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Vandermark, Ken (w/ Daisy / Kurzmann / Stadhouders /  / Wooley / Yeh): Momentum 2 & 3 [2 CDs] (Audiographic Records)

Two sessions blending free jazz with experimental ea work: Nashville with Tim Daisy (drums), Christof Kurzmann (ppooll), Jasper Stadhouders (electric bass), Vandermark (reeds), Nate Wooley (trumpet) and C. Spencer Yeh (violin); then Chicago with Tim Barnes (drums), Nick Macri (acoustic bass), Lou Mallozzi (turntables), Vandermark (reeds) and Mars Williams (sax).
 

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product information:


Label: Audiographic Records
Catalog ID: AGR011/12
Squidco Product Code: 26348

Format: 2 CDs
Condition: New
Released: 2017
Country: USA
Packaging: Cardboard Gatefold 3 Panels
CD1 recorded at Welcome to 1979 Studios, in Nashville, Tennessee, on April 9th, 2016, by Chris Mara.

CD2 recorded at Experimental Sound Studio, in Chicago, Illinois, on August 23rd, 2016 by Alex Inglizian.


Personnel:

Tim Daisy-drums

Christof Kurzmann-ppooll

Jasper Stadhouders-electric bass, electric guitar

Ken Vandermark-reeds

Nate Wooley-trumpet

C. Spencer Yeh-violin, voice, electronics

Tim Barnes-drums, percussion

Nick Macri-acoustic bass

Lou Mallozzi-turntables, CDs, microphones, mixer

Mars Williams-saxophones, toys

Highlight an artist name or instrument above
and click here to Search
track listing:


CD1



1. Part 1 5:32

2. Part 2 2:28

3. Part 3 5:38

4. Part 4 5:22

5. Part 5 8:55

6. Part 6 4:05

7. Part 7 3:49

8. Part 8 15:54

9. Part 9 5:57

10. Part 10 4:06

CD2



01. Part 1 17:08

02. Part 2 15:59
Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Chicago Jazz & Improvisation
NY Downtown & Jazz/Improv
European Improv, Free Jazz & Related
Ken Vandermark
Nate Wooley
New in Improvised Music
Recent Releases and Best Sellers

sample the album:








descriptions, reviews, &c.

"Ken Vandermark was struggling to put together an American tour, with promoters and venue owners reluctant to host to mini festival of improvised music that he envisioned. Eventually, they found studios in Nashville and Chicago that would host them, and this double disc set was born.

The Nashville session, from April 2016 features Tim Daisy on drums, Christof Kurzmann on ppooll (an audio networking system), Jasper Stadhouders on electric bass, Vandermark himself on reeds, Nate Wooley on trumpet and C. Spencer Yeh on violin, voice, electronics. This is highly experimental stuff, opening with sampled human and electronic noises building an uneasy cohesion. As the short tracks of the suite "Momentum 2: Brullt" build upon one another, drums move in, brushes, fluttering in and around, creating odd textures, and adding a weird percussive mixture of drums and samples. The full band jumps in, with very exciting horns and all leading to an excellent blowout of collective improvisation.

Drawing on strings and a ripe, potent trumpet solo, the music is followed by guttural, free form saxophone and drums led section which is very compelling. Dropping back down to eerie and haunted tones in space and taking a nuanced approach, the music, swirls and squeals with electronics and industrial clanks developing a horror movie aesthetic. Bouncing back to bright horns and skittish percussion, the push and pull between accessibility and abstraction continues as the sound devolves into grinding a electric bleeping with static like a mis-tuned radio. Horns reemerge and fly about, reveling in their freedom, with scrapes of frantically bowed strings adding to the tension with bursts of sound join to create a complex rhythm. Horns develop a melodic riff with circular brush patterns adding heft, creating a very attractive and easy going section that is unexpected.

