Mailing unspooled 1/4" tape to each other along with a magnet to randomly erase part of each tape, Marc Baron & Mark Vernon captured these fragments and placed them into sequence based on the minute past the hour each was originally recorded, contrasting the degraded recordings with the original; an exacting but fascinating method of creating something unexpected and uniquely engaging.
In Stock
Quantity in Basket: None
Log In to use our Wish List
Shipping Weight: 2.00 units
Sample The Album:
Marc Baron-composer, performer
Mark Vernon-composer, performer
Click an artist name above to see in-stock items for that artist.
Label: erstwhile
Catalog ID: Erstwhile 097
Squidco Product Code: 34466
Format: CD
Condition: New
Released: 2024
Country: USA
Packaging: Digipack - 3 panel
Recorded between June, 2022, and October, 2023.
"The initial idea was that this collaboration should reflect a dialogue between two artists who have not yet met and that it should express something about the gulf between them, both literally and metaphorically. In the exchange of materials and ideas something is inevitably lost along the way - whether it be misunderstandings due to interpretation, language, slippage of meaning or simply things going astray. From the outset we decided to make a feature out of what might be lost in this interchange due to physical distance and the passage of time, and to devise a process that would make this evident.
Sending batches of unspooled quarter inch tape to each other in the post we made the decision to include a magnet in the package that, over the time it took for it to be delivered, would randomly erase parts of the tapes that it came into close proximity with. Each fragment of tape included a self-determined sound miniature - a short audio sketch or recording experiment. Over the course of a year we accrued heaps of these degraded, partially eroded tape fragments. We would each make a copy of the tapes prior to sending, and on receiving them weeks later the other would decrypt what remained of the sounds at the other end, playing back and recording the tapes digitally.
To further open the process up to chance it was decided that whatever minute past the hour the tape was recorded at would be noted and that in the final arrangement of materials it would appear at that exact point within an hour-long timeline. In the compositional stage the changes in state between the original recording and its degraded 'ghost' counterpart were highlighted through extreme stereo separation and hard panning. The bringing together of these fragments on the timeline to mix and arrange the piece was also the first time we met in person after a year of this remote sound correspondence. Up until this point, neither of us had any clue about how these elements would sit together, whether the juxtapositions would work or not, whether the process would bear fruit or turn out to be a complete disaster."-Mark Vernon, Winter 2023
Artist Biographies
• Show Bio for Marc Baron "Marc Baron, Born in 1981 in France. Lives and composes music in Paris.
Since 2008, Marc Baron composes music for loudspeakers using tapes and analog processes. This work takes the shape of acousmatics concerts, radio broadcast, records, installations or specific live performances. Some of his compositions and performances were played in Australia, France, Switzerland, Belgium, Scotland, Canada. Some solo albums were edited during the last decade : in 2010 and 2012 on the English and Malaysiens labels Cathnor Records and Theme Park ("∩" and " Une fois, chaque fois ", in 2014 on the French label Potlatch ("Hidden Tapes"), in 2015 on Glistening Examples (" Carnets ") and in 2016 (" Un salon au fond d'un lac ")." ^ Hide Bio for Marc Baron • Show Bio for Mark Vernon "Mark Vernon is a Glasgow based artist who explores concepts of audio archaeology, magnetic memory and nostalgia through his sound works. At the core of his practice lies a fascination with the intimacy of the radio voice, environmental sound, obsolete media and the reappropriation of found recordings. A rich collection of domestic tape recordings; audio letters, dictated notes, answer-phone messages and other lost voices often find their way into his unorthodox soundworlds. These diverse elements are distilled into radiophonic compositions for broadcast, multi-channel diffusion, fixed media and live performances. A keen advocate of radio as an art form, he co-runs and curates Glasgow's art radio station, Radiophrenia. He was a founding member of Glasgow's Radio Tuesday collective and went on to set up several other RSL art radio projects in the UK including Hair Waves, Efford FM and Nowhere Island Radio. He is an award winning radio producer who has created programmes for stations including Resonance FM, VPRO, Sound Art Radio, Radio Revolten, Deutschland Radio Kultur, Radio Cona, Radio Picnic, Ears Have Ears, Kunstradio, Wavefarm, RADIA, EBU and the BBC. Since 2011 he has co-run Lights Out Listening Group - a bi-monthly listening event focused on creative uses of sound and radio that takes place in complete darkness. His solo music projects have been published through labels including Kye, Glistening Examples, Flaming Pines, Discrepant, Entr'acte, 3Leaves, Misanthropic Agenda, Canti Magnetici, Granny, Calling Cards Publishing, Psyché Tropes, Persistence of Sound and Gagarin Records, as well as a series of small CDR and LP editions on his own meagre resource imprint. He has collaborated on a wide variety of projects with artists including Marc Baron, Manja Ristić, Fritz Welch, Steve McInerney, Sarah Kenchington, Jane Topping, Laura Phillips, Elina Bry, Elen Huynh, Ilaria Boffa, Leonnie Roessler, Barry Burns, Nichola Scrutton, Zoë Irvine and Luke Fowler." ^ Hide Bio for Mark Vernon
4/24/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
4/24/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Post-chance 56:01
Electro-Acoustic
Organized Sound and Sample Based Music
Field Recordings
Electroacoustic Composition
Compositional Forms
Duo Recordings
New in Experimental & Electronic Music
Recent Releases and Best Sellers
Search for other titles on the label:
erstwhile.
