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Silva, Alan / Itaru Oki / Richard Comte / Makoto Sato: Celebration (nunc.)

Recorded live in Paris in 2019 as a celebration of improvising keyboardist Alan Silva's 80th birthday, and released with a dedication to the memory of trumpeter Itaru Oki, the quartet completed with guitarist Richard Comte and drummer Makoto Sato, in a 3-part improvisation that is sadly the final recording for Oki, standing as a great example of his voice.
 

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product information:


Label: nunc.
Catalog ID: 027
Squidco Product Code: 32087

Format: CD
Condition: New
Released: 2022
Country: France
Packaging: Cardboard Gatefold
Recorded live in Paris, France, in May, 2019, by Richard Comte.


Personnel:

Itaru Oki-trumpet

Alan Silva-keyboards

Richard Comte-guitar

Makoto Sato-drums

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Artist Biographies:

"Itaru Oki (沖至) was born in Suma-Ku, Kobe, Hyogo, Japan on 10th September 1941. Oki Itaru was raised in a rich musical environment; his father was a player of the Shakuhachi (Japanese vertical flute) and his mother was a master of the Koto (Japanese horizontal harp) of the Ikuta School. He started to play the trumpet in his high school brass band before playing in a Dixieland style band and then in a bop band. In the late 1960's, the trumpeter began playing free jazz. He changed his place of performance from Kansai (a western area of Japan) to Tokyo in 1965. After improving his skill in many groups, he joined an experimental unit "ESSG" of Togashi Masahiko and Sato Masahiko. Oki made his first tour to Europe with the ESSG in 1969. After being back from Europe, he formed the Oki Itaru Trio, which later grew into a quartet. In June 1974, he moved to Paris, France. After living in Lyon for a while, he moved back to Paris in December 1999. Until the present, Oki has continually performed at concerts and festivals in France and various other countries in Europe."

-Last.fm (http://www.last.fm/music/Itaru+Oki/+wiki)
8/10/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Alan Silva (born Alan Lee da Silva; January 22, 1939 in Bermuda) is an American free jazz double bassist and keyboard player.

Silva was born a British subject to an Azorean/Portuguese mother, Irene da Silva, and a black Bermudian father known only as "Ruby". He emigrated to the United States at the age of five with his mother, eventually acquiring U.S. citizenship by the age of 18 or 19. He adopted the stage name of Alan Silva in his twenties.

Silva was quoted in a Bermudan newspaper in 1988 as saying that although he left the island at a young age, he always considered himself Bermudian. He was raised in the Harlem neighborhood of New York City, where he first began studying the trumpet, and moved on to study the upright bass.

Silva is known as one of the most inventive bass players in jazz and has performed with many in the world of avant-garde jazz, including Cecil Taylor, Sun Ra, Albert Ayler, Sunny Murray, and Archie Shepp.

Silva performed in 1964's October Revolution in Jazz as a pioneer in the free jazz movement, and for Ayler's Live in Greenwich Village album. He has lived mainly in Paris since the early 1970s, where he formed the Celestrial Communication Orchestra, a group dedicated to the performance of free jazz with various instrumental combinations. In the 1990s he picked up the electronic keyboard, declaring that his bass playing no longer surprised him. He has also used the electric violin and electric sarangi on his recordings.

In the 1980s Silva opened a music school I.A.C.P. (Institute for Art, Culture and Perception) in Central Paris, introducing the concept of a Jazz Conservatory patterned after France's traditional conservatories devoted to European classical music epochs.

Since around 2000 he has performed more frequently as a bassist and bandleader, notably at New York City's annual Vision Festivals."

-Wikipedia (https://en.wikipedia.org/wiki/Alan_Silva)
8/10/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Richard Comte is focused on the sonic possibilities of the guitar, drawing timeless spaces, from loud immersive drones to spacious resonances bordering on silence itself. He played with improvisers Simon H. Fell, Mark Sanders, Shabaka Hutchings, Mars Williams, Jim Black, and he interpreted contemporary music pieces from Michael Pissaro, Eliane Radigue, Fausto Romitelli. He works also in the field of contemporary dance, theater and visual arts. In 2017 he founded Nunc., a label dedicated to liberate and open music."

-Richard Comte Website (http://www.richardcomte.com/RichardComteWebsite/Richard_Comte_Website.html)
8/10/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Drummer Makoto Sato has been a member of Marteau Rouge, Nuts, and has recorded with Joe McPhee, Marteau Rouge, Evan Parker, Nuts (Benjamin Duboc, Rasul Siddik, Itaru Oki, Didier Lasserre, Sato), Linda Sharrock, Itaru Oki, Mario Rechtern, Makoto Sato, Eric Zinman & Yoram Rosilio.

-Squidco 8/10/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Part 1 10:37

2. Part 2 15:39

3. Part 3 14:12
sample the album:








descriptions, reviews, &c.

"A bittersweet celebration, while this 2019 Paris concert honored the 80th birthday of US expatriate keyboardist Alan Silva, it was also the final recording for Japanese trumpeter Itaru Oki (1941-2020), who like Silva was a long-time member of the Gallic creative music scene. During this three-part free improvisation, Silva uses the smears, swells and echoes from his keyboard to accompany Oki's sophisticated command of his brass instrument that range from strained high pitches to half-valve guttural effects, all the while preserving the tune's melodic kernel. Percussionist Makoto Sato, another Japanese expat, adds unobtrusive clip-clop accents to the action, while French guitarist Richard Comte strums connective lines for all, when not briefly disrupting the interface with pointed string stabs or jagged power chords.

On top of the pulsating drums-tremolo keyboard continuum Oki's muted harmonies and portamento grace notes take up the greatest part of his expression. But sudden dog-whistle squeals, and the introduction to the improvisation's second section, where he appears to be huffing textures from a combination of plastic trumpet and harmonica, demonstrate his blazing individuality. Integration of that unique tone and his subsequent smeared triplets into that balanced narrative also confirm the scope of the quartet's creative free jazz.

Silva, Sato and Comte continue making individual free music in other contexts. While Oki can't anymore, this disc properly celebrates his reciprocal skill working with seasoned players of similar invention."-Ken Waxman, JazzWord


Get additional information at Jazzword
Related Categories of Interest:


Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Quartet Recordings
European Improvisation, Composition and Experimental Forms
Asian Improvisation & Jazz
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers


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