As the suite continues to evolve, space opens for subtle percussion and electronic devices, creating an odd sound sensation akin to little birds fluttering about in the bushes outside an open window. Strings move within the overall sound, placed against the groaning electronic noises, which gradually fade to allow space for fragile clarinet to emerge. A hard to describe electro-acoustic improvisation emerges, concerned with texture and dynamics rather than form and rhythm. There is a long developing section anchored by feathering percussion framed by sounds that seem to emerge if their own accord as if willed into existence followed by strings that grow in volume, altered by the magnetic field of the surrounding electronics. Trumpet breaks free to emote in pursed and worrying tones, breaking into more peaceful sounds offset by the unusual backdrop, and weaving through the thicket with addition of strong tenor saxophone, bursting into a colorful free improvisation. The first suite closes as it began, with a mysterious transmission of alien signals, that skirt along the sides of comprehension.

Two long improvised tracks make up the second suite "Momentum 3: Monster Roster" recorded in Chicago on August with Tim Barnes on drums and percussion, Nick Macri on acoustic bass, Lou Mallozzi on turntables, CDs, microphones and mixer, Vandermark on reeds and Mars Williams on saxophones and toys. The music opens with a startling drum shot, with loping bass and powerful horns developing a strong flank. There's a pinched sounding saxophone breaks free to solo over bass and drums, with electronic instruments framing the acoustics, and the tight bass and drums making all the difference as the saxophone that is stretching out nicely, playing with an angular sensibility.

The music evolves into abstraction with sub-vocalized sounds, choppy clanks and swirls, then ominous quiet. Drums allow the music to keep some form of momentum through the strangeness, and Barnes plays with a master's touch, as the electronic noises skulk about and low horn sounds rise from the ground. The final section adds light toned saxophone and swirls of sound and a light rhythm. Electronic cracking and snatched of spoken words, add a sense of general weirdness to the proceedings.

This collection can be a bit exhausting, but it is admirably ambitious in the melding of free jazz and abstract electronic music. They may seem like strange bedfellows, but when everything clicks, the results are undeniably impressive."-Tim Niland, Jazz and Blues Blogspot


Get additional information at Jazz and Blues Blogspot

Artist Biographies:

"Tim Daisy (percussion) has been an active member of Chicago' s creative music scene since moving there in 1997. He has performed, composed, recorded, and toured with many of the city's celebrated musicians and ensembles, including the Engines, KLANG, the Rempis Percussion Quartet, the Resonance Ensemble, and the Vandermark 5. In addition, Tim maintains an active composing schedule, writing for his own bands (such as Vox Arcana and Group 4-34) as well as contributing music to a number of collaborative projects- including chamber groups, jazz ensembles, dance, and film. He has had the fortunate experience to perform and record with many great improvisers both from around the world, including: Fred Anderson, Jim Baker, Jeb Bishop, Magnus Broo, Xavier Charles, James Falzone, Erik Friedlander, Per-Ake Homlander, Fred Lonberg-Holm, Nate McBride, Joe McPhee, Dave Rempis, Steve Swell, Mikolaj Trzaska, Havard Wiik, Waclaw Zimpel, and Michael Zerang. Besides a regular concert schedule in Chicago, Tim has toured throughout North America and Europe, and has performed at numerous international music festivals."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
10/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Christof Kurzmann (vocals, lloopp, clarinet, alto sax), is an Austrian musician, performer, composer currently living in Buenos Aires. Beginning in 1994 he started his work in the field of experimental electronic music. Since that time Christof has collaborated with some of the most significant artists working in contemporary music and improvisation- including Toto Alvarez, Martin Brandlmayr, John Butcher, Eden Carrasco, Sebi Ciurcina, Werner Dafeldecker, Kai Fagaschinski, Fernanda Farrah, Bernhard Fleischmann, Michaela Grill, Margareth Kammerer, Leonel Kaplan, Bernhard Lang, Andrea Neumann, Fernando Perales, Eva Reiter, Marina Rosenfeld, Ursula Rucked, Burkhard Stangl, Michael Thieke, and Clayton Thomas- in groups such as El Infierno Musical, The Magic I.D., and Schee. During the course of his career, Christof has performed throughout Europe, Japan, North and South Amercia. He has also been a music curator since the mid 1980's, and in 1999 founded the record label, Charhizma, which has released more than 30 cds."

