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Kullrusk: Spring Spring Spring Spring Spring [180 g RED VINYL] (Moserobie Music)

A limited reissue of the 2005 release from the quartet of Jonas Kullhammar (amplified clarinet & tenor sax), Per Johansson (amplified clarinet & alto sax), Sven Lindvall-Bjarton (bass), & Martin Jonsson-Vistalite (drums), in a great blend of free & contemporary jazz. ... Click to View


Arto Lindsay : Encyclopedia of Arto [2 VINYL LPS] (Northern Spy)

NY-based Arto Lindsay's diverse career includes No Wave band DNA, Ambitious Lovers with Peter Scherer, acclaimed Brazilian-tinged pop records, and improvising with a great set of Downtown NY players, much of which is presented in this excellent cross-section of his work to date. ... Click to View


Brian Eno: My Squelchy Life [VINYL] (Opal)

Brian Eno completed this album in 1991 on the Warner label, who failed to release it; it was a bonus for the deluxe edition of "Nerve Net", but never properly released until this 2015 Record Store Day edition, bringing this great vocal pop album into the proper light. ... Click to View


Don Vliet Van (Captain Beefheart) and The Magic Band: Rough Raw and Amazing [VINYL 2 LPs] (OZIT RECORDS)

A release from John Peel's personal tapes archive, recorded live at the Leicester De Montfort Hall in 1972 in the Spotlight Kid era tour, in a double LP edition showing Von Vliet to be in great form in front of an eager and receptive audience. ... Click to View


Michael Pisaro : Melody, Silence (For Solo Guitar) (Potlatch)

A collection of materials for solo guitarist, written by Michael Pisaro and here performed by Christian Alvear, presenting the performer with up to 12 fragments which can be played in any order and which allow for various transformations, cuts, extensions and silences. ... Click to View


Charlemagne Palestine : Bells Studies [VINYL] (Alga Marghen)

From 1963 to 1970 avant composer/performer Charlemagne Palestine played the 26-bell carillon at the St. Thomas Episcopal Church while attending The High School of Music and Art in New York; this LP collects recordings of his performances from those early days. ... Click to View


Charlemagne Palestine : CharleBelllzzz at Saint Thomas (Golden 666) (Alga Marghen)

Previously unreleased recordings of Charlemagne Palestine's "Bells Studies", some of his earliest works, captured while attending The High School of Music and Art in New York in the 60s, of the 26-bell carillon at the St. Thomas Episcopal Church. ... Click to View


Albatre: A Descent Into Maelstrom (Shhpuma)

An experimental music trio playing a joyously harrowing display of urgent bass & sax noise, skewed jazz elements, frantic but meticulous drumming and abrupt moodshifts, representative of the crossover of improv, noise rock and jazz currently made in Holland. ... Click to View


Coclea: Coclea (Shhpuma)

Clean Feed's side label Shhpuma presents a solo release from multi-instrumentalist Guilherme Goncalves (Gala Drop), dreamy and informed guitar-driven mkusic borrowing from kosmische musik, Edgar Froese, or Loren Connors in gorgeously paced lush instrumental music. ... Click to View


Joana Sa: Elogio Da Desordem (In Praise of Disorder) (Shhpuma)

Composer, pianist and multi-instrumentals Joana Sa gives voice to texts by Goncalo M. Tavares as read by Rosinda Costa, where the text organizes the thoughts that filter the multiple, disorderly, eccentric, voluble mind described in Tavares' work. ... Click to View


Robert Ashley: The Wolfman (Alga Marghen)

A collection of pieces that introduce the listener to the most extreme experimental side of the late American composer Robert Ashley, with a 12-page booklet including liner notes written by the composer and the complete score of "The Wolfman". ... Click to View


David Behrman: Wave Train (Alga Marghen)

2015 remaster of Behrman's 2002 album issuing works from 1959-68, including a piece with Gordon Mumma; sounds for a film by Robert Watts; a collaborative work with Alvin Lucier, Gordon Mumma & Robert Ashley; and a work with David Tudor on piano and Christoph Caskel. ... Click to View


James Blackshaw : Summoning Suns [VINYL] (Important Records)

A lovely album of instrumental guitar and songs in James Blackshaw's tenth studio album, the first recording to feature his voice and lyrics, drawing inspiration from '60s and '70s singer-songwriters, baroque and orchestral pop, and folk music. ... Click to View


