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Masayuki Takayanagi New Direction Unit: April Is The Cruellest Month (Blank Forms)

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Fire! Orchestra: Arrival (Rune Grammofon)

Trimmed back to a mere 14 musicians, the Fire! Orchestra core trio of Mats Gustafsson, Johan Berthling, and Andreas Werliin and Orchestra original singers Mariam Wallentin and Sofia Jernberg add a string quartet, expanding their palette as they release their warmest and most embraceable album to date, from original material to covers of Robbie Basho and Chic. ... Click to View


Fire! Orchestra: Arrival [VINYL 2 LPs + CD] (Rune Grammofon)

Trimmed back to a mere 14 musicians, the Fire! Orchestra core trio of Mats Gustafsson, Johan Berthling, and Andreas Werliin and Orchestra original singers Mariam Wallentin and Sofia Jernberg add a string quartet, expanding their palette as they release their warmest and most embraceable album to date, from original material to covers of Robbie Basho and Chic. ... Click to View


Biota / Mnemonists: The Biota Box [6 CD BOX SET] (Recommended Records)

From Mnemonists to Biota, this box collects the first 5 studio albums released by the Colorado collective on the UK Recommended Records label, adding a bonus disc of all new recordings built from the group archives, and includes a 14-page booklet of artwork & historical notes shedding light on their gorgeous abstractions through free improvisation and studio composition. ... Click to View


Charles Hayward : (Begin Anywhere) (Klanggalerie)

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Izumi Kimura / Barry Guy / Gerry Hemingway : Illuminated Silence (Fundacja Sluchaj!)

Performing at St. Ann's Church in Dublin, Ireland, the trio of Japanese pianist living in Ireland, Izumi Kimura, is joined by London bassist Barry Guy and Swiss based drummer Gerry Hemingway for 8 superb improvisations, including renderings of Guy's "Blue Horizon", "Ancients" and "Finding It" and Agusti Fernandez' "How to Go Into a Room You Are Already In". ... Click to View


Peter Evans / Agusti Fernandez / Barry Guy : Free Radicals At DOM (Fundacja Sluchaj!)

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Phicus / Martin Kuchen: Sumpflegende (Fundacja Sluchaj!)

The Catalan free improvising trio Phicus of Alex Reviriego on double bass, Ferran Fages on electric guitar, and Vasco Trilla on drums, continue their pursuit of 4th partners, here joined by Swedish saxophonist Martin Kuchen on tenor & alto saxophones for a studio album of collective improvisation with elements of ea/lowercase playing balanced with dynamic language. ... Click to View


Brad Barrett / Joe Morris / Tyshawn Sorey : Cowboy Transfiguration (Fundacja Sluchaj!)

Using a participatory compositional process, the NY trio of Brad Barrett on bass & cello, Joe Morris on guitar, and Tyshawn Sorey on drums, follow a framework to make choices based on density, rhythmic ratios, register, melody, and timbre, encouraged to employ small particles of sounds and blend timbres with an awareness of implied pulse and an inclination to disrupt it. ... Click to View


Greene / Smith / Moses: Life's Intense Mystery (Astral Spirits)

Performing live at Lily Pad in Cambridge, MA, the trio of free jazz piano legend Burton Green in a trio with bassist Damon Smith and drummer Ra-Kalam Bob Moses, in 6 collective improvisations, with impressive playing from all three as they segway through the three part "Life's Intense Mystery", taking exploratory moments and even some "Kid Play" inbetween. ... Click to View


Greene / Smith / Moses: Life's Intense Mystery [CASSETTE w/DOWNLOAD] (Astral Spirits)

Performing live at Lily Pad in Cambridge, MA, the trio of free jazz piano legend Burton Green in a trio with bassist Damon Smith and drummer Ra-Kalam Bob Moses, in 6 collective improvisations, with impressive playing from all three as they segway through the three part "Life's Intense Mystery", taking exploratory moments and even some "Kid Play" inbetween. ... Click to View


Shirosihi / Golia / Fujioka / Cline: Borasisi (Astral Spirits)