-http://kenvandermark.com/2013/10/made-to-break-biography/ (Ken Vandermark Website)
10/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jasper Stadhouders (Tilburg, the Netherlands, 1989) is a guitarist and bassist based in Amsterdam. He's performed music on stage since the age of 8. He is an active member of the international improvised music circuit. He is a co-founder of the bands Cactus Truck (with John Dikeman and Onno Govaert), Stadhouders/Govaert/De Joode Trio and two duos with percussionists Dag Erik Knedal Andersen and Nicolas Field. He is also part of such diverse bands as Spinifex and Lily's Déjà Vu, next to playing countless of ad hoc improv shows. Jasper also occasionally works in the fields of dance, theatre and contemporary composed music. He has played with Han Bennink, Ab Baars, Paal Nilssen-Love, Marshall Allen, Wolter Wierbos, Noel Redding, Ken Vandermark, Jim Black, Andrew D'Angelo, Terrie Ex, Andy Moor, Peter Evans, Frank Rosaly, Dave Rempis, Roy Campbell, Michael Moore, Jeb Bishop, Peter Jacquemyn, Wally Shoup, Ingrid Laubrock, Mars Williams, Michael Vatcher, Alan Wilkinson and many more. Jasper has performed extensively in Europe and the USA, as well as in India."

-Jasper Stadhouders Website (https://jasperstadhouders.wordpress.com/about/)
10/12/2018

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"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
10/12/2018

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"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
10/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"C. Spencer Yeh was born in Taipei, Taiwan 1975, moved to the US in 1980; studied radio/television/film at Northwestern University, and is now based out of Cincinnati, Ohio. Yeh is active both as a solo and collaborative artist, as well as with his primary project, Burning Star Core. As an improviser, Yeh is focused on developing a personal vocabulary using violin, voice, and electronics. As a sound artist/composer, Yeh works with all aspects available surrounding a work, aurally and physically, as elements key to the cumulative experience. He is concerned not only with the sensual aspects of 'sound organization,' but the gestural qualities as well. Yeh has collaborated with a deep and ever-growing list of artists and groups, including Tony Conrad, New Humans with Vito Acconci, Evan Parker, Thurston Moore, Amy Granat with Jutta Koether, Justin Lieberman, Don Dietrich and Ben Hall (as The New Monuments), Prurient, and Jandek. He has performed at festivals and venues such as Sonar, FIMAV at Victoriaville, Frieze Arts Fair, No Fun Fest, High Zero, the 24 Hour Drone People at Fylkingen, The Kitchen, ZKM Karlsruhe, and has also exhibited visual art, sound, and video works internationally."

-Ubu Web (http://www.ubu.com/sound/yeh.html)
10/12/2018

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"Tim Barnes is an internationally-known percussionist, electronic musician, and recording producer/engineer who has played and recorded with Sonic Youth, Wilco, Body/Head, Jim O'Rourke, Silver Jews, Neil Michael Hagerty and the Howling Hex, The Tower Recordings, The For Carnation, and MV+EE, as well as being featured in countless multiple other settings, from jazz-influenced free-improvisation to full-on rock n' roll. He is the Artistic Director of DREAMLAND, and also runs the newly-revived Quakebasket record label (best known for its mid-1990s archival releases of solo work by Angus MacLise, poet and original drummer for the Velvet Underground). A California native, Tim moved to Louisville, Kentucky in 2007 from his longtime musical base, New York City."

