The Squid's Ear
Recently @ Squidco:

Biliana Voutchkova / Michael Thieke: Blurred Music (elsewhere)

Berlin-based violinist Biliana Voutchkova and German clarinetist Michael Thieke (Magic I.D., International Nothing) present a stunning achievement in blending compositional, pre-structured material with live improvisation, creating a blurring of virtually identical sections that create microtonal anomalies in timing, rhythm, timbre and motive, as heard in 3 amazing performances. ... Click to View


Matthew Revert / Vanessa Rossetto: Everyone Needs A Plan (erstwhile)

The second collaboration between sounds artist Vanessa Rossetto and writer and sound artist Matthew Revert is a monumental work that studies the evolution of communication through fragments of spoken words, and a rich tapestry of sound from acoustic and electronic instruments, field recordings, and perplexing and dramatic sources of sound. ... Click to View


Lucio Capece / Marc Baron: My Trust In You (erstwhile)

Two electroacoustic improvisers and composers--Lucio Capece on reeds, analog synths, effects, field recordings, drums machines, speakers in motion, and Marc Baron on field recordings and analog devices--developed these 6 extraordinary recordings that blend motion, perspective, sound and noise, and concrete references in a mystifying and mesmerizing journey in sound. ... Click to View


Melaine Dalibert : Musique pour le lever du jour (elsewhere)

Inspired by the work of Hungarian-born French media artist Vera Molnar, and by the vicissitudes of natural phenomena, French pianist and composer Melaine Dalibert developed algorithmic procedures to compose this work, translating to "Music for the Daybreak", as an illusory "endless piece" of meditative layered, resonant music in the mode of Morton Feldman. ... Click to View


Otomo Yoshihide / Paal Nilssen-Love: 19th of May, 2016 (PNL)

An intensively diverse and thrilling game of "cat and dog" between Norwegian percussionist Paal Nilssen-Love and Japanese guitarist Otomo Yoshihide, performing live at Dom Cultural Center, Moscow, Russia in 2016 for two extended improvisations that exemplify incredible technical skills, reflective and introspective dialog, and cathartic release; absolutely impressive. ... Click to View


Marker (w/ Ken Vandermark): Wired For Sound (Audiographic Records)

The debut from this Chicago band merging strong grooves with free playing, with 2 guitarists--Andrew Clinkman & Steve Marquette, plus Macie Stewart on keys & violin, Phil Sudderberg on drums, and Ken Vandermark on reeds, each of the 3 tracks dedicated to an artist: Belgian movie director Chantal Akerman; German choreographer Pina Bausch; and Anthony Braxton and Bernie Worrell. ... Click to View


Vandermark / Kugel / Tokar: No-Exit Corner (Not Two)

the second CD by the trio featuring the tenor saxophonist and clarinetist Ken Vandermark, the drummer Klaus Kugel, and the bassist Mark Tokar has the band back at Krakow's Alchemia Club, bringing these three Chicago and European players together for a skronky, energetic romp of commanding playing alongside unorthodox approaches and powerfully creative intent. ... Click to View


Bobby Zankel & The Wonderful Sound 6: Celebrating William Parker at 65 (Not Two)

Celebrating bassist and composer William Parker's 65th birthday at the Painted Bride Art Center in Philadelphia in a band led by Bobby Zankel on alto saxophone, Muhammad Ali on drums, Dave Burrell on piano, Steve Swell on trombone, Diane Monroe on violin, and William Parker himself on bass, in a 4-part suite of beautifully turbulent and masterful free jazz. ... Click to View


Ernesto Rodrigues / Guilherme Rodrigues / Fred Marty / Carlos Santos: Jardin Carre (Creative Sources)

French double bassist Fred Marty joins Creative Sources core performers, violist Ernesto Rodrigues, cellist Guilherme Rodrigues and electronic artist Carlos Santos for an extensive improvisation exploring both lyrical and pointillistic improvisation, themed loosely around a garden quartet or frame, the music detailed, active and formidably sophisticated. ... Click to View


