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Satoko Fujii / Joe Fonda: Mizu (Long Song Records)

With commanding instrumental skills and a growing history of collaboration, bassist Joe Fonda and pianist Satoko Fujii are heard again in two live concerts as part of their 2017 European tour, two duos from Belgium and one in Germany, the CD taking its title from the Japanese word for "water" as the two converse in powerfully emotional and technically breathtaking ways. ... Click to View


Steve Coleman and Five Elements: Live at the Village Vanguard, Vol. I (The Embedded Sets) [2 CDs] (Pi Recordings)

With his earliest and most current performance history tied to the enduring Manhattan jazz club The Village Vanguard, alto saxophonist Steve Coleman records his Five Elements in a 2017 live show with Jonathan Finlayson on trumpet, Miles Okazaki on guitar, Anthony Tidd on bass, and Sean Rickman on drums for a fiery, exuberant and masterful concert of modern jazz. ... Click to View


Steve Coleman's Natal Eclipse: Morphogenesis (Pi Recordings)

Steve Coleman's Natal Eclipse brings together 9 musicians in a chamber jazz setting without a drum set--Jonathan Finlays(trumpet), Jen Shyu (vocals), Matt Mitchell (piano), Mara Grand (tenor sax), Rane Moore (clarinet), Kristin Lee (violin), Greg Chudzik (bass), and Neeraj Mehta (percussion)--performing 9 of Coleman's sophisticated original compositions. ... Click to View


Barker Trio: Avert Your I [CASSETTE + DOWNLOAD] (Astral Spirits)

After releasing drummer Andrew Barker's duo with Daniel Carter, "Polyhedron", Astral Spirits takes on Barker's trio album with sidemen Michael Foster on tenor & soprano sax, plus electronics, and Tim Dahl on bass, Barker also adding synth & electronics, for an album of ruggedly intense, propulsive playing with a probing inquisitiveness. ... Click to View


Charles Barabe : De la Fragilite [CASSETTE + DOWNLOAD] (Astral Spirits)

Victoriaville, Quebec electronic composer Charles Barbare creates abstract electroacoustic works, here in an impressive 6-movement work that covers a wide ground from minimalistic rhythmic sections to time-stretched voices and electronics to musique mystery, his inquisitive approach allowing his scores to unfold in decipherable, dramatic and coherent ways. ... Click to View


Hvizdalek / Nergaard / Tavil / Garner: Juxtaposition (Nakama Records)

Sonic sources of a wide variety of timbre, rhythm and tone, mixed with voice, feedback, even bird sounds, make up the strata of this intriguing album from Oslo Improvisers Agnes Hvizdalek (voice), Magnus Skavhaug Nergaard (electric bass, electronics, field recordings), Utku Tavil (snare drum, no input mixer, sampler), and Natali Abrahamsen Garner (voice, electronics). ... Click to View


Hvizdalek / Nergaard / Tavil / Garner: Juxtaposition [CASSETTE] (Nakama Records)

Sonic sources of a wide variety of timbre, rhythm and tone, mixed with voice, feedback, even bird sounds, make up the strata of this intriguing album from Oslo Improvisers Agnes Hvizdalek (voice), Magnus Skavhaug Nergaard (electric bass, electronics, field recordings), Utku Tavil (snare drum, no input mixer, sampler), and Natali Abrahamsen Garner (voice, electronics). ... Click to View


Goh Kwang Lee / Christian Meaas Svendsen: Gibberish, Balderdash and Drivel (Nakama Records)

Three "nonsensical" musical conversations between Malaysian experimental musician and Herbal International label founder Goh Lee Kwang, and Norwegian bass player and Nakama label leader Christian Meeas Svendsen; a first encounter between two different mindsets, nationalities and generations, packaged with a pencil to let you draw your own cover. ... Click to View


Goh Kwang Lee / Christian Meaas Svendsen: Gibberish, Balderdash and Drivel [VINYL] (Nakama Records)

Three "nonsensical" musical conversations between Malaysian experimental musician and Herbal International label founder Goh Lee Kwang, and Norwegian bass player and Nakama label leader Christian Meeas Svendsen; a first encounter between two different mindsets, nationalities and generations, packaged with a pencil to let you draw your own cover. ... Click to View