-The Other Side of Life (https://othersideoflife.wordpress.com/tag/tim-barnes/)
10/12/2018

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"Bassist and Chicago native Nick Macri has careened in an out of various musical situations over the years from creative group settings and notable sideman gigs to theater work and solo excursions. He is/was a contributing member to many, varied groups including Ken Vandermark's Audio One, instrumental explorers Euphone (Jade Tree) and Heroic Doses (SUB>POP), art-pop quartet The Zincs (Thrill Jockey), the pastoral psych-folk of The Horse's Ha (with Janet Bean and James Elkington), and instrumental trio Stirrup with Fred Lonberg-Holm & Charles Rumback, (Clean Feed, 482 Records). He has also performed and toured as a sideman and recorded sessions with an eclectic list of artists including Laetitia Sadier (Stereolab), Ken Vandermark, The Sea and Cake, Mark Eitzel (American Music Club), Jeremy Enigk (Sunny Day Real Estate), Nina Nastasia, Azita, Bobby Conn, Lanterna, Tim Kinsella (Friend/Enemy), The Lonesome Organist, James Elkington & Nathan Salsburg, Wanees Zarour's Middle East Music Ensemble, Bruce Licher (Savage Republic, Scenic), Tara Jane O'Neil, and Hector Zazou. He has performed across Europe, Asia, South America, and North America including concerts at Saalfelden Jazz Festival (Austria), Festival de Musique Actuelle (Montreal), Reading Festival and Leeds Festival (U.K.), World Music Festival Chicago, All Tomorrow's Parties (U.K.), the London Institute of Contemporary Arts, the Museum of Contemporary Art, the Logan Center and the Pritzker Pavilion (Chicago)."

-Nick Macri Website (http://www.nickmacri.net/bio/)
10/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Lou Mallozzi is a Chicago-based artist known primarily for his work in sound, often with a focus on dismembering and reconstituting language, gesture, and signification. His work includes performances, installations, music works, recordings, and radio works. In addition, he has a visual art practice that includes drawing and other media. He has performed and exhibited in the U.S. and Europe, including projects at the Museum of Contemporary Art Chicago, the Chicago Cultural Center, the Arts Club in Chicago, the Italian Cultural Institute and Italian Pavilion at the Venice Biennale, the Fort Wayne Museum of Art, the Grunwald Gallery at Indiana University Bloomington, Experimental Intermedia New York, "Le Cri du Patchwork" on Radio France, Ausland Berlin, Podewil Berlin, TUBE Audio Art Series Munich, and the Radiorevolten Festival Halle. In addition to his solo works, Mallozzi often collaborates with artists, filmmakers and musicians. These have included Sandra Binion, Michael Vorfeld, Alessandro Bosetti, Michael Zerang, Frédéric Moffet, Antonia Contro, Jacques Demierre, Vincent Barras, Fred Lonberg-Holm, Charlotte Hug, Jaap Blonk, Vincent Raude, and many others. He has received support for his work that includes several fellowships from the Illinois Arts Council, and artist residencies through the Emily Harvey Foundation in Venice, Chicago-Lucerne Sister Cities Program, the Rockefeller Foundation Bellagio Study Center, Ragdale Foundation, and Spritzenhaus Hamburg. He is on the faculty of the Sound Department of the School of the Art Institute of Chicago, and is co-founder and director emeritus of Experimental Sound Studio."

-Lou Mallozzi Website (http://loumallozzi.com/page/1-Bio.html)
10/12/2018

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"Mars Williams is an open-minded musician, composer and educator who commutes easily between free jazz, funk, hip-hop and rock, Mars has played and recorded with The Psychedelic Furs, Billy Idol, Massacre, Fred Frith, Bill Laswell, Ministry, Power Station, Die Warzau, The Waitresses, Kiki Dee, Pete Cosey, Billy Squier, DJ Logic, Wayne Kramer, John Scoffield, Charlie Hunter, Kurt Elling, Swollen Monkeys, Mike Clark, Jerry Garcia, Naked Raygun, Friendly Fires, The Untouchables, Blow Monkeys and virtually every leading figure of Chicago's and New York City's "downtown" scene.

John Zorn credits Mars as "one of the true saxophone players--someone who takes pleasure in the sheer act of blowing the horn. This tremendous enthusiasm is an essential part of his sound, and it comes through each note every time he plays. Whatever the situation, Mars plays exciting music. In many ways he has succeeded in redefining what versatility means to the modern saxophone player."

