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Flying Luttenbachers, The: Negative Infinity (ugEXPLODE)

Adhering to the tenets of "Dissonance, Speed, Aggression, Weirdness, and Singularity", Weasel Walter leads his Flying Luttenbachers in their 15th album of no wave, punk jazz & brutal prog, Weasel switching to guitar and yielding the drum chair to Sam Ospovat, as the band rips through ridiculously complex twists and turns, even taking on Albert Ayler's strange '66/'67 musical suites.
 

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product information:


UPC: 195999822259

Label: ugEXPLODE
Catalog ID: ug 82CD
Squidco Product Code: 30722

Format: CD
Condition: New
Released: 2021
Country: USA
Packaging: Digipack
Recorded at Mighty Toad Studios, in Brooklyn, New York, on November 30th, 2020, by Craig Dreyer and Lucas Haas.


Personnel:

Weasel Walter-guitar (left)

Matt Nelson-tenor saxophone

Katie Battistoni-guitar (right)

Tim Dahl-bass guitar

Sam Ospovat-drums

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Artist Biographies:

"Weasel Walter (real name Walter Wyzowski) is a composer and instrumentalist who founded the band The Flying Luttenbachers in Chicago in 1991 with a current member of Cellular Chaos and Behold...The Arctopus. Over the years, The Flying Luttenbachers included noted Dylan Posa, and Michael Colligan, while creating a body of music drawing equally from no wave, death metal, gamelan, noise music, hardcore punk and modern classical. Walter moved to the San Francisco Bay Area in 2003, where he formed the latest of many Luttenbachers lineups, remaining on percussion with the addition of bassist Mike Green (Burmese), and virtuoso guitarist Ed Rodriguez (ex-Colossamite, Gorge Trio). Singular guitar phenomenon Mick Barr (Krallice, Octis, Orthrelm) joined the group in 2005. The Flying Luttenbachers ceased to operate in late 2007. On November 25, 2009, Weasel Walter announced that he was moving to New York City to join the band Behold... The Arctopus on drums and will be writing "new, more extreme material from scratch." He also formed Cellular Chaos with Marc Edwards (drummer), Admiral Grey and Ceci Moss."

-Wikipedia (https://en.wikipedia.org/wiki/Weasel_Walter)
9/20/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Saxophonist Matt Nelson regularly performs in a far-reaching, motley assortment of musical projects. Described as "one of the more unpredictable virtuosos in New York's underground" by Pitchfork, and "genre-bending" by Tiny Mix Tapes, his output often lies in the gray corners beyond categorization.

Upon graduating from the Oberlin Conservatory, where he studied with Gary Bartz and Paul Cohen, Matt moved back to his native Bay Area where he became an active member of the music community. He performed regularly with several bands, among them experimental pop outfit tUnE-yArDs, with whom he recorded and toured extensively in support of their acclaimed album w h o k i l l.

In 2010 Matt relocated to Brooklyn, New York. During his time there he has performed and toured as a member of Battle Trance, GRID, Elder Ones, Premature Burial, Skeletons, and the Weasel Walter Large Ensemble. He also performs as a solo act, where he often utilizes electronics and amplified feedback along with his saxophone, as heard on his record Lower Bottoms. "

-Matt Nelson Website (https://www.mattnelsonsax.com/bio)
9/20/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Katie Battistoni is a New York City guitarist and composer. She is known for her work as Katy the Kyng, and with Flying Luttenbachers.

-Squidco 9/20/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Tim Dahl is a professional electric and double bass player, vocalist, keyboardist and composer living in New York City. He is best known as the bass player of the noise-rock band Child Abuse and Lydia Lunch's Retrovirus. He also writes and performs for the jazz ensemble Pulverize The Sound.

Dahl has toured extensively throughout North and South America, Europe, Australia, New Zealand and Japan. He has performed with many notable musicians, composers and performers including Yusef Lateef, Archie Shepp, Eugene Chadbourne, Tatsuya Yoshida, Von Freeman, Stanley Jordan, Mary Halvorson, Malcolm Mooney, Marc Ribot, Brian Chase, Hamid Drake, Elliott Sharp, Weasel Walter, Marni Nixon, Peter Evans, Kevin Shea, Mick Barr, Lydia Lunch, Jan Terri, The Bureau of Atomic Tourism, Ava Mendoza etc.