 | Unami, Taku Bot Box Boxes [3 CDs] (erstwhile) |
| Performing live in a virtual festival performance at his home studio as an extension of his work at erstwhile's 2011 Amplify festival, Japanese sound artist Taku Unami recorded these three extended works using cardboard boxes and small robots, creating the curious sounds of their interactions and capturing them on binaural microphones to recreate their dynamics as exactly as possible. | |
 | Darge, Moniek / Vanessa Rossetto Dream Soundies (erstwhile) |
| Bringing together two generations of sound artists and field recording specialists--Belgian composer Moniek Darge, known for her ethnomusicologist "soundies" from global locations; and American sound composer Vanessa Rossetto transforming everyday occurrence--for a meeting at Lincoln Center in NYC to record the city and reshape its sound into four impressionistic sonic reveries. | |
 | Lambkin, Graham / James Rushford Gondolas [2 CDs] (erstwhile) |
| The first collaboration between electroacoustic composers and performers, Graham Lambkin (The Shadow Ring) from Kent, England and Australian composer, improviser and concrète collagist James Rushford, the two developing a series of fascinatingly mysterious and detailed sound compositions that incorporate live playing; beautifully packaged. | |
 | Novembre (Hoang / Clerc-Renaud / Darrifourcq) + Marc Baron Encore [2 CDs] (Umlaut Records) |
| A fascinatingly structured album conceived by Romain Clerc Renaud and Antonin Tri Hoang, the first CD constructing a complex poetic form made up of multiple themes, from simple (Encore, Petit Matelot) to rapidly complex (LetCo, Klaxon), unfolding in unexpected ways; the 2nd CD restructured in the studio by Marc Baron, transforming the music into seven engrossing electroacoustic compositions. | |
 | de Asis, Clara / Ryoko Akama Sisbiosis (erstwhile) |
| Engrossing interactions of electronic sound, abstract percussion, static, metallic ringing and other ephemeral sonic assertions, from French-based Spanish sound artist Clara de Asís and UK-based Japanese-Korean installation & sound artist Ryoko Akama: three tracks of live electroacoustic improvisation, and three compositions extracted from those sessions. | |
 | Rossetto, Vanessa The Actress [2 CDs] (erstwhile) |
| An unusual narrative of field recordings, electronics and chamber instrumentation from composer Vanessa Rossetto, through two CDs weaving an abstracted and detailed story of recurring motifs, indescribably intertwined with spoken word, equestrian moments, environmental recordings, and melodic progressions of strings and harps; a momentous work of collaged composition. | |
 | Marhaug, Lasse / Jerome Noetinger Top (erstwhile) |
| A tribute to late experimental sound artist Peter Rehberg (Pita) from collaborators and friends Lasse Marhaug and Jérôme Noetinger, ten recordings of wildly creative, slippery electronics, crunching sound bunts, rapid fire electronic turmoil and tapehead jamming, ending with a beautifully drifting tribute to an artist who widely influenced modern sound culture. | |
 | Pisaro-Liu, Michael Revolution Shuffle [2 CDs] (erstwhile) |
| Alarmed by the warning signs of social deterioration, political overreach and planetary damage warning of an imminent need for revolutionary change, composer and sound artist Michael Pisaro-Liu sought and plundered references in sound from historic and current sources, producing 53 tracks that are arranged to tell a story in a mosaic form; an incredible achievement. | |
 | Jun, Yan / Zhu Wenbo Twice (erstwhile) |