In 2001 Mars received a Grammy Nomination for Best Contemporary Jazz Record with his group Liquid Soul.

Despite his busy touring schedule with Liquid Soul and The Psychedelic Furs, Mars manages to stay active on the Chicago underground improvising scene. In recent years he has toured and recorded with the Peter Brötzmann Tentet, Switchback, Full Blast, Scorch Trio, the Vandermark 5, Boneshaker, Chicago Reed Quartet and Cinghiale, teaming him with such musicians as Ken Vandermark, Hamid Drake, Michael Zerang, William Parker, Ikue Mori, Kent Kessler, Fredric Lonberg Holm, Peter Brotzmann, Joe McPhee, Paal Nilssen-Love, Ab Baars, Mike Reed, Jeb Bishop, Harrison Bankhead, Dave Rempis, Kidd Jordan and Matts Gustafson.

He performs weekly in Chicago along with Jim Baker, Steve Hunt, and Brian Sandstrom in the improvising quartet "Extraordinary Popular Delusions". As a bandleader, he continues to perform and record CDs with his own free-jazz groups, the NRG Ensemble, Witches & Devils, Slam, XmarsX, Mars Trio, Boneshaker and The Soul Sonic Sirkus which features improvising musicians and aerial circus performers. Along with Die Warsau's Van Christie, Mars has started Ratking Music, a production company focusing on music for film and television.

In addition to performing and creating music, Mars has been an educator in the field of woodwinds and jazz improvisation for over thirty years. Mars held the position of Woodwind Instructor at Bard College for two years. In the last few years Mars has presented Master classes and clinics to a number of private and public institutions including, the University of Massachusetts, Amherst, the University of Chicago, Roosevelt University (Chicago, IL), and June Collins Smith Museum of Fine Art (Auburn, AL)."

