New York trumpeter Kenny Warren leads a trio with cellist Christopher Hoffman and drummer Nathan Ellman-Bell through eighteen Warren compositions that draw on diverse musical elements from around the globe — without being 'world music' — crafting succinct, creatively engaging works marked by eclectic references, unconventional time signatures, and a free-flowing lyrical spirit.
In Stock
Quantity in Basket: None
Log In to use our Wish List
Shipping Weight: 24.00 units
Sample The Album:
Kenny Warren-trumpet, piano, production
Christopher Hoffman-cello
Nathan Ellman-Bell-drums
Click an artist name above to see in-stock items for that artist.
UPC: 198500101501
Label: Out Of Your Head Records
Catalog ID: OOYH 028
Squidco Product Code: 35451
Format: LP
Condition: New
Released: 2024
Country: USA
Packaging: LP
Recorded at the Bunker in Brooklyn, New York, in June, 2023, by Aaron Nevezie.
"Sweet World was recorded in the summer of 2023 in Brooklyn. It features a book of songs that my trio with drummer Nathan Ellman-Bell, and cellist Christopher Hoffman performed for a year or so leading up to the recording. I wrote most of these songs with Nathan and Chris in mind. I tried to bring my whole musical self to this project. I love so many kinds of music. Improvisation is central to everything I do. The written material for these pieces all fit on one or two pages and each of them creates a little world for the three of us to play around in.
As a rule, I don't like to write with genre in mind. I prefer everything to be sublimated into something more mysterious. While writing this book of songs however, I may have occasionally broken my own rule. You will likely hear some of my many influences reveal themselves.
Doin' the Danube and Sunshine Collection have the feel of miniature romantic pieces. Fartsy also has a bit of European classical counterpoint. Respectfulee is sort of a bebop head that I wrote in memoriam for Lee Konitz. Three Like Fields is named after a very special cantina in Tokyo, but its sound is New York downtown through and through. On all of the tracks, and in everything I do, I hope you will hear my love for the late great Ron Miles.
The title Sweet World just made me chuckle. It's a cheeky pun, a way of making fun of myself for letting my genre defenses down a bit and writing a suite of world music songs. "World music" is of course the most absurd of all genre nomenclature, its closest rivals being "new music" and "creative music." New York is my favorite city in the world because it is home to people from every culture on the planet. None of these songs are literally in the style of anything in particular, but I think you will hear some of those multi-cultural elements step forward. Angels Migration has some Mexican banda elements played with some Serbian ornamentation, Piqueo was inspired by the Ethiopian pianist Emahoy Tsegue-Maryam, Postcard's melody feels North African, but it's sped up and in a Bulgarian dance rhythm. Similarly, Q to Canal Light Show is in a 9/8 meter and uses some maqam melodic elements. Heart Eats Mind is meditative and built on a scale common in North and South Indian classicalmusic. The cringey term "World Music" is used to signify that something is 'other' from a Western/Eurocentric lens. I guess we're all others to everyone else. I've wrestled with the ethics of appropriation and exoiticization, but at the end of the day, I can't deny that as a curious new yorker with omnivorous ears, all of these sounds are a part of me. It's cliche, but music really is universal. The city and music have been my tickets to the world.
I wrote a suite of pieces that I called Sweet World, because the pun made me laugh. The world is, to state the obvious, not always sweet: white supremacy, genocide in Gaza, the ever present threat of nuclear holocaust, the returning rise of fascism, and the increasingly irreparable damage we are doing to our planet's ecosystems with greenhouse gasses, deforestation and single use plastics. I wrestled with the idea of changing the name, Sweet World. What a callous, stupid name. I recognize that my life is privileged. Why should I be able to spend my days making art when other people spend theirs fighting for survival, fleeing violence, migrating on foot through the desert or the jungle. People who live in fear of being killed by bombs, many of them made in the USA by companies whose profits pad the stock market. It's all too much. If you really think about it, it is paralyzing. Maybe I should at least use my music to raise awareness, like so many of my brave friends are doing.