| Beijing sound artists Yan Jun and Zhu Wenbo developed this hour-long sound composition from independent recordings, a set of abstractions through recordings in the field, mechanical and electronic devices, human voice and utterance, acoustic and electronic instruments, &c. &c., made cohesive and compelling through independent time assignments by each artist; inexplicably interesting. | |
 | Dulin, Tucker / Ben Owen Cat Guarding Geese (erstwhile) |
| An electroacoustic composition of environment & sound punctuated with subtle percussion and electronic interventions, developed from field recordings, performances on Roosevelt Island, and studio recordings in Brooklyn by the duo of Tucker Dulin on bells, bowl, can, cymbal, lentils, mallet & whistle and Ben Owen on paper mic, speaker boxes, op amps & cassette. | |
 | Tsunoda, Toshiya / Taku Unami Wovenland 2 [2 CDs] (erstwhile) |
| For their 2nd collaboration, sound artists Toshiya Tsunoda & Taku Unami present a series of acoustic experiments, each track using a single field recording — fishing spots, birds, a hiking trail, &c, — recording and manipulating those recordings using specific processes, seeking to emulate the way our minds process the senses that we encounter to create our perceived reality. | |
 | Unami, Taku / Devin DiSanto Taku Unami / Devin DiSanto (erstwhile) |
| A live performance at Fridman Gallery in New York City as part of erstwhile's AMPLIFY 2015 festival from sound artists Taku Unami & Devin DiSanto, using electronics, concrete sounds, and spoken word to create diverse active environments of narratives and pure sound. | |
 | Baron, Marc Un Salon Au Fond D'un Lac (Potlatch) |
| Beautifully paced and enigmatically interesting compositions from Marc Baron, using only analog processes in three compositions for reel to reel tape, blending field recordings, cut-up, noise, found sound, pre-recorded and degraded tapes in unusual and absorbing ways. | |
 | Various Artists Magnetic Traces 2 (Swarming) |
| A survey of French and Australian Sound Art recorded in 2011 at Les Instants Chavires, Montreuil during Parisonic, with artists including Eric La Casa, Philip Samartzis, Marc Baron, Jean-Luc Guionnet, &c. &c. | |
 | Narthex (Baron / Blairon) Formnction (Potlatch) |
| Saxophonist Marc Baron & bassist Loic Blairon recorded 6 improvisations and then recomposed and organized them into these two 30 minute works, one acoustic and one digital. | |
Customers Who Bought This Item Also Bought:
 | Hannesson, Mark / Dante Boon / Anastassis Philippakopoulos hannesson . boon . philippakopoulos (Edition Wandelweiser Records) |
| Three solo piano works from three composers--Mark Hannesson, Dante Boon, and Anastassis Philippakopoulos--are performed by Dante Boon in this studio album recorded in Berlin; three extremely compatible works that prove to be quintessential examples of Wandelweiser minimalism finding melody, progression and abstraction in subtle and elusive ways; sublime. | |
 | Beuger.Boon.Susam (Edition Wandelweiser Records) |
| Pianist and composer Dante Boon performs his own work "Years, Numbers", alongside Antoine Beuguer's "Pour Etre Seul(e), Sans Reserve" and Taylan Susam's "Tombeau", and Bueger's "Nov. (piano)", four works of graceful and introspective beauty using minimal approaches to tone, chord, or spaciousness, recorded live at University Of Wisconsin-Whitewater in 2014. | |
 | Beuger, Antoine Two . Too (For Erwin-Josef Speckmann) [2 CDs] (Edition Wandelweiser Records) |
| Jurg Frey on clarinet and Irene Kurka on soprano vocals perform Wandelweiser composer Antoine Beuger's extended composition "Two"; then the duo of Rhodri Davies on harp and Ko Ishikawa on sho are layered on the first recording, creating a refreshingly new take on the piece. | |
