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© 2002-2018, Squidco LLC


Rempis, Dave / Tim Daisy & Guests: Dodecahedron (Aerophonic)

Marking their 20th anniversary working together, the collaboration between Chicago improvisers, saxophonist Dave Rempis and percussionist Tim Daisy, release their third duo recording, inviting an incredible list of improvisers to perform live with them at Elastic Arts in Chicago in 2017: Jason Adasiewicz, Jim Baker, Fred Lonberg-Holm, Steve Swell, Katie Young, and Aaron Zarzutzki.
 

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product information:


UPC: 902249000924

Label: Aerophonic
Catalog ID: AR017
Squidco Product Code: 25569

Format: 2 CDs
Condition: New
Released: 2018
Country: USA
Packaging: Digipack
Disc One recorded at Elastic Arts, in Chicago, Illinois, October 16th, 2017.

Disc Two recorded at Elastic Arts, in Chicago, in Chicago, Illinois, August 6th and September 5th, 2017 by Dave Zuchowski.


Personnel:

Dave Rempis-alto saxophone, baritone saxophone

Tim Daisy-drums

Jason Adasiewicz-vibes

Jim Baker-piano, electronics

Fred Lonberg Holm-cello

Steve Swell-trombone

Katie Young-bassoon, electronics

Aaron Zarzutzki-electronics

Highlight an artist name or instrument above
and click here to Search
track listing:


CD1



1. EIKOSI 28:08

2. ZWANZIG 07:18

3. DVADESET 13:18

CD2



1. DRS I 11:53

2. DLHR I 07:20

3. DRZ 09:26

4. BDR I 09:33

5. DRY 09:32

6. ADR 10:21

7. DLHR II 05:57

8. BDR II 05:45

9. DRS II 05:37
Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Duo Recordings
Trio Recordings
Chicago Jazz & Improvisation
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers

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descriptions, reviews, &c.

"Dodecahedron, the third duo recording by saxophonist Dave Rempis and percussionist Tim Daisy, celebrates a special mile-marker in the musical history of these long-time partners, as 2018 marks the twentieth anniversary of their duo pairing. These two have formed the backbone of well-known working bands dating back to 1997, when they first met in Chicago, including Triage, The Vandermark Five, The Rempis Percussion Quartet, and The Engines. But that list only scratches the surface, accounting for just a portion of likely more than a thousand gigs they've played together over that time. On the first disc of this new two-disc set, recorded live at Elastic Arts in Chicago in October 2017, you can hear every nuance of that two decades of shared experience. Rempis and Daisy have logged far too many hours in the van together to suffer each other's bullshit, and continue to undermine any whiff of cliché by pushing here, pulling there, and sometimes just outright kicking the chair out from underneath one another. There's no hiding from family.

To further celebrate this special milestone, the duo invited six guests to join them individually for two recording sessions in the summer of 2017, released here on the second disc in this set. Each of these musicians - Jason Adasiewicz, Jim Baker, Fred Lonberg-Holm, Steve Swell, Katie Young, and Aaron Zarzutzki - are friends and colleagues whose distinct personalities and long histories with Rempis and Daisy have helped to shape the duo's approach as a unit, and as individual musicians. And each of the pieces presented here showcase yet another of the many facets contained within the duo's complex lexicon.

Overall, the music on these two discs stands as a testament to improvisation as process, and as development; in this case an ongoing conversation that takes place across decades, not a finished product contained within a single document. Viewed within the larger context of Rempis and Daisy's long history together, these discs find two improvisers once again rolling up their sleeves and showing up ready for work in the type of humble, patient, and committed way that's come to define their hometown scene in Chicago musically and otherwise."-Aerophonics


Artist Biographies:

"Dave Rempis was born in Wellesley, Massachusetts on March 24th, 1975. He began his musical studies at the age of 8, inspired by a family friend who played clarinet in local Greek bands, and by Zoot, of the Muppets Band, to pick up saxophone. During high school he performed in his town, district, and all-state bands and wind ensembles, as well as in a jazz combo at a local music school.