As a bass player he is notable for unique style and technical savviness. Clifford Allen of Tiny Mixtapes' wrote "Tim Dahl [...] approaches his well-worn axe with a battery of pedals and loops, combining determinate speed with murkier sonics to create a landscape not unlike a harsh, speed-freak variant on Hugh Hopper."

Dahl currently lives in Brooklyn and is an active member in the music scene there."

-Wikipedia (https://en.wikipedia.org/wiki/Tim_Dahl)
9/20/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Originally from Lincoln, Nebraska, I played piano and sang in boys' choir before picking up my first pair of drumsticks in 5th grade. Late nights spent improvising in friends' parents' basements eventually revealed to me the wisdom of moving to the Bay Area, where I studied percussion with William Winant, Peter Magadini, George Marsh and lately with the Haitian master drummer Daniel Brevil. Recently relocated to Brooklyn, NY, I play drums in Beep, Naytronix, Timosaurus, Passwords (duo with Lorin Benedict), CavityFang, Young Nudist, Enablers and my solo project PIKI. I was lucky to play with Cecil Taylor, Leo Smith, and Maryanne Amacher at Mills College, where I received my MFA in percussion performance. Since then I've worked with Tuneyards, William Winant, The SF Contemporary Music Players, Aram Shelton, Ches Smith, members of Rova Saxophone Quartet, Bill McHenry, Angelica Sanchez, Phillip Greenlief, and Ava Mendoza."

-Sam Ospovat Website (http://www.samospovat.com/#biospovat)
9/20/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Fury of the Delusion 4:47

2. Demonic Velocities II 6:58

3. A Depraved Heart 4:38

4. Omnicide 5:20

5. Mass Manslaughter Ma'am 3:44

6. On The Verge of Destruction 19:11
sample the album:








descriptions, reviews, &c.

"Roaring out of the gates is the 15th full-length album by no wave/punk jazz/brutal prog iconoclasts The Flying Luttenbachers, led by founding member and main composer Weasel Walter. There's a few special twists this time, friends. The last two albums, Shattered Dimension and Imminent Death, both epic double-length affairs released in 2019, focused on open ended, improvisational approaches more so than heavily structured ones.

Negative Infinity is a sort of return-to-form in a regard, featuring 6 tightly scripted doses of what they call "Brutal Prog" - the tag Weasel coined in the early 2000s to describe an elite breed of intense, complex bands who emphasised harshness and intensity over the typical prog-rock flutes and fairies positivity. This is prog for THE APOCALYPSE, not your uncle.

The merciless opening track sets the tone for the album - "Fury of the Delusion" is a through-composed, neck-snapping whirlwind of a number where an unrelenting, hair-raisingly harmonized line spat forth in unison by saxophone and duel guitars is investigated, turned upside down and transformed into a deadly musical cyborg. Oh yes - the other big surprise is that Weasel doesn't provide his usual hyperactive drumming on this release. The chap has switched to guitar. He feels that it will be easier to drip sweat on the punters that way.

That's right. Close your eyes. That's Sam Ospovat on the drums. Doesn't he sound great? We bet you won't even miss the Weez! Dark overlords Tim Dahl (bass) and Matt Nelson (saxophone) return once again and newest member Katie Battistoni plays the other guitar parts. The closing number, "On The Verge Of Destruction" is a monolithic side-long extrapolation off of Albert Ayler's bizarre '66/'67 "marching band on acid" musical suites. The group is shuttled through an exacting sequence of berserk rollercoaster melodies and the whole front line takes turns spewing outrageous solos. The structure coils up the band to release a climactic orgy of noise before the piece goes back to the beginning and winds down.

The rest of the tunes may invoke fragant whiffs of old Mayhem sturm und drang, Teenage Jesus and the Jerks sonic terrorism, the jigsaw puzzle logic of the Rock In Opposition bands and, ahem, even '90s Flying Luttenbachers style varsity team punk-jazz ("Demonic Velocities II" appears here as a meta-sequel to the old chestnut first performed by the group as early as 1993).

The core tenets of The Flying Luttenbachers remain: Dissonance, Speed, Aggression, Weirdness, Singularity. This is perhaps the finest chapter of the three-decade saga so far ..."-ugEXPLODE

Also available on Vinyl LP.
Related Categories of Interest:


Improvised Music
Rock and Related
Free Improvisation
Improvised Rock
RIO (Rock in Opposition)
Jazz
NY Downtown & Metropolitan Jazz/Improv
Quintet Recordings
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers
New in Rock Forms


Other Releases With These Artists:
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