Urlich Mitzlaff : Ten Sonic Miniatures about the "Scream" by Edvard Munch (Creative Sources)

Using Edvard Munch's famous painting "The Scream" as his muse, German cellist living in Portugal, Ulrich Mitzlaff, presents 10 acoustic miniatures from just over a minute to 4 1/2 minutes in length, including wildly interactive moments of delirium to darkly melodic bowed passages, using his impressive technique to create vivid depictions of Munch's work. ... Click to View


4! (Patrizia Oliva / Carlo Mascolo / Domenico Saccente / Felice Furioso): Factorial (Creative Sources)

Free electroacoustic improvisation from the Italian quartet of Patrizia Oliva on voice, electronics, bawu, objects, Carlo Mascolo on prepared trombone, Domenico Saccente on accordion and prepared piano, and Felice Furioso on drums, cupa cupa, contrabbassa, sounded objects, using voice and unusual instrumentation to guide unusual and forward-thinking improv. ... Click to View


Frantz Loriot : Reflections on an Introspective Path (Neither/Nor Records)

French-Japanese violist Frantz Loriot's first solo album takes the viola into unusual territory, using an acousmatic approach to create music and sounds with no visual reference by transforming the sound of the viola through preparations and remarkable extended techniques, layering and assembling his works to create concrete statements of movement. ... Click to View


Costa's Acustica, Carlo: Strata (Neither/Nor Records)

New York composer and drummer Carlo Costa assembled this accomplished ensemble of NY improvisers for a live performance at IBeam in Brooklyn, capturing his piece "Strata" that evolves layers of sound from very sparse to densely yet accesibly stacked sound, varying recurring material to change perspectives in the aural space as the piece progresses; impressive. ... Click to View


Flin van Hemmen (w/ Neufeld / Obsvik): Drums of Days (Neither/Nor Records)

Debut album as a leader from drummer and pianist Flin van Hemmen, an evocative album of original compositions and improvisations recorded in a trio with Eyvind Opsvik on double bass and Todd Neufeld on acoustic guitar, with Tony Malaby on alto and soprano sax on one track; a beautifully cinematic and poetic album that allows for space and reflection. ... Click to View


Peter Blegvad : Bandbox [6 CD BOX SET] (Recommended Records)

Starting with Blegvad's "Downtime" LP, this box traces the evolution of the Peter Blegvad Trio into a quintet with Karen Mantler and Bob Drake, released in a solid box with a double CD of alternate versions, unreleased material and live performances, plus a 72 page book of photographs, memorabilia, drawings, documents and recollections; the ultimate reissue! ... Click to View


Roberto Musci / Giovanni Venosta: Messages & Portraits (2018 Edition) (Recommended Records)

A welcome reissue of two 1980s, forward-thinking albums of electronic compositions from Milanese ethnomusicologist composers, sound engineers and performers Giovanni Venosta and Roberto Musci, incorporating exotic field recordings from their world travels into accessibly sophisticated pieces, creating unexpectedly innovative, novel and melodically rich hybrids. ... Click to View


Vitor Rua & The Metaphysical Angels: When Better Isn't Quite Good Enough [2 CDs] (Recommended Records)

Guitarist Vitor Rua (GNR, Telectu) recorded the 15 pieces of this 2-CD set first as a series of overdubbed solo improvisations, using his virtuosic skills to create intriguing and compelling works, which he orchestrated and recorded with the quintet of Hernani Faustino on bass, Luis San Payo on drums, Manuel Guimaraes on organ, Nuno Reis on trumpet, and Paulo Galao on clarinets. ... Click to View


Allen Ravenstine : Waiting For The Bomb [VINYL] (Recommended Records)