In 1993, Rempis began a degree in classical saxophone at Northwestern University with Frederick Hemke. Finding this environment stifling, Rempis quickly ditched the music degree to pursue studies in anthropology and ethnomusicology. As part of these studies, he spent a year at the International Centre for African Music and Dance at the University of Ghana, Legon, studying African music and ethnomusicology. He also continued to perform with many different types of groups, ranging from highlife and reggae bands while in Ghana, to jazz, free jazz, funk, and contemporary music ensembles at home. He graduated from Northwestern in 1997.

Upon graduating, Rempis decided to focus on performing, and in March of 1998 at the age of 22 was asked to replace veteran saxophonist Mars Williams in the well-known Chicago jazz outfit The Vandermark Five. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe playing clubs, concert halls, and festivals on both continents.

During his tenure with The Vandermark Five, Rempis also began to develop the many Chicago-based groups and international collaborations for which he's currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, The Rempis/Rosaly Duo, and The Rempis/Daisy Duo. Many of these groups have been documented on the Okkadisk, 482 Music, Not Two, Clean Feed, Solitaire, and Utech record labels. Past collaborations have included performances with Paul Lytton, Axel Dörner, Peter Brötzmann, Hamid Drake, Steve Swell, John Tchicai, Roscoe Mitchell, Fred Anderson, Kevin Drumm, Paal Nilssen-Love, Nels Cline, Tony Buck, and Joe McPhee. Rempis has been named regularly since 2006 in the annual Downbeat Critics's Poll as a "rising star" on alto saxophone, and as a "rising star" and "established talent" on baritone saxophone.

Aside from performing, Rempis is also active as a presenter. Since 2002, he's curated a weekly Thursday-night concert series for the Elastic Arts Foundation. The series has featured over 500 concerts by some of the best improvisers from around the world, while maintaining a focus on up-and-coming local musicians. In late 2005, Rempis helped form the presenters' collective Umbrella Music, working with a small group of musicians and presenters in Chicago to provide better playing opportunities for creative and improvising musicians. As part of this group, he organized the annual Umbrella Music Festival from 2006-2014.

Rempis is also one of the main organizers of the indie-rock Pitchfork Music Festival, a 60,000-person event which takes place in Chicago's Union Park every July."

-Dave Rempis Website (http://daverempis.com/bio/)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Tim Daisy (percussion) has been an active member of Chicago' s creative music scene since moving there in 1997. He has performed, composed, recorded, and toured with many of the city's celebrated musicians and ensembles, including the Engines, KLANG, the Rempis Percussion Quartet, the Resonance Ensemble, and the Vandermark 5. In addition, Tim maintains an active composing schedule, writing for his own bands (such as Vox Arcana and Group 4-34) as well as contributing music to a number of collaborative projects- including chamber groups, jazz ensembles, dance, and film. He has had the fortunate experience to perform and record with many great improvisers both from around the world, including: Fred Anderson, Jim Baker, Jeb Bishop, Magnus Broo, Xavier Charles, James Falzone, Erik Friedlander, Per-Ake Homlander, Fred Lonberg-Holm, Nate McBride, Joe McPhee, Dave Rempis, Steve Swell, Mikolaj Trzaska, Havard Wiik, Waclaw Zimpel, and Michael Zerang. Besides a regular concert schedule in Chicago, Tim has toured throughout North America and Europe, and has performed at numerous international music festivals."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jason Adasiewicz was born in Wichita, Kansas in 1977, but raised in Crystal Lake, Illinois. He studied jazz drums at DePaul University for three years. He only eased into the vibraphone after leaving school, playing it in the indie-rock scene around Chicago with bands like Pinetop Seven and the singer-songwriter Edith Frost.

In the early 2000s he began his collaboration with cornetist Josh Berman and drummer Mike Reed. Since then he was worked in the Chicago jazz and improvisation scene with multiple bands, including Rob Mazurek's Starlicker and Exploding Star Orchestra, Mike Reed's Loose Assembly, Josh Berman and His Gang, Nicole Mitchell's Ice Crystal, James Falzone's Klang and Ken Vandermark's Topology and Audio One.