Two drums and two saxophones merge to create this epic 2-part free jazz trek - "Right Eye Sun" and "Left Eye Moon", the album title taken from a sun deity in Kurt Vonnegut's novel "Cat's Cradle", who mated with the moon; this pairing is realized by West Coast masterful musicians Patrick Shiroishi & Vinny Golia (sax) and Dylan Fujioka and Alex Cline (drums & percussion). ... Click to View


Shirosihi / Golia / Fujioka / Cline: Borasisi [CASSETTE w/DOWNLOAD] (Astral Spirits)

Two drums and two saxophones merge to create this epic 2-part free jazz trek - "Right Eye Sun" and "Left Eye Moon", the album title taken from a sun deity in Kurt Vonnegut's novel "Cat's Cradle", who mated with the moon; this pairing is realized by West Coast masterful musicians Patrick Shiroishi & Vinny Golia (sax) and Dylan Fujioka and Alex Cline (drums & percussion). ... Click to View


Jason Alder / Thanos Chrysakis / Caroline Kraabel / Yoni Silver: Music for Baritone Saxophone, Bass Clarinets & Electronics (Aural Terrains)

Exploring the low end of the clarinet family with Jason Alder on bass, contra bass, B flat & E flat clarinets, Yoni Silver on bass clarinet, plus Caroline Kraabel on baritone saxophone & voice, Thanos Chrysakis expanding the sonic space with laptop & synthesizers, in a 5-part series of beautifully paced, absorbing and subtly detailed collective improvisations. ... Click to View


Umlaut Big Band: Plays Don Redman: The King Of Bungle Bar (Umlaut Records)

Don Redman was an American big band leader popular in the 1930's, responsible for work on animations, sound tracks, and recordings of pre-swing hot jazz arrangements of popular tunes; here the French Umlaut Big Band under the direction of Pierre-Antoine Badaroux pays homage to his music in rich orchestration showing the melodic, inventive, and complexities of Redman's music. ... Click to View


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  Quator Bozzini / Gyula Csapo 
  Deja? Koja?  
  (Collection QB) 


  
   review by Brian Olewnick
  2018-10-31
Quator Bozzini / Gyula Csapo: Deja? Koja? (Collection QB)

Csap is a Hungarian-born composer (b. 1955) living in Canada since 1990 who studied with Morton Feldman at SUNY Buffalo and also with John Cage. His 'Dj? Koj?' ('Already? Where [to]?'), for string quartet, is presented in three sections totaling about 73 minutes long.

As the brief notes from Csap point out, it's essentially a dirge, though one which fluctuates from sorrow to ecstasy. The "Koj" in the title comes from a ghazal by Hafez, which seems to posit human life as a "threshold" before true existence. I find it very difficult to otherwise describe the music. It's not very much akin to that of Feldman (especially the string quartets) and even less like (most) Cage. Though we hear lines that are pulled and stretched, there's far more changeability in melodic line and attack crammed into any given 30-seconds than you'd find in an hour of Feldman. More importantly, Csap, if not quite wearing his emotions on his sleeve, doesn't shy away from content that is almost necessarily heard first as emotional, then abstractly. The strings surge, offer plaints, sigh and subside; it's fundamentally sad, stirring music. The structure is flowing and loose, like a slow camera pan over a troubled landscape. The first movement works itself up to quite a fever pitch about 3/4 the way through one can easily imagine the thrashing about of grieving souls before settling back down to a more general level of despondency, ending with high, ghostly whines.

'Second Parte' is pitched somewhat higher, contains more agitation, with pizzicato scurries and brief, clipped lines and overlapping glissandi voiced in the violins' upper registers. It gradually shifts to the most subdued music in the piece, plaintive sighs studded with questioning plucks. The final portion is actually calm, perhaps even resigned. The texture is thick and creamy, very complex and lovely, the phrases almost conversational, as though discussing and contemplating that aforementioned threshold, but doing so with little apprehension. It ends with quiet acceptance.



Quator Bozzini / Gyula Csapo: Deja? Koja?
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