Many years after Pere Ubu and his work as a pilot, one of the world's most unique synth players, Allen Ravenstine, releases an album of composed works, 18 discrete hybrid miniature sound worlds that blend acoustic, real-world and synthetic sounds in unorthodox ways that elusively twist conventional approaches with unexpected elements and narrative twists. ... Click to View


Lance Olsen Austin : Dark Heart (Another Timbre)

Four fascinating and detailed compositions from Canadian composer and painter Lance Austin Olsen, each work giving the performers space to collaborate on the results, using graphic scores and Cage-like elements from recordings; performers include Terje Paulsen, Gil Sanson, Ryoko Akama, Isaiah Ceccarelli, Katelyn Clark, Patrick Farmer and Apartment House. ... Click to View


Alex Jang : Momentary Encounters (Another Timbre)

Four fragile and mostly minimal works by Victoria-based composer Alex Jang, performed by the Apartment House ensemble, with solo pieces by Heather Roche on clarinet + field recordings, one with Cristian Alvear on guitar, an acoustic quintet, and "any three players" designed for any mix of instrumentation, here on melodica, vibraphone & cello. ... Click to View


Linda Smith Catlin: Wanderer (Another Timbre)

Eight sophisticated chamber pieces composed by Linda Catlin Smith and realized by the Canadian Apartment House ensemble, including a solo piano performed by Philip Thomas, a piano duo with Thomas and Mark Knoop, and works for percussion & cello, 2 quintet pieces for strings, percussion and winds, and two 7-piece conducted works with two percussionists, strings and brass. ... Click to View


Cassandra Miller : O Zomer! (Another Timbre)

Two ensemble works and two solo pieces by Christian Wolff's favourite contemporary composer, Cassandra Miller, who is blazing a very personal trail through the experimental music world, with brilliant performances by Apartment House, Mira Benjamin, Philip Thomas, and Charles Curtis with the BBC Scottish Symphony Orchestra, conducted by Ilan Volkov. ... Click to View


Cassandra Miller : Just So (Another Timbre)

A disc of extraordinary string works by Canadian composer Cassandra Miller, presenting four string quartets superbly played by the Quatuor Bozzini quartet of Clemens Merkel on violin, Alissa Cheung on violin, Stephanie Bozzini on viola, and Isabelle Bozzini on cello, including the large work "About Bach", awarded the Jules Leger Prize for New Chamber Music. ... Click to View


Bucher / Countryman (w/ Simon Tan / Isla Antinero): Extremely Live in Manila (ChapChap Records)

A live concert in Quezon City from the Manila based duo of Rich Countryman on alto saxophone and Swiss drummer Christian Bucher, who are joined on one track by acoustic bassist Simon Tan and trombonist Isla Antinero. ... Click to View


Ernesto Rodrigues / Guilherme Rodrigues / Adam Pultz Melbye / kriton b.: The Distant Sound Within (Creative Sources)

Three strings--cello from Guilherme Rodrigues, double bass from Adam Pultz Melbye, and viola from Ernesto Rodrigues--plus harmonium and objects from Kriton Beyer, in a live performance at Kuhlspot Social Club in Berlin, each of the 9 movements a concentrative work named with a three-letter onomatopoeia, as the players draw sound from a mysterious dark distance. ... Click to View


Akmee (Pedersen / Jerve / Albertsend / Wildhagen): Neptun (Nakama Records)

Debut album from this Oslo collective quartet of free improvisers led by drummer Andreas Wildhagen (Nilssen-Love Large Unit) with Erik Kimestad Pedersen on trumpet, Kjetil Jerve on piano, and Erlend Olderskog Albertsen on double bass, a thoroughly modern band that balances more experimental playing with improv in the European tradition; a strong start. ... Click to View


Akmee (Pedersen / Jerve / Albertsend / Wildhagen): Neptun [VINYL] (Nakama Records)