Hal Hutchinson: Factory Metal Sound [CASSETTE] (Banned Production)

British noise artist Hal Hutchinson (Der Bunker Records) in a record of apparent field recordings of metallic factory sounds, a machinist's daydream of rotating and subdued lathe sounds, each side of the cassette with a distinct timbre and recording ambiance as the mysterious sounds provide a cantankerously complex set of audio environments. ... Click to View


Mako Sica / Hamid Drake: Ronda [VINYL 2 LPs] (Feeding Tube Records)

The long-running Chicago free-rock trio Mako Sica currently comprised of Przemyslaw Drazek (trumpet & guitar), Brent Fuscaldo (guitar) and Chaetan Newell (drums & piano) are joined by free improvising legend Hamid Drake on drum kit, tablas and frame drum for a beautiful and rich album of genre merging, spiritually warm, primarily instrumental music, inclusive and persuasive. ... Click to View


Mako Sica / Hamid Drake: Ronda [CASSETTE + DOWNLOAD] (Astral Spirits)

The long-running Chicago free-rock trio Mako Sica currently comprised of Przemyslaw Drazek (trumpet & guitar), Brent Fuscaldo (guitar) and Chaetan Newell (drums & piano) are joined by free improvising legend Hamid Drake on drum kit, tablas and frame drum for a beautiful and rich album of genre merging, spiritually warm, primarily instrumental music, inclusive and persuasive. ... Click to View


Musaeum Clausum: Musaeum Clausum (Umlaut Records)

Musaeum Clausum is a French-German trio that features Louis Laurain on cornet (Die Hochstapler, Umlaut Big band, ONCEIM), Hannes Lingens on drums (Obliq, Konzert Minimal) and Sebastien Beliah on bass.(Un Poco Loco, Ensemble Hodos, Umlaut Big Band), in an album of patiently developing improvisation giving each player freedom and flexibility within a composed framework. ... Click to View


Sebastien Beliah : Nocturnes (Umlaut Records)

Sebastien Beliah is a Paris-based double bass player, a member of Umlaut Big Band, The Coquettes, Un poco loco, &c., here in a solo album of bass noir, dark and resonant tones evoked through strong bowing, finding harmonics between the strings and from the instrument itself, creating beautiful passages in a mirage of engulfing deep timbre. ... Click to View


Charles Noyes K. / Owen Maercks w/ Henry Kaiser / Greg Goodman: Free Mammals [VINYL] (Feeding Tube Records)

A great example of open-minded West Coast free improvisation around the late 70s from the quartet of Charles K. Noyes on percussion & saxophone, Owen Maercks on guitar, Henry Kaiser on guitar, and Greg Goodman on piano & percussion, side A from a live concert in Berkeley recorded by guitarist Henry Kaiser, side B from sutdio sessions in San Francisco. ... Click to View


Toshimaru Nakamura : Re-Verbed (No-Input Mixing Board 9) (Room40)

Tokyo-based electronics artist Toshimaru Nakamura's 9th album of No-Input Mixing Board music, elucidating sound from the mixing board without any audio sources, showing the amazing evolution of his approach as he turns this "empty" "instrument" into an amazing source of rhythmic and assertive sound that's both surprising and wonderfully musical. ... Click to View


Paul Flaherty / Chris Corsano: The Hated Music [VINYL 2 LPs] (Feeding Tube Records)

Gary Panter's artwork is updated and the format is vinyl this time for this welcome reissue of the 2000 Ecstatic Yod CD from the now long-running duo of tenor & alto saxophonist Paul Flaherty and drummer Chris Corsano, a superb free jazz album of great invention and seriously deep playing, from hard attacks to introspective musing, truly impressive! ... Click to View


Sidsel Endresen / Jan Bang: Hum (Confront)

Using sampler, dictaphone, and voice, the duo of Sidsel Endresen and Jan Bang improvise and interact to create unorthodox hybrids of fractured electronics and articulated word, as edgy and engaging as it is unusual, captured live at Victoria Nasjonal Jazzscene, in Oslo, Norway in 2016, a great followup to Bang's "And Poppies From Kandahar" Samadhi album. ... Click to View


