The Squid's Ear Magazine


Evans, Peter (Evans / Eldh / Black): Extra [VINYL] (We Jazz)

An exhilarating trio with bassist Petter Eldh and drummer Jim Black, recorded in Lisbon in 2023, capturing inventive synergy across eight original compositions by Peter Evans, ranging from the fiery intensity of "Freaks" and "Boom" to the surprising twists of "The Lighthouse", as their close-knit rapport fuels rhythmic depth and jaw-dropping improvisation.
 

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product information:

Personnel:



Peter Evans-piccolo trumpet, flugelhorn, piano

Petter Eldh-bass, synthesizer

Jim Black-drums, electronics


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UPC: 4062548097405

Label: We Jazz
Catalog ID: WJLP 073LP
Squidco Product Code: 35279

Format: LP
Condition: New
Released: 2024
Country: Finland
Packaging: LP
Recorded at Namouche Studios in Lisbon, Portugal, on August 5th, 6th and 7th, 2023, by Joachim Monte.

Descriptions, Reviews, &c.

"Peter Evans makes his We Jazz Records debut with Extra, a new album out 25th October. The band formation includes Evans on trumpet, Petter Eldh (Koma Saxo / Post Koma) on bass and Jim Black on drums. Peter Evans, an acclaimed trumpet player, improvisor, and composer based in New York City presents a gutsy new band that gets right to work with his eight new compositions. Extra was recorded at the iconic Namouche Studio in Lisbon and it has a feeling of a session where all musicians are pushing for the new together with great excitement. Both Eldh and Black are long-time collaborators of Evans, and every ounce of Extra brims with musical joy of togetherness and new discovery. Comprised of eight Evans originals, the album is a firecracker set off from the first beats of album opener "Freaks".

While Peter Evans is often lauded for his remarkable technical prowess, he is first and foremost serving his broader musical vision at all times. That is, the remarkable musical ability of the trio doesn't outshine how together the unit is in realizing the music at hand. The strong rhythmic base of Eldh and Black allows for Evans to push his compositions to their limits and for the band to find new avenues of expression together while doing so. Tracks like "Freaks", "In See" and "Boom" are full on forward-looking fire music with more heat than a sunny day in Lisbon, while "Movement 56" and "The Lighthouse" flip the script in ways that stun and surprise like an alleyway you only discovered after taking a couple of left turns far away from the high street. This is effortless creative music by a band that's comfortable together while pushing each other forward at all times."-We Jazz Records


Artist Biographies

"Peter Evans is a trumpet player, and improvisor/composer based in New York City since 2003. Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions. Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music. His primary groups as a leader are the Peter Evans Quintet and the Zebulon trio. In addition, Evans has been performing and recording solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like minded players. As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation for the 2015 Newport Jazz Festival. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively. He has worked with some of the leading figures in new music: John Zorn, Kassa Overall, Jim Black, Weasel Walter, Levy Lorenzo, Nate Wooley, Steve Schick, Mary Halvorson, Joe McPhee, George Lewis, and performs with both ICE and the Wet Ink Ensemble. He has been releasing recordings on his own label, More is More, since 2011."

-Peter Evans Website (http://pevans.squarespace.com/about/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Frans Petter Eldh, Born in Gothenburg, Sweden, was obsessed with Jazz, Classical, Soul, Reggae, Swedish folk music, Middle-Eastern and Hip Hop at an early age and collected vinyl since the age of 7. He initially played guitar before switching to what became his primary instrument, the double bass. Early influences, Charles Mingus, Anders Jormin, Charlie Haden, Charlie Parker, A Tribe Called Quest, Monica Zetterlund, Samla Mammas Manna, Aretha Franklin and Earth Wind and Fire have guided his diverse output as a musician.