John Russell / Phil Durrant / John Butcher: Conceits (1987/1992) (Emanem)

In 1987 the trio of John Butcher on tenor & soprano sax, Phil Durrant on violin & trombone, and John Russel on acoustic plectrum guitar, released this LP of free improvisations using superb forward-thinking dialog, remarkable 3 decades after its release! ... Click to View


Evan Parker: Monoceros (psi)

The four part "Monoceros" was recorded by saxophonist Evan Parker, here on soprano, in 1987, originally for the Incus label, here in a remastered form with Parker showing his masterful use of the extended techniques that have influenced a generation of players. ... Click to View


Marcio Mattos: SOL[os] (Emanem)

Surprisingly the first solo album from bassist Marcio Mattos, an important member of the London free improv and jazz scenes since the 70's, here presenting recordings from late 90s and 2000's, and a live recording at St. Mary's Old Church in Stoke Newington, 2010. ... Click to View


John Butcher / Phil Durrant / John Russell: The Scenic Route (Emanem)

1999 release of the trio of John Butcher on soprano & tenor sax, Phil Durrant on violin, and John Russell on guitar, meticulous improvisation using outrageous technique, "unorthodox thematic development and off-center interplay which at times is odd and surreal". ... Click to View


Milo Fine Free Jazz Ensemble: Earlier Outbreaks of Iconoclasm (1976-8) [2 CDs] (Emanem)

An excellent reissue of reedist/drummer/pianist Milo Fine, bringing together material released on Hat Hut in 1976 & '7 ("Hah!" & "The Constant Extension Of Inescapable Tradition") plus his never-issued '78 album "When I Was Five Years Old, I Predicted Your Whole Life". ... Click to View


Nordstrom / Johansson / Schlippenbach: Stockholm Connection [3 CDs] (Umlaut Records)

A unique 3CD-box from Umlaut Records putting in attention the musical collaborations between two of Sweden's most headstrong musicians: the pioneers Bengt "Frippe" Nordstrom and Sven-Ake Johansson. ... Click to View


Tim Berne's Snakeoil: You've Been Watching Me (ECM)

Saxophonist Tim Berne in his 3rd ECM album, leading his NY band Snakeoil, now a quintet with guitarist Ryan Ferreira joining pianist Matt Mitchell, clarinetist Oscar Noriega, and percussionist Ches Smith, for intricate, dynamic and sophisticated modern jazz. ... Click to View


John Zorn: Simulacrum (Tzadik)

John Zorn's organ trio crosses metal, jazz, minimalism, atonality, and noise in 6 intense and rocking tracks performed by John Medeski on organ, Matt Hollenberg on guitar, and Kenny Grohowski on drums. ... Click to View


Per Bloland: Chamber Industrial (Tzadik)

Composer Per Bloland blends custom built electronics with instrumental textures to create unique soundscapes, presenting 5 works performed by Ecce Ensemble Chamber Industrial in a release of vigorous electroacoustic and instrumental compositions. ... Click to View


The Work: Slow Crimes [VINYL LP + 7-inch] (Megaphone/Knock 'em Dead)

The Work, formed in 1979 by reedist Tim Hodgkinson (Henry Cow), guitarist Bill Gilonis, bassist Mick Hobbs, and drummer Rick Wilson, plus vocalist Catherine Jauniaux in the first vinyl issue of their 1st LP, an aggressive and intelligent post-punk/RIO masterpiece. ... Click to View


Various Artists: Miniatures [VINYL] (Megaphone/Knock 'em Dead)

Released in 1981, keyboarist Morgan Fisher asked a broad set of artists including Robert Wyatt, David Bedford, Fred Frith, Maggie Nicols, Ollie Halsall, The Residents, Lol Coxhill, &c &c. to create a piece of music 60 seconds in length; here in a 180g vinyl reissue. ... Click to View


No Pair (Chiapperini / Elia / Trapani / Fusco): Chaos and Order (Long Song Records)

A mix of free jazz, rock, and avant-garde experimental music from clarinetist Francesco Chiapperini in a quartet with Gianluca Elia on tenor sax, Dario Trapani on electric guitar, and Anotonio Fusco on drums; lyrical modern jazz with a good dose of free chaos. ... Click to View