Debut album from this Oslo collective quartet of free improvisers led by drummer Andreas Wildhagen (Nilssen-Love Large Unit) with Erik Kimestad Pedersen on trumpet, Kjetil Jerve on piano, and Erlend Olderskog Albertsen on double bass, a thoroughly modern band that balances more experimental playing with improv in the European tradition; a strong start. ... Click to View


Nakama: Worst Generation (Nakama Records)

Freely improvised and unusual collective improv from the quintet of Christian Meaas Svendsen (double bass), Andreas Wildhagen (drums), Ayumi Nataka (piano), Adrian Loseth Waade (violin) and Agness Hvizdalek (voice), an abstract yet energetic album with Hvizdalek's voice adding an exotic edge to extended techniques based in free jazz strategies. ... Click to View


Nakama: Worst Generation [VINYL] (Nakama Records)

Freely improvised and unusual collective improv from the quintet of Christian Meaas Svendsen (double bass), Andreas Wildhagen (drums), Ayumi Nataka (piano), Adrian Loseth Waade (violin) and Agness Hvizdalek (voice), an abstract yet energetic album with Hvizdalek's voice adding an exotic edge to extended techniques based in free jazz strategies. ... Click to View


Machinefabriek: Engel (Machinefabriek)

Rutger Zuydervelt, AKA Machinefabriek, expanded the existing score for Marta Alstadsaeter & Kim-Jomi Fischer's dance piece "Engel", which is a contemporary piece combining dance and circus acrobatics, the new soundtrack a large work combining rich mirages of electronica, ambient sound, assertive noise, and even a section of Paal Nilessen-Love's drumwork. ... Click to View


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The Squid's Ear
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The Bottom Shelf is where artists keep the records in their collections that they might not want you to see. Revealing early influences, unusual appetites or just guilty pleasures, we offer a peek at the shelves of some of our favorite musicians.


  Anthony Coleman's Bottom Shelf  

Schlanger Jordan Parker
[Photo by Kurt Gottschalk] 
OK, here goes...My bottom shelf...well, first, a little cultural philosophy: Back in the day, there was some kind of frisson connected with liking/loving/being influenced by music that was outside of whatever was considered culturally acceptable. Jazz inched its way in slowly but surely, starting in the early '30s - and now it's part of a good Liberal Music Education. And I remember those great early days (in the '80s) where David Garlard (on WKCR at that time) would shock by announcing a "work" by Ferrante and Teicher or Esquivel with the same gravitas that another would give to the names "Mozart" or "Beethoven." But those days are over...WFMU, Zorn, Post-Modernism (in its decadent phase - if that's not a redundancy) changed all that. My Bottom Shelf is downright canonical.

How could I have found the perfect soupcon of Romantic Irony to counterpoise the weight of the mournful Sephardic songs in my Sephardic Tinge project if wasn't for the revelation of Irving Fields' Bagels and Bongos (Decca 8856). Magnificently cheesy arrangements for trio - Yiddish hits "Latinized." The version of "Belz" changed my life (in a small way). Why isn't this on cd? Fields glides over the keys with not one iota of Jazz feeling In (George) Lukacs-ian terms, that's what makes his version more "authentic" than my brooding cover version, redolent as it is with all kinds of references. He has a couple of perfectly played klezmer clarinet riffs that function as signifiers throughout the disc. I've stolen them all. He's like Ahmad Jamal - he just knows what will work on piano in a trio context and what won't. The master!

My used copy of Organ Jazz Samba Percussion by Andre Penazzi (Audio Fidelity DFS 7020) comes from the discard of the library of a Montreal radio station - CHOM. On the back is hand written "A bit of a nothing set - But???" A nothing set??? Philistines! They don't have any idea how long I looked for this one. It was a major item on the playlist at Soho Music Gallery, the record store where I worked in the late '70s/early '80s (along with Zorn, Tim Berne, Anton Fier, etc...). A nearly indescribable melange of rhythmic virtuosity, unbelievable facility with the variety of the stops available on that magificent dinosaur of an instrument - the '60s electric console organ. And a resolute, unbending, almost ascetic schlockiness. A footnote: For years this was one of the only Brazilian albums in my collection. I say that with neither pride nor shame - it just was.