Don Cherry: Home Boy, Sister Out (WeWantSounds)

Trumpeter Don Cherry recorded this funk album in France in 1985 with a set of multi-ethnic Paris players including Elli Medeiros and produced by Ramuntcho Matta, the songs crossing funk with jazzy vamps, rock roots and modern approaches, reissued with new liner notes and 5 bonus tracks including the cult 1983 single "Kick" featuring legendary author Brion Gysin. ... Click to View


Don Cherry: Home Boy, Sister Out [VINYL 2 LPs] (WeWantSounds)

Trumpeter Don Cherry recorded this funk album in France in 1985 with a set of multi-ethnic Paris players including Elli Medeiros and produced by Ramuntcho Matta, the songs crossing funk with jazzy vamps, rock roots and modern approaches, reissued with new liner notes and 5 bonus tracks including the cult 1983 single "Kick" featuring legendary author Brion Gysin. ... Click to View


Small Cruel Party: ἡσυχασμός (complacency) [CASSETTE] (Banned Production)

The first new release from William Key Ransone's Small Cruel Party, two 12 minute pieces, the first a work of subtle noise that ebbs and flows in subliminal ways; the second a work of strong tone combinations with distracted percussion and unusual tonal interruptions, a unique album of atmosphere and tension. ... Click to View


Axel Dorner / Jason Kahn: For Berner Munster (Confront)

The pairing of German trumpeter Axel Dorner, and NY-born experimental artist Jason Kahn living and performing in Zurich, brings the tradition of avant free jazz and nonidiomatic improvisation into an unusual merging of techniques and approaches, each applying their advanced virtuosity to this intense concert, recorded during Hamburg's Zoom In Festival, 2017. ... Click to View


Douglas Benford : For Now (Confront)

Sprawl Imprint label leader Douglas Benford developed this fascinatingly layered composition with a diverse set of instruments, objects, and field recordings from captures made at the Stockholm Music Museum and at performances in Lithuania and England between 2009 and 2017, assembling them to create this exceptional odyssey of concrete, ambient and ethnic sources. ... Click to View


Isotope Ensemble: Barium (Creative Sources)

Large scale improvisation of the most subtle nature from Portugal's Isotope Ensemble led by Ernesto Rodrigues, 17 musicians slowly unfolding this beautiful work of consonance and dissonance dedicated to element atomic number 56, recording live at O'Culto da Ajuda in Lisbon with instrumentation including acoustic reeds, strings, brass, percussion, and electronics. ... Click to View


Ernesto Rodrigues / Guilherme Rodrigues / Andrew Lafkas / Bryan Eubanks: 0 Minutes And 0 Seconds (Creative Sources)

Lisbon-based viola player Ernesto Rodrigues joins three Berlin-based musicians--cellist Guilherme Rodrigues, double bassist Andrew Lafkas and electronics artist Bryan Eubanks--merging the lowercase approaches of Creative Sources groupings with experimental electronics for a 5-part album that ranges from the subliminal to assertive tones and momentum. ... Click to View


Sergio Merce: Three Dimensions Of The Spirit (Edition Wandelweiser Records)

Conservatory trained Argentinian saxophonist Sergio Merce uses a prepared tenor sax and a microtonal sax to create rich harmonics and slowly moving tonal works, layering aberrant and alluring tones in restrained configurations that allow each stratum of sound to be distinguished and appreciated, creating mesmerizing compositions of elusive and illusionistic sound. ... Click to View


Beuger.Boon.Susam: (Edition Wandelweiser Records)

Pianist and composer Dante Boon performs his own work "Years, Numbers", alongside Antoine Beuguer's "Pour Etre Seul(e), Sans Reserve" and Taylan Susam's "Tombeau", and Bueger's "Nov. (piano)", four works of graceful and introspective beauty using minimal approaches to tone, chord, or spaciousness, recorded live at University Of Wisconsin-Whitewater in 2014. ... Click to View


Cyril Bondi / d'Incise: Kirari-Kirari (Edition Wandelweiser Records)