-Mars Williams Website (http://www.marswilliams.com/about/)
10/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Other Releases With These Artists:
Boneshaker
Thinking Out Loud [VINYL-DAMAGED]
(Trost Records)
Jerman / Barnes
The Finger'd Remove [VINYL]
(Feeding Tube Records)
Vandermark / Kugel / Tokar
No-Exit Corner
(Not Two)
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ICOCI
(Aerophonic)
Vandermark, Ken / Michael Snow
Duol
(Corbett vs. Dempsey)
Rempis / Piet / Daisy
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(Astral Spirits)
Piet, Matt & His Disorganization (w / Berman / Mazzarella / Daisy)
Rummage Out
(Clean Feed)
Rempis, Dave / Tim Daisy & Guests
Dodecahedron
(Aerophonic)
Verbruggen / Dumoulin / Haker Flaten / Wooley
kaPSalon [VINYL + 3 PRINTS]
(Rat Records)
Perelman, Ivo / Matthew Shipp / Nate Wooley
Philosopher's Stone
(Leo)
Boneshaker (Mars Williams / Paal Nilssen-Love / Kent Kessler)
Unusual Words
(Soul What Records)
Bynum, Taylor Ho
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(Firehouse 12 Records)
Made to Break
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(Trost Records)
Made to Break
Trebuchet
(Trost Records)
Bynum, Taylor Ho
Enter the Plustet [VINYL]
(Firehouse 12 Records)
Third Coast Ensemble
Wrecks
(RogueArt)
Rempis Percussion Quartet, The (w/ Haker Flaten / Daisy / Rosaly)
Cochonnerie
(Aerophonic)
Wooley, Nate
Battle Pieces 2
(Relative Pitch)
Boneshaker
Thinking Out Loud [VINYL]
(Trost Records)
Boneshaker (Mars Williams / Paal Nilssen-Love / Kent Kessler)
Thinking Out Loud
(Trost Records)
Wooley, Nate
Knknighgh (Minimal Poetry for Aram Saroyan)
(Clean Feed)
Revis, Eric
Sing Me Some Cry
(Clean Feed)
Bruckmann, Kyle Degradient
Dear Everyone [2 CDs]
(Not Two)
Wooley, Nate
The Complete Syllables Music [4 CD Box Set]
(Pleasure of the Text Records)
Lean Left
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(Trost Records)
Lean Left
I Forgot To Breathe
(Trost Records)
Sound American: The Cassette Issue tape
Featuring Nate Wooley [CASSETTE + DOWNLOAD]
(Astral Spirits)
Wooley, Nate / Daniele Martini / Joao Lobo
Legacy of Ashes
(Creative Sources)
Eisenstadt, Harris Canada Day (w/ Wooley / Bauder / Niggenkemper)
On Parade in Parede
(Clean Feed)
DEK Trio (Ken Vandermark / Elisabeth Harnik / Didi Kern)
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Recent Developments
(Songlines)
Corsano / Courviosier / Wooley
Salt Task
(Relative Pitch)
Jerman / Barnes
Versatile Ambience [VINYL]
(IDEA Intermedia)
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Falling And Five Other Failings [VINYL]
(Trost Records)
Kurzmann, Christof / Mats Gustafsson
Falling And Five Other Failings
(Trost Records)
Jerman / Barnes
Goethe
(Confront)
Wooley, Nate
Argonautica
(Firehouse 12 Records)
Stirrup (Lonberg-Holm / Macri / Rumback)
Cut
(Clean Feed)
Wooley / Antunes / Queijo / Costa / Corsano
Purple Patio [VINYL]
(NoBusiness)
Wooley, Nate
Seven Storey Mountain V
(Pleasure of the Text Records)
Rara Avis (Ken Vandermark / Stefano Ferrian / Simone Quatrana / Luca Pissavini / Sec)
Rara Avis
(Not Two Records)
Gustafsson, Mats And Friends
MG 50 - Peace & Fire [4 CD BOX SET]
(Trost Records)
Audio One (Vandermark/Adasiewicz/Berman/Bishop/Rempis/Williams/Mazzarrella/Daisy/Macri/Paulson)
The Midwest School [VINYL]
(Audiographic Records)
Vandermark, Ken / Paal Nilssen-Love
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(Audiographic Records)
Wooley, Nate Quintet (Wooley / Sinton / Moran / Opsvik / Eisenstadt)
(Dance to) The Early Music
(Clean Feed)
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(Trost Records)
Eisenstadt, Harris
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(Songlines)
Levin, Daniel Quartet
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(Clean Feed)
Parker, Evan / Joe Morris / Nate Wooley
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(Clean Feed)
Gate, The
Chuck [CASSETTE with download code]
(Astral Spirits)