Next - a whole series of discs connected to some sort of unhealthy but complex German fixation; I'll start with the most complex: Songs of the Spanish Civil War Vol. 1 (Folkways FH 5436). Let's face it, I was a weird kid. I loved this record - I knew all the songs by heart. In a way, this isn't even a Bottom Shelf record, except in how it relates to the others in this sub-group. Ernst Busch was a stirring, moving great singer. The lines from "Freiheit!" ["Die Heimat ist weit/ Doch wir sind bereit/Wir kaempfen und siegen fuer dich: Freiheit! (Far off is our land/yet ready we stand/We're fighting and winning for you/Freedom!)] still (today!) give me goosebumps. And Eisler's "Song of the United Front" and "The Peat-Bog Soldiers" are both acknowledged masterpieces.

But still . . . at the distance where we are, communism and communist anthems (especially the humorless German variety) have something touchingly kitsch about them. No such exegesis is necessary to locate the perverse moment at the heart of Hitler Is On The Air! (Radiola 2MR-8889) or Hitler's Inferno (Audio Rarities 2445). Ialso had the second one of these as a kid, and all of these discs have inspired endless reflections (which continue to this day) about the nature of the Political in music - especially when you consider the music alone and try to put the text on the side for a second (as virtually no critic in the history of rock has - even for a second). The similarities between music from the Far Left and the Far Right. The differences. The mediation of a foreign language - how that aids reflection. How it impedes it. I could write a book... Somehow, you haven't quite lived until you've heard the Storm Troopers sing "Wenn Die S.S. und die S.A. Aufmarschiert" or the Hitler Youth sing "Die Jugend Marschiert," and "On The Air" was my first exposure to the phenomenon which is Charlie and his Orchestra - the Nazi propaganda swing band. Parodies of American big-band hits - lyrics like "I hate to see the evenin' sun go down/because de German, he done bombed this town" (St. Louis Blues) played by the best jazz musicians the occupied nations had to offer... indispensable! (some of the Ernst Busch tracks are available on the CD Der Barrikaden Tauber Barbarossa (EdBa 01303-2), all Folkways are available from Smithsonian/Folkways on special order, and Charlie tracks have been lovingly reissued on a series on Harlequin (I have HQ CD 03).

OK...I could go on all day. But I'll leave you with a masterpiece of horrendous '80s Yugoslav Pop. To continue the "canonical" theme, my cd Disco by Night would have been impossible without this music. It helped me escape the dangerous tendency to fetishize the "folklorical" as the only significant product of a culture. Within its totally commodified nature, this music told important truths about the Yugoslavia of that moment in time. If they would've listened to their own truths....People often say it sounds like Turkish pop. Well, not to me, although there's no shortage of terrifying Balkan-isms. Anyway, I promisedyou a masterpiece ... The oxymoronically - titled The Best of Lepa Brena Vol.5 (JVP Vertrieb CD 018) contains her magnum opus "Sitnije Cile Sitnije," produced (unlike most of her hits) by the Brian Eno of Yugoslav Pop, Kornelije Kovac. The difference between this and other tracks is in Kovac's clever dialectical manipulation of the Western and Eastern elements: The parade bass drum of the Balkan brass band, the clarinet and accordion, the Eastern scales...and then the handclaps, the synthesizer hooks. The touch of a poet. New Year's Eve, Belgrade, 1981 turns into 1982. The Top 10 Video Hit Parade. Number 1: "Billie Jean," Number 2: "Sitnije Cile Sitnije." Do I really have to say more?




Previous Bottom Shelf Articles:
Our Own Bottom Shelves
Gary Lucas
Ron Anderson


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