John Butcher / Gino Robair: Bottle Breaking Heart Leap [VINYL] (Alt.Vinyl)

An amazing example of modern free improv from two modern masters--John Butcher on tenor and soprano sax, acoustic and amplified; and percussionist Gino Robair on energized surfaces, blippoo box--playing with frightening intensity in perfectly paced dialog. ... Click to View


Liz Allbee / Burkhard Beins: Mensch Mensch Mensch [VINYL] (Alt.Vinyl)

Berlin based composer-performers Liz Allbee and Burkhard Beins team up for some electro-acoustic explorations, utilizing synths and field recordings, trumpet and percussion, and tuning forks. ... Click to View


Matt Starling: Terry Riley's Dorian Reeds (For Brass) (Self Released)

Matt Starling, founder of the Salt Lake Electric Ensemble, returns with a lesser known but equally impressive Terry Riley composition, "Dorian Reeds" for solo performer, microphone and two tape recorders, performed by Starling on flugelhorn and layered in the studio. ... Click to View


Charlemagne Palestine : Four Manifestations On Six Elements (Golden 5) (Alga Marghen)

One of Charlemagne Palestine's most well-known works, finally included in the Alga Marghen Golden Research series of CD editions presenting the composer's relevant historical recordings. ... Click to View


The Wire: #374 April 2015 [MAGAZINE + CD] (The Wire)

April 2015 issue + Wiretapper CD: On the cover: Holly Herndon; The Wire Tapper 37 VA CD; Invisible Jukebox: Lightning Bolt ; The Primer: Moondog; Brighton Noise Poets; Liturgy (Heavy overload); Model 500 (The future returns); John Wiese (New noise mutations); Global Ear: The Hague. ... Click to View


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  Frank Lowe Orchestra 
  Lowe and Behold  
  (Musicworks (1978)) 

   review by Michael Rosenstein
  2003-08-20
Frank Lowe Orchestra: Lowe and Behold (Musicworks (1978))

Frank Lowe's Lowe and Behold provides a snapshot of a particular intersection of New York improvisation in the late '70s - AACM/St. Louis-BAG transplants Philip Wilson, Joseph Bowie and John Lindberg; free jazzers Lowe, Billy Bang, "Butch" Morris and Arthur Williams; and young upstarts John Zorn, Polly Bradfield, Eugene Chadborne and Peter Kuhn. (Until the "Twins Version" of "Lacrosse" was unearthed for the Parachute Years box, this was Zorn's earliest appearance on record.) Captured live in October of 1977, this long-out-of-print gem captures a scene in a state of flux. Here were musicians working out ideas that would work their way into conductions, game theory pieces, and the free jazz large ensemble vocabulary. But this was raw music that was in transition from aggressive assaults rooted in the Fire Music of the '60s toward articulated strategies for ensemble improvisation. Lowe provided loosely architected forms for orchestral playing; stabbing themes that were exploded in conversational sub-groupings. The tenor player guides this 11-piece ensemble across four pieces, threading together ferocious quartets, churning ensemble playing, and guerilla interaction, stoked along by Wilson's locomotive drive. Side one plays from the loft jazz lexicon, with aggressive settings for Lowe, Bowie, Lindberg, and Wilson. But even there, the frayed interjections of Chadborne's guitar add a definite twist. The first side ends with the compact "A Hipster's Dream," featuring the growling smears and lithe leaps of Peter Kuhn's clarinet. (Where has Kuhn disappeared too?)

The two pieces on side two head off into a different direction. Here, the ensemble is fractured and catapulted into clashing duets and trios, and it is here that Zorn stands out, his clipped pops and shredded cries bristle through, splintering the propulsive momentum of Lowe's tenor squalls. On the final piece "Heavy Drama," there is an elastic three-way tension between Zorn, Bang, and Morris, that edges toward the textures that Zorn, Chadborne, and Bradfield were charting out on the early game theory pieces at around the same time. There is always a tendency to find tidy lineages and epiphanal breakthroughs, but things rarely work out so neatly. This meeting isn't a radical jumping off point for Zorn. He and a steadily expanding circle of players were already breaking away from the language of free jazz and diving into jump-cut structures. This recording serves as one of the few extant documents of the some of the other settings they were participating in during that transition. But it is far more than an historical curiosity and still stands up well over twenty five years later. Let's hope some industrious label digs this one up for reissue.





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