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Krennerich / Schubert / Osswald / Fischer:
Degrees Above (Creative Sources)

Four German saxophonists are heard in three sophisticated and extremely creative chamber-oriented improvisations recorded at Kulturzentrum Hufeisen from Andreas Krennerich on soprano, sopranino & baritone saxophones; Frank Paul Schubert on alto & soprano saxophones; Hartmut Osswald on tenor sax & bass clarinet; and Nils Fischer on baritone sax & contrabass clarinet. ... Click to View


Rodrigues / Rodrigues / Almeida / Hencleeday / Parrinha / Parrinha / Santos / Valinho:
Spiegel II (Creative Sources)

The concept of a Spiegel, or mirror, is explored by this perceptively patient electroacoustic octet led by violist Ernesto Rodrigues, each of the 3 tracks an evolution of the first recorded improvisation, the 2nd "Spiegel" layering and reacting to the first recording, and the 3rd to the previous two, ultimately reflecting a conversation of 24 virtual musicians. ... Click to View


Pan (Kim / Benes / Haag / Alsadi / Saremi):
I Had A Dream (Creative Sources)

Perhaps referring to their "Pan"-global membership, with improvisers from Europe, Iran, Palestine and South Korea, an unusual instrumentation including the kanun and keneche, the Pan quintet recorded this album using unconventional composing methods and the integration of sound processing and extraneous interjections, a truly unique album of encompassing improvisation. ... Click to View


Stephen Flinn:
Red Bell (Creative Sources)

An immersive album of solo percussion, slowly sculpted through bowed cymbals, tension across drum heads, resonance and extraneous percussive elements, from New York-based experimental percussionist, composer & improviser, each piece unfolding a meditative yet substantial story built of powerful elements, creating mysterious and often daunting soundscapes. ... Click to View


Schindler / Kepl:
Fabulierblattchen (Creative Sources)

Track titles are borrowed from Friederike Mayröcker for their "concentrated word acrobatics and linguistic sensuality", and apt analogy to the duo of Udo Schindler on clarinets & cornet, and Iren Kepl on violin, who are recorded live at the 95th Salon für Klang+Kunst Krailling in Munich, 2019, in a set of 9 delicately virtuosic dialogs that use extended and unusual techniques. ... Click to View


Naoki Kita / Guilherme Rodrigues / Naoto Yamagishi :
S/T (Creative Sources)

The trio of Portuguese cellist Guilherme Rodrigues, Japanese percussionist Naoto Yamagish currently residing in France, and Japanese violinist Naoki Kita, active in improvisation and contemporary fields in Portugal and Berlin, met in Saitama, Japan at Barber Fuji to record these open conversations integrating extraneous noise and incidental instrument sounds. ... Click to View


Rasmus Borg:
Improvisations (Creative Sources)

Seven improvisations for solo piano from Swedish composer and pianist Rasmus Borg, recording in Stockholm in a contemplative contemporary mode, as evidenced by titles like "Nocturne", "Waltz", "Toccata", &c, referencing established forms through instant compositions, a reflection of his statement that Borg likes "melody, harmony, going in circles, canons". ... Click to View


Franklin / Gill:
To My Left Is Where The Lake Is (Creative Sources)

A series of improvisations recorded in an afternoon in Melbourne, Australia between bass guitarist Joseph Franklin and saxophonist Sam Gill on alto & soprano, this the debut of their duo work that since 2018 has developed a unique discourse of adept interaction from calmly precise to rapid & disciplined exchanges, connected by with textural and exploratory periods. ... Click to View


Other Plastics (Dominic Coles / Hunter Brown):
Overtime Liquor (Creative Sources)

Unusual glitch and extreme electronics improvised by the duo of New York artist Dominic Cole and Chicago/NY artist Hunter Brown (Sound Tribe Sector Nine), using approaches including glitch, noise & circuit bending in 9 pieces with tongue-in-cheek titles, balancing erratic moments with exploratory sections and near silence, an interesting and enigmatic album of aberrant electronics. ... Click to View