A sextet of Cyril Bondi (vibraphone), d'Incise (metallic objects), Magnus Granberg (piano), Anna Lindal (Baroque violin), Anna-Kaisa Meklin (viola de gamba) and Christoph Schiller (spinet) perform two works composed by Bondi and d'Incise, recorded by Simon Reynell of Another Timbre, works of repetition with distinct variations that evolve as each piece progresses. ... Click to View


Johan Lindvall: Giraffe (Edition Wandelweiser Records)

Fourteen pieces for solo guitar from Norwegian composer Johan Lindvall, sparse yet warmly spaced pieces that focus on the individual notes or simple chords in intimate ways, meditative yet warmly evocative; two sections are presented in multiple movements, with "five songs for voice and guitar", Rasten singing words written by Marianne Moore; lovely and refined. ... Click to View


Stephen Cornford : Battery Acid [CASSETTE] (Banned Production)

UK Sound experimenter Stephen Cornford took the bare wires of two microphone cables and submerged them in the cavaties of a large but run-down car battery, plugged it into a mixer, panned hard left and right and recorded, adding a 12 Volt trickle charger to the external terminals of the battery and made a second recording, the results heard here unchanged. ... Click to View


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Reviews of live performance


  Holland Hopson / James Keepnews with special guests Damian Catera and Tom Chess 

  (Washington Square Church) 


Friday, March 28th, 2003
   review by Phil Zampino
  2003-04-10

Under the arches and pipe organ inside the Washington Square Church, soprano saxist †Holland Hopson and guitarist James Keepnews assembled a collection of powerbooks, rack electonics and pedals, performing for two hours as a duo and in trio with Tom Chess on tenor sax and oud, and Damian Catera on guitar, powerbook and electronics.

Starting with sirens and politically charged samples, the duo- both of whom's racks included anti-war stickers- worked subtle sax riffs and passionate guitar chords in juxtaposition to the samples. †Hopson's playing was generally continuous, twisting around the samples with odd harmonic interactions generated by his computer. The umbilicus of cables trailing from his sax included an altitude sensor with which he could control various aspects of the generated sound, at times creating a chorus of saxes playing in multiple registers and tonalities. †Keepnews jumped between the powerbook, his rack and his guitar, controlling the flow of the samples and occasional sampled rhythms, even dropping in the Casey Casum quotes that caused Negativland so much legal trouble. †The results were a lovely juxtaposition of ugly sentiment and beautiful playing, as the two created a 21st century improvisation, cajoling odd signal twists from their electronics.

After performing two pieces the duo was joined by Tom Chess for two improvisations. †On the first Chess played tenor sax, opening with a powerful tone over which the three developed an abstracted interplay. †Here Chess was an excellent foil for Hopson and Keepnews as his lower register playing†complemented their higher octave strategies. †The piece slowly developed into a duo between Hopson and Chess, an interesting contrast of acoustic tenor and electronic soprano. †For their second piece Chess switched to the oud, playing middle-eastern melodies over which Keepnew s' haunting samples wailed. †The communication between the three was excellent, interacting with each other as Keepnews varied the piece through samples of voices and rhythms, slowly bringing itself to a peaceful and coherent conclusion.

Hopson and Keepnews then returned to duo format with the most structured piece of the evening which they described as having a "modicum of a plan." †They described the piece as taking the audience to the "South East instead of Central Asia (along the axis of evil)." The piece began with samples of traffic noises and a slow tabla led rhythm over which Hopson played clustered figures against Keepnews' distorted guitar riffs, making a meandering journey into a dark world. After the break the two returned for two more improvisations, interactions with squiggly noises and strident distortions, whistful pieces that never completely congealed, but which wafted about the church in interesting ways.

Damian Catera then joined the duo as the final guest of the evening. †This introduced one more powerbook and another guitar to the fold, as Keepnews and Catera built sheets of drones over which Hopson looped sax lines. †A rich, thick noise tapestry was created out of which identifiable beats played forward and backward while samples appeared and dispelled themselves. The music took interesting turns with dense dynamic drops, the three interacting with bold structures and ideas.

The concert ended with a final duo improvisation using no processing. †The subtle interactions between Hopson and Keepnews showed the musicality that provided the foundation for their electronic excursions, a lovely ending to a dynamic and interesing performance.



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