, Jay Anderson, Butch Morris, Juini Booth, Kenny Wollesen, Graham Haynes, Brandon Ross, Matthew Shipp, Elliott Sharp, Alvin Fielder, Doug Wieselman, Ken Filiano, Anthony Coleman, Tristan Honsinger, Damon Choice, Damon Smith, Daniel Levin, Michael Attias, Daniel Carter, Mossa Bildner, Phil Gibbs, Sylvain Leroux, Steve Swell, Mat Maneri, Darius Jones, Jon Irabagon, Sean Conly, Todd Neufeld, Leo Genovese, Mikko Innanen, Achim Tang, Thomas Lehn, Frank Gratkowski, Scott Fields, Dieter Manderscheid, Matthias Schubert, Thomas Heberer, Achim Kaufmann, Sebastian Gramss, Thomas Helton, Damon Smith, Blaise Siwula, Carsten Radke, Terrence Ngassa, Adam Rudolph's GO:Organic Orchestra and Karl Berger's Improviser's Orchestra. He was a member of Butch Morris' ensembles Nublu Orchestra and LuckyCheng Orchestra as well as Cologne's The James Choice Orchestra.

Hertenstein is a member of the Tim Hagans Quintet with Steve Wilson, Luis Perdomo/Leo Genovese and Jay Anderson. He is also the drummer for Thomas Helton's The Core Trio with Seth Paynter, which will release its second album featuring pianist Matthew Shipp in the summer of 2016 on Berlin's EvilRabittRecords.

2015 Joe was artist in residence at The Atlantic Center for the Arts, Florida. "

-Joe Hertenstein Website (http://joehertenstein-bio.tumblr.com/)
4/23/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Other Releases With These Artists:
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Perelman, Ivo / Nate Wooley / Brandon Lopez / Gerald Cleaver
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Perelman, Ivo / Matthew Shipp / Nate Wooley
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Mitchell, Roscoe / Matthew Shipp
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Kamins / Smith / Fielder / Hertenstein
After Effects
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