[SNDNG STTNS] Kifpfmuller / Janek feat. Ernesto Rodrigues / Guilherme Rodrigues :
Case Study: Sertao (Creative Sources)

Since 2014 the collective [SNDNG STTNS] has explored theatrical situations between musictheatre, staging and composition with live music, instruments, recordings, samples, speach and live editing, this work featuring cellist Guilherme Rodrigues bridges the art of the brazilian "violeros" with contemporary music, acoustic and electronic composition and improvisation. ... Click to View


Cortex (Hoyer / Nilssen / Alberts / Johansson):
Legal Tender (Clean Feed)

Seriously joyful and consequential "avant-garde party music" from the Norwegian Cortex quartet of Ola Hoyer on double bass, Gard Nilssen on drums & percussion, Kristoffer Berre Alberts on saxophone, and Thomas Johansson on trumpet, in their 6th album of irresistible, upbeat free jazz. ... Click to View


Ballrogg (Ellerhusen-Holm / Arntzen / Stackenas):
Rolling Ball (Clean Feed)

The Norwegian trio Ballrog, which started as the duo of Klaus Ellerhusen-Holm on clarinet and Roger Arntzen on double bass, then expanded with guitarist Ivar Grydeland, who is replaced by guitarist David Stackenäus, a perfect choice for the lyrical chamber approach of intertwining lines and fluid melodic statement, with a sense of "free chamber americana"; beautiful. ... Click to View


Chrome Hill (Lerheim / Arntzen / Lofthus / Nymo):
This is Chrome Hill (Clean Feed)

Self-described as Scandinavian jazz rock noir, the Chrome Hill quartet of Asbjorn Lerheim on baritone guitar, Roger Arntzen on double bass, Torstein Lofthus on drums & vibraphone, and Atle Nymo on tenor saxophone, present a dramatic album of contrasts inspired by cinematic and musical moods, merging elements of folk, Delta blues and cowboy rock into their darkly cool sound. ... Click to View


Warriors of the Wonderful Sound Expanded Ensemble, The:
Soundpath (Clean Feed)

AACM legend Muhal Richard Abrams was commissioned by Philadelphia saxophonist Bobby Zankel to compose for Zankel's large ensemble Warriors of the Wonderful Sound, this monumental piece premiered in 2012, but only in 2018 was a 2nd performance possible, conducted by Marty Ehrlich and receiving 2 standing ovations, the band recording this studio version the next day at Drexel University. ... Click to View


Lencastre / Nuno / Faustino / Valinho:
Anthropic Neglect (Clean Feed)

Three heavy "Concept" pieces of electric jazz from the quartet of Lisbon saxophonist José Lencastre, electric bassist Felipe Zenicola (from Rio de Janeiro, Brazil), drummer João Valinho and Jorge Nuno, a guitarist generally associated with psychedelic rock, as the band slowly seethes through a brew that flirts with rock and 70s fusion in unique ways. ... Click to View


Savina Yannatou / Joana Sa:
Ways of Not Seeing (Clean Feed)

A gorgeous and sinuous album of piano and voice from Portuguese pianist Joana Sá, using preparations and props to accompany the incredibly illustrative voice of Greek vocalist Savina Yannatou, whose profound skills create a sense of mystery and narrative that surpasses language and intent, creating something uniquely fragile yet fiercely alluring. ... Click to View


Luisa Goncalves :
Unno (Clean Feed)

A rich and lyrical album of solo piano improvisation from Lisbon-based Portuguese pianist Luísa Gonçalves, improvised yet merging elements of contemporary compositional music into beautiful and graceful forms that she reveals in a contemplative and pensive mood, savoring her notes and progressions while allowing melody to come forward in sophisticated ways. ... Click to View


Joao Lobo (Lobo / Lobo / Kempeneer):
Simorgh (Shhpuma)