Renga Ensemble, The: Falzone / Vandermark / Jackson / Rothenberg / Stein / Goldberg
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(Allos Documents)
Vandermark, Ken / Fred Lonberg-Holm
Resistance [VINYL]
(Bocian)
Vandermark, Ken / Fred Lonberg-Holm
Resistance
(Bocian)
Wooley, Nate (w/ Ingrid Laubrock, Sylvie Courvoisier & Matt Moran)
Battle Pieces
(Relative Pitch)
Wooley, Nate / Ken Vandermark
East By Northwest
(Pleasure of the Text Records)
Knowles, Alison / Shimada, Taketo
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(Rossbin)
Forsyth, Chris / Nate Wooley
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MusicWorks
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Live in Ljubljana
(Clean Feed)
Rempis Percussion Quartet ,The
Phalanx [2 CDs]
(Aerophonic)
Made to Break (Daisy / Hoff / Kurzmann / Vandermark)
Provoke
(Clean Feed)
Giallorenzo, Paul Gitmo
Emergent
(Leo)
Revis, Eric's 11:11,
Parallax
(Clean Feed)
Haker-Flaten New York Quartet, Ingebrigt (McPhee / Wooley / Morris)
Now Is
(Clean Feed)
Wooley, Nate & MIVOS Quartet
Atemwende
(Ignoring Gravity Music)
Morris / Fernandez / Wooley
From The Discrete To The Particular
(Relative Pitch)
Boneshaker (Williams / Nilssen-Love / Kessler)
Boneshaker [VINYL]
(Trost Records)
Lean Left (The Ex guitars meet Nilssen-Love/Vandermark Duo)
Live at Cafe Oto
(Unsounds)
Lytton / Wooley + Ikue Mori and Ken Vandermark
The Nows [2 CDs]
(Clean Feed)
KLANG
Other Doors
(Allos Musica)
Platform 1
Takes Off
(Clean Feed)
Double Tandem (Baars / Vandermark / Nilssen-Love)
Cement
(PNL)
Kurzmann, Christof
The Air Between
(Charhizma)
RED Trio + Nate Wooley
Stem
(Clean Feed)
Sonore
OTO
(Trost Records)
Braxton, Anthony
Trillium E
(New Braxton House)
Full Blast & Friends
Sketches & Ballads [VINYL]
(Trost Records)
Full Blast & Friends
Sketches & Ballads
(Trost Records)
Cascone, Kim
The Knotted Constellation
(Monotype)
Eisenstadt, Harris
Canada Day
(Clean Feed)
Dafeldecker / Kurzmann / Tilbury / Wishart
Dafeldecker / Kurzmann / Tilbury / Wishart
(Mikroton Recordings)
Arrive: Shelton / Adasiewicz / Roebke / Daisy
There Was
(Clean Feed)
Recommended & Related Releases:
Boneshaker
Thinking Out Loud [VINYL-DAMAGED]
(Trost Records)
Rempis, Dave / Jasper Stadhouders / Frank Rosaly
ICOCI
(Aerophonic)
Vandermark, Ken / Michael Snow
Duol
(Corbett vs. Dempsey)
Rempis / Piet / Daisy
Throw Tomatoes [CASSETTE w/ DOWNLOAD]
(Astral Spirits)
Piet, Matt & His Disorganization (w / Berman / Mazzarella / Daisy)
Rummage Out
(Clean Feed)
Verbruggen / Dumoulin / Haker Flaten / Wooley
kaPSalon [VINYL + 3 PRINTS]
(Rat Records)
Boneshaker (Mars Williams / Paal Nilssen-Love / Kent Kessler)
Unusual Words
(Soul What Records)
Made to Break
Trebuchet [VINYL]
(Trost Records)
Bynum, Taylor Ho
Enter the Plustet [VINYL]
(Firehouse 12 Records)
Third Coast Ensemble
Wrecks
(RogueArt)
Rempis Percussion Quartet, The (w/ Haker Flaten / Daisy / Rosaly)
Cochonnerie
(Aerophonic)
Boneshaker
Thinking Out Loud [VINYL]
(Trost Records)
Wooley, Nate
Knknighgh (Minimal Poetry for Aram Saroyan)
(Clean Feed)
Revis, Eric
Sing Me Some Cry
(Clean Feed)
Bruckmann, Kyle Degradient
Dear Everyone [2 CDs]
(Not Two)
Lean Left
I Forgot To Breathe [VINYL]
(Trost Records)
Lean Left
I Forgot To Breathe
(Trost Records)
Sound American: The Cassette Issue tape
Featuring Nate Wooley [CASSETTE + DOWNLOAD]
(Astral Spirits)
Wooley, Nate / Daniele Martini / Joao Lobo
Legacy of Ashes
(Creative Sources)
Eisenstadt, Harris Canada Day (w/ Wooley / Bauder / Niggenkemper)
On Parade in Parede
(Clean Feed)
DEK Trio (Ken Vandermark / Elisabeth Harnik / Didi Kern)
Burning Below Zero
(Trost Records)
Eisenstadt, Harris
Recent Developments
(Songlines)
Corsano / Courviosier / Wooley
Salt Task
(Relative Pitch)
Jerman / Barnes
Versatile Ambience [VINYL]
(IDEA Intermedia)
Kurzmann, Christof / Mats Gustafsson
Falling And Five Other Failings [VINYL]
(Trost Records)
Kurzmann, Christof / Mats Gustafsson
Falling And Five Other Failings
(Trost Records)

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