Long-standing collaborations include the following erratic and progressive forces:Amok Amor, Django Bates Beloved, Jameszoo Quartet, Enemy (Kit Downes/James Maddren), Lucia Cadotsch Speak Low, Hayden Chisholm, Gard Nilssen's Acoustic Unity, Peter Bruun, Christian Lillinger, Benoit Delbecq and Kaja Draksler. As a producer he has remixed work by Jameszoo - Flake (Brainfeeder), Andromeda Mega Express Orchestra - Vula (Afterhours), Speak Low (Enja) and releases his own music on Galatea Records.

Selected releases in 2017 include Django Bates Beloved - The Study of Touch (ECM), Amok Amor - We Know Not What We Do (Intakt), Susanne Sundfør - Music For People In Trouble (Bella Union), Richard Spaven - The Self, Lucia Cadotsch Speak Low - Renditions (Enja), Gard Nilssen's Acoustic Unity - Live in Europe (Clean Feed)"

-Petter Eldh Website (http://pettereldh.com/?page_id=45)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Jim Black is at the forefront of a new generation of musicians bringing jazz into the 21st century. In addition to being one of the most influential drummers of our time, he is also the leader of one of the world's most forward-thinking bands, AlasNoAxis, featuring his longtime collaborators Chris Speed, Hilmar Jensson and Skúli Sverrisson. Based on the foundation of his virtuosic but highly personal approach to jazz drumming, Black's aesthetic has expanded to include Balkan rhythms, rock songcraft and laptop soundscapes. Though he is revered worldwide for his limitless technique and futuristic concepts, what many listeners treasure in most Jim Black's work is the relentless feeling of joy and invention he brings to his performances. Jim Black's smiling, kinetic, unpredictable presence has enthralled and inspired audiences worldwide for over twenty-five years.

Since the mid-90's, Black has played a major role in the incorporation of new sounds and techniques into the jazz/creative music context. As a member of the collective group Pachora (with Speed, Sverrisson, and guitarist Brad Shepik) Black was one of the leaders in the study and adaptation of Balkan music into jazz-based music. His advanced techniques abstracted the odd time signatures of the Balkans into a new polyrhythmic language equally informed by modern jazz, drum&bass and the dumbeks of the Balkans. Black has also been an innovator in the use of electronics in improvisation, bridging the gap between electro-acoustic improv and more jazz-based traditions. Today, Black's performances are just as likely to feature his laptop-based electronic textures as his drumming.

Born in 1967, Jim Black grew up in Seattle alongside future colleagues Chris Speed, Andrew D'Angelo and Cuong Vu. After cementing their personal and artistic relationships in Seattle's various youth jazz ensembles, in 1985 they moved to Boston, where Black entered the Berklee School of Music. In Boston, Black, Speed and D'Angelo formed Human Feel with guitarist Kurt Rosenwinkel, which rapidly attracted the attention of the jazz cognoscenti in Boston, New York and beyond.

By 1991, Black and the other members of Human Feel had moved to New York City, where they electrified the Downtown music scene then centered around the Knitting Factory and rapidly became among the city's busiest sidemen. Black's early years in New York saw him take featured roles in some of the most critically acclaimed bands of the time, like Tim Berne's Bloodcount, Ellery Eskelin's trio, and Dave Douglas's Tiny Bell Trio. Thus began fifteen years of near-constant touring and recording, with the above bands as well as artists like Uri Caine, Dave Liebman, Nels Cline, Steve Coleman, Tomasz Stanko, and Laurie Anderson.

-Jim Black Website (http://www.jimblack.com/Jim_Black_dotcom/BIO.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



SIDE A



1. Freaks 4:55

2. In See 5:13

3. Boom 5:46

4. Nova 2:33

SIDE B



1. Movement 56 4:06

2. Underworld 6:37

3. Fully Born 3:01

4. The Lighthouse 1:49

Related Categories of Interest:


Vinyl Recordings
Improvised Music
Jazz
Jazz & Improvisation Based on Compositions
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
We Jazz.


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