Drummer Joao Lobo's trio with guitarist Norberto Lobo and double bassist Soet Kempeneer perform the drummer's dynamic compositions, along with one traditional works, a tight trio of highly interactive playing and a sense of familial interplay as the band weaves around Lobo's layered drumming and emphatic grooves, taking time for introspection among their energetic spontaneity. ... Click to View


Andre Goncalves :
Instrumentals (Shhpuma)

A compilation of compositions for conventional, acoustic, musical instruments, performed through synthetics and computer processing as an album of electronic music, composed by Lisbon based sound and media artist André Gonçalves, each of 9 parts simply titled "Instrumental", and each a fascinating microcosm of kinetic, synthetic-acoustic potential. ... Click to View


Kahil El'Zabar:
Kahil El'Zabar's America The Beautiful (Spiritmuse Records)

Chicago multi-percussionist Kahil El'Zabar composes, arranges and conducts a tour de force musical testament to speak about the turbulent issues in America and the world today, as well as his hopes and love for a better tomorrow, in a 12-piece ensemble including Hamiet Bluiett, Tomeka Reid, Corey Wilkes, Dennis Winslett, and the James Sanders String Quartet. ... Click to View


Sabu Toyozumi / Rick Countryman / Simon Tan / Isla Antinero / Stella Ignacio:
The Search for the Five Senses (Sol Disk Records)

Recorded during Sabu Toyozumi's first collaboration with Rick Countryman in 2017, this album features music from the same nights that produced Jya-Ne and Center of Contradiction: 6 tracks from an August 11th quintet performance with voice and trombone, and electric bass; plus 2 tracks from the following night in a trio format with acoustic bass. ... Click to View


Schubert / Schlippenbach / Blume:
Forge (Relative Pitch)

"Merge" aptly describes the nearly telepathic interplay between these three European Free Improv masters -- Alexander von Schlippenbach on piano, Frank Paul Schubert on alto & soprano saxophones, and Martin Blume on drums -- recorded live in 2019 at Ruhr Jazz Fest, in Bochum, Germany, for an expansive 47 minute improvisation and a brief "Forgin the Work" conclusion. ... Click to View


Jooklo Trio (Genta / Vanzan / Lopez):
It Is What It Is (Relative Pitch)

A raucous blast of free jazz, electrifyingly extending the Italian improv unit Jooklo Duo of drummer/percussionist David Vanzan and saxophonist Virginia Genta, here on amplified tenor & sopranino saxophones, with New York improviser Brandon Lopez on electric bass, burning six hair-raising pieces of aggressive free improv of exemplary relentlessness. ... Click to View


Samara Lubelski :
Partial Infinite Sequence (Relative Pitch)

Performing solo on violin with surrounding effects that emphasize the dramatic tension in her extended sequences, Samara Lubelski presents two substantial journeys into the infinite, swirling in delays and reverb as her bow transitions from rapid up and down to long drawing and sustaining, pulling a variety of sounds that elate her listeners in spirals and eddies. ... Click to View


Susanna Gartmayer / Christoph Kurzmann:
Smaller Sad (Klanggalerie )

The first meeting between the Austrian duo of bass clarinetist Susanna Gartmayer and Christof Kurzmann, here using ppool software, voice and rubber band, creating 4 elusive and immersive works that float somewhere in the void between experimental electronics, improvisation and song, creating diaphanous tension and mysterious environments; spellbinding. ... Click to View


Tomeka Reid / Joe Morris:
Combinations (RogueArt)

New York and Chicago string improvisers combine for an album of dense abstractions through individual lines that weave between the two players, briefly combining then moving off to independent methods, as guitarist Joe Morris and cellist Tomeka Reid meet in a Brooklyn studio to record ten improvisations, including one each dedicated to their home cities. ... Click to View


Charlotte Greve / Vinnie Sperrazza / Chris Tordini:
The Choir Invisible (Intakt)