But I didn't write this music with tragedy, with anger, with evil in mind. I wrote this music because it was fun to write. I play music because I love to play music, and because no one tells me I can't. No one is asking me to make another record. I will almost certainly lose money on it, like I have with every other record I've ever made. And it's not going to change the world. It's simply for the joy of making live art with and for the people I love. It's silly and absurd, and sweet. It makes me feel good, and hopefully it will make some other people feel good too when they listen to it. Maybe it will make somebody wonder, or make them want to try something weird and beautiful, if, inshallah, they have the space to do so. I'm taking the good with the bad. I'm trying to live a life guided by love and honesty, even when the world fills me with existential dread. I have to believe that in dark times, simple acts of humanity are akin to acts of resistance. Sweet World."-Kenny Warren,January, 2024
Artist Biographies
• Show Bio for Kenny Warren "Denver born trumpeter Kenny Warren has been active in New York's improvised music scene since 2006. His playing is rooted in jazz and draws heavily from American and international folk music traditions. He has released two LPs with his songwriting outfit Laila and Smitty which Bird is the Worm calls "massively genuine and unabashedly heart-on-the-sleeve open and honest". He also leads The Kenny Warren Quartet which was featured in the Festival of New Trumpet Music (2016) and whose debut album "Thank You for Coming to Life" was released in 2017 on Whirlwind Recordings. Kenny has toured internationally and studied in the Balkans with legendary brass band Slavic Soul Party, whom he joined in 2008. In 2016, SSP released a re-imagining of Duke Ellington's Far East Suite and has held a weekly residency at Barbes in Brooklyn for over a decade. Kenny has recorded with the Middle Eastern Maqam-Jazz band Nashaz, played and recorded with indie rock icons like The Walkmen and Spoon, toured with The Budos Band, and was featured on the soundtrack of the highly acclaimed film Beasts of the Southern Wild. He is a teaching artist with Carnegie Hall's Musical Connections, and co-curator of the weekly experimental music series A.E. Randolph Presents. Kenny has recorded a handful of records of his own music as a collaborator with ZhirtZ n ZkinZ and NOOK, and is in demand as a sideman in a number of New York music circles. Recent projects include: Ben Stapp's Zozimos, Brad Shepik's Balkan Peppers, The Angela Morris & Anna Webber Big Band, The Sway Machinery, The Sandra Weiss Quintet, The Myk Freedmans, Big Butter and The Eggmen, Andy Biskin's 16 tons, The Rob Brown Quartet, Antlers and Capillaries, and duos with Jeremiah Lockwood, Bobby Avey and Tony Malaby." ^ Hide Bio for Kenny Warren • Show Bio for Christopher Hoffman "Christopher is a cellist, composer, producer, engineer and filmmaker. He currently performs in Henry Threadgill's Pulitzer Prize winning ensemble Zooid, Anat Cohen Tentet, Kenny Warren Trio, Tony Malaby, Michael Blake, Darius Jones and his own projects. He has worked with Martin Scorsese, Yoko Ono, Bleachers, Iron & Wine, Ryan Adams, Marianne Faithfull, Michael Pitt & Pagoda, Marc Ribot, Butch Morris, Lee Konitz, Rudy Royston, Anna Webber, Ryan Scott, Anthony Coleman, Jeremiah Cymerman & many others." ^ Hide Bio for Christopher Hoffman • Show Bio for Nathan Ellman-Bell "American drummer, based in Brooklyn, New York. He is a graduate of the Idyllwild Arts Academy and the Peabody Conservatory of Music where he earned a degree in jazz studies. He has performed with such jazz luminaries as Michael Formanek, Craig Taborn, Uri Caine, Sebastien Ammann, Dave Douglas and Sam Rivers among many others." ^ Hide Bio for Nathan Ellman-Bell
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
SIDE A
1. Earf 01:17
2. Piqueo 03:36
3. Three Like Fields 03:10
4. Full of Briars 02:55
5. Respectfulee 02:52
6. Prelude Pigeon 01:38
7. Pigeon Rich 05:57
SIDE B
1. Angels Migration 05:14
2. Postcard 00:51
3. Doin' the Danube 03:12
4. Sunshine Collection 02:58
5. Fartsy 04:32
6. Q to Canal Light Show 03:02
Vinyl Recordings
Improvised Music
Jazz
Jazz & Improvisation Based on Compositions
Free Improvisation
Melodic and Lyrical Jazz
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers
Search for other titles on the label:
Out Of Your Head Records.