Adasiewicz formed his Chicago-based jazz quintet, Rolldown, in 2004, while living in Madison. In 2008 he founded the trio Sun Rooms, with Nate McBride and Mike Reed."

-Wikipedia (https://en.wikipedia.org/wiki/Jason_Adasiewicz)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jim Baker was born in Chicago a number of years ago and has been playing in and around Chicago and elsewhere in the world for a few decades, mostly on piano and analog synthesizer; mostly in improvisational contexts; in situations involving, amongst others, Fred Anderson, Ken Vandermark, Michael Zerang, Mars Williams, Brian Sandstrom, Steve Hunt, Edward WIlkerson Jr, David Boykin, Rob Mazurek, Guillermo Gregorio, Nicole Mitchell, Vincent Davis, the Thing XXL, Tortoise, Dave Rempis, Fred Lonberg-Holm, Paul Hartsaw, Janet Bean, Damon Short, and numerous others.

For a number of years, Mr Baker was the house pianist at the weekly jam sessions at Fred Anderson's Velvet Lounge; and for most of the past decade, has played weekly with the improvising quartet Extraordinary Popular Delusions (the other three Delusions: Messrs. Williams, Sandstrom, & Hunt) , who currently play nearly every monday night at Beat Kitchen in Chicago."

-Milk Factory Productions (http://www.milkfactoryproductions.com/Jim_Baker.html)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Fred Lonberg-Holm (born 1962) is an American cellist based in Chicago. He relocated from New York City to Chicago in 1995. Lonberg-Holm is most identified with playing free improvisation and free jazz. He is also a composer of concert works. As a session musician and arranger, he is credited on many rock, pop, and country records. Lonberg-Holm currently leads the Valentine Trio, with Jason Roebke (bass) and Frank Rosaly (drums). This jazz trio performs original compositions as well as tunes by both jazz composers (e.g. Sun Ra) and pop songwriters (e.g. Jeff Tweedy, Syd Barrett). The group released its first album Terminal Valentine, in 2007, which was reviewed by AllAboutJazz critic Nils Jacobson.

He coordinates and directs performances of his Lightbox Orchestra, an improvising ensemble with a flexible, ever-changing membership. Lonberg-Holm does not play an instrument in this group, but rather conducts its non-idiomatic improvisations via the "lightbox" and by holding up handwritten signs. The lightbox contains a light bulb for each musician which Lonberg-Holm switches on or off to suggest when they should play. Collective groups of which Lonberg-Holm is a member include Terminal 4 who released an album, in 2003, called When I'm Falling that received four and a half stars, and AMG Album Pick by Allmusic, and it was reviewed by Allmusic's Joslyn Layne, The Boxhead Ensemble, Pillow, the Lonberg-Holm/Kessler/Zerang trio (with Kent Kessler and Michael Zerang), and the Dörner/Lonberg-Holm duo (with Axel Dörner).

Among groups led by other people, he is a member of the Vandermark 5, the Joe McPhee Trio, the Peter Brötzmann Chicago Tentet, Keefe Jackson's Fast Citizens, and Ken Vandermark's Territory Band. When he lived in New York, Lonberg-Holm frequently collaborated with the rock group God Is My Co-Pilot pianist and composer Anthony Coleman as well as multi-instrumentalist Paul Duncan of Warm Ghost. In Chicago, he has worked with Jim O'Rourke, Bobby Conn (on "Llovessonngs" [1999] and "The Golden Age" [2001]), The Flying Luttenbachers, Lake Of Dracula, Wilco, Rivulets, Mats Gustafsson, Sten Sandell, Jaap Blonk, John Butcher, and a great many others.