The first recording for the New York-based trio formed in 2017 by Germany/NY saxophonist Charlotte Greve, Brooklyn-based bassist Chris Trodini and drummer Vinnie Sperazza, all three composing for the band as they integrate composed structures and improvised sections with an ear towards lyrical interplay, create a diverse and optimistic first outing of buoyant jazz. ... Click to View


Christoph Irniger Trio (w / Raffaele Bossard / Ziv Ravitz):
Open City (Intakt)

Swiss saxophonist & composerChristoph Irniger extends his long-running trio of bassist Raffaele Bossard and drummer Ziv Ravitz with Brooklyn alto saxophonist Loren Stillmand and German trombonist Nils Wogram, combining arrangement and improvisation in the jazz tradition, performed with inventive clarity and a strong regard for melody, making this an upbeat and creative album of modern jazz. ... Click to View


Ernesto Rodrigues / Miguel Almeida / Andre Lanca / Bernardo Alvares / Felice Furioso:
Un Seul Regard Le Chant Petri De Beaute Un Mot Vert (Creative Sources)

Acoustic and sublime minimal acoustic improvisation with an emphasis on strings from the Portuguese quintet of Ernesto Rodrigues on viola, Miguel Almeida on acoustic guitar, Andre Lanca on electric guitar, Bernardo Alvares on double bass, and Felice Furioso on percussion, performing live during the Small Format Materials Festival at Galeria Monumental, in Lisbon. ... Click to View



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  Kurt Gottschalk 
  24b  
  (Batterrie) 


  
   review by Dave Madden
  2009-09-23
Kurt Gottschalk: 24b (Batterrie)

In a dedication to Derek Bailey, Squid's Ear contributor Kurt Gottschalk wrote "...music in the 20th Century was the breaking down of the idea of musicianship; expressiveness surpassed finesse as the reason for playing an instrument." On 24b, he puts his hands to guitar and feet to pedals to offer an exciting example of this ideal.

For nearly an hour (split into two programs), Gottschalk patiently works through the fringes and cracks of his instrument's potential, oscillating between delicacy and strength while leading the listener down a through-composed / improvised wormhole. The introductory light scrapes and plucks of "Bluely" come out dry but, after a short pause, their delay yields various flavors of distorted reverberation, pre-amp dominance, just-until-the-point-of-pain saturation and microtonal inflections. Eventually moving into a violent, flanging, punctuated display, Gottschalk tangentially shifts by stripping away all effects in favor of tinkling non-fret board methods (i.e. behind the nut), liquid echoes, sloppy "Eastern" scales, rattling objects on strings and healthy servings of silence; from here he toys with twanging intervals and distressed sawing before submerging into a multi-octave wall of sludgy Metal postures and tape-mangling feedback.

Certainly, you've heard all these descriptions in reviews of other non-guitarist's musics (i.e. Otomo Yoshihide), but Gottschalk puts his stamp on the genre in a variety of ways, one such being his ability to create the impression of an ever-augmenting then diminishing, then augmenting from another perspective ensemble. In conjunction, the stereo field plays a vital role in the success of this music. He carefully nudges the shadows (panned left) of his performances (panned right), distancing their relationship, stretching and merging the seams into a cerebrally separate, eye-twitching (in a good way) experience, like a mirror whose image often magically frees itself from its host; at a glance, the reckless, grungy "Wide Eyes / White Eggs (for George Bataille)" is a mono endeavor, however a few moments of concentration and movement around your listening plot reveal underlying strata of stark, non-affected twitches and psychoacoustic eccentricities. In other words, Gottschalk capably animates his instrument and recordings with slight of hand to a point where you lose track of internal semantics, what is manipulating what the chicken and the egg, so to speak.

Temporarily putting aside his role in the Country and Blues (a loose version of it, anyway) outfit Ecstasy Mule and other tenuous groups, Gottschalk's solo warts-and-all physical and mental explorations of "learning, unlearning, then learning again" make for an arresting abstract smear.



Kurt Gottschalk: 24b
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Recent Selections @ Squidco:


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