Lonberg-Holm's concert works have been premiered by William Winant, Carrie Biolo, the Austin New Music Co-Op, Subtropics Ensemble, Duo Atypica, the Schanzer/Speach Duo, New Winds, Paul Hoskin, Kevin Norton, the E.S.P. Ensemble, and others. His scores for dance have been performed at the Brooklyn Academy of Music and Dance Theater Workshop as well as many other venues. He is a former composition student of Anthony Braxton and Morton Feldman. He performed improvised music in the role of a troubled composer who finds inspiration in the love of a couple he spots on the street in a short film for the Playboy channel."

-Wikipedia (https://en.wikipedia.org/wiki/Fred_Lonberg-Holm)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Newark, NJ, Steve Swell has been an active member of the NYC music community since 1975. He has toured and recorded with many artists from mainstreamers such as Lionel Hampton and Buddy Rich to so called outsiders as Anthony Braxton, Bill Dixon, Cecil Taylor and William Parker. He has over 40 CDs as a leader or co-leader and is a featured artists on more than 100 other releases. He runs workshops around the world and is a teaching artist in the NYC public school system focusing on special needs children.

Swell has worked on music transcriptions of the Bosavi tribe of New Guinea for MacArthur fellow, Steve Feld in 2000. His CD, "Suite For Players, Listeners and Other Dreamers" (CIMP) ranked number 2 in the 2004 Cadence Readers Poll. He has also received grants from USArtists International in 2006, MCAF (LMCC) awards in 2008 and 2013 and has been commissioned twice on the Interpretations Series at Merkin Hall in 2006 and at Roulette in 2012.

Steve was nominated for Trombonist of the Year 2008 & 2011 by the Jazz Journalists Association, was selected Trombonist of the Year 2008-2010 , 2012 and 2014-2015 by the magazine El Intruso of Argentina and received the 2008 Jubilation Foundation Fellowship Award of the Tides Foundation. Steve has also been selected by the Downbeat Critics Poll in the Trombone category each year from 2010-2016.

Steve is presently a teaching artist through the American Composers Orchestra, Healing Arts Initiative , Mind-Builders Creative Arts Center (Bronx), the Jazz Foundation of America and Leman Manhattan Preparatory School.

Steve was also awarded the 2014 Creative Curricula grant (LMCC) for the project: "Metamorphoses: Modern Mythology in Sound and Words" which was taught in a month long residency at Baruch College Campus High School in Manhattan."

-Steve Swell Website (http://www.steveswell.com/SteveSwellBio.htm)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Katie Young: composer + electro-acoustic improviser + bassoonist. The curious timbres, expressive noises, and kinetic structures of my electroacoustic music explore the dramatic physicality of sound, shifting interpersonal dynamics, and associations with the familiar and the strange. Wet Ink, Talea, String Orchestra of Brooklyn, Spektral Quartet, Fonema Consort, Weston Olencki, Nico Couck, and others have performed my music. I'm excited about recent and coming-soon projects with the LA Philharmonic's Green Umbrella series, Internationales Musikinstitut Darmstadt, the CSO's MusicNOW, Third Coast Percussion, Ensemble Dal Niente, and Distractfold Ensemble's Linda Jankowska.

As a bassoonist and improviser, I amplify my instrument and employ a flexible electronics setup. My debut solo album garnered praise in The Wire ("Bassoon colossus") and Downbeat ("seriously bold leaps for the bassoon"). Collaboration is central to my practice, and I perform regularly with my long-standing ensembles Pretty Monsters, Architeuthis Walks on Land, and Till by Turning."

-Katie Young Website (https://katherineyoung.info/about/)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Aaron Zarzutzki describes himself as "an improviser of various sorts." He investigates "misuse and perversion of objects and systems...virtuosity, volatility, futility, and capability are thought of." Virtuosity, volatility, futility, and capability are thought of. Zarzutzki currently lives, works, and plays in Chicago. He is a member of Double Morris, Zarzutzki Duo, The Green Pasture Happiness, and collaborator with Fred Lonberg-Holm, Ben Bennett, &c.

-Squidco 9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Other Releases With These Artists:
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Lacerba [VINYL-DAMAGED]
(Clean Feed)
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Made to Break
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Bynum, Taylor Ho
Enter the Plustet [VINYL]
(Firehouse 12 Records)
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