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Recently @ Squidco:

Satoko Fujii Orchestra Tokyo + KAZE: Peace (Tribute To Kelly Churko) (Libra)

Pianist Satoko Fujii's Orchestra Toky + the band Kaze, bringing guests trumpeter Cristian Pruvost and drummer Peter Orins alongside trumpeter Natsuki Tamura into a spectacular big band of great power but also subtle meditation, in four works that include a tribute to the late guitar and Fujii collaborator Kelly Churko. ... Click to View


Satoko Fujii : Invisible Hand [2 CDs] (Cortez Sound)

After bringing her band Kaze to the Cortez club in Mito, Japan, the owner asked pianist Satoko Fujii back to perform a solo show, captured here across two CDs showing her extensive technical skills and passionate approach to playing, in a mix of new work and new takes on previously recorded compositions. ... Click to View


The Thing: Garage [VINYL] (The Thing Records)

Heavy free jazz in the 3rd release from the trio of Mats Gustafsson on tenor and baritone sax, Ingebrigt Haker-Flaten on bass, and Paal Nilssen-Love on drums, covering an eclectic set of punk and free jazz titles including Yeah Yeah Yeahs, The Sonics, White Stripes, Norman Howard and Brotzmann; thick and sick free improvisation. ... Click to View


Julius Hemphill : Raw Materials and Residuals [VINYL + CD] (Black Saint)

An essential 70s Black Saint album from New York saxophonist Julius Hemphill in a trio with Abdul Wadud on cello and Don Moey on percussion, merging blues, free jazz, free bop and inspired approaches to improvisation, reissued on vinyl LP with a CD copy included. ... Click to View


Sound American: The Cassette Issue tape: Featuring Nate Wooley [CASSETTE] (Astral Spirits)

Nate Wooley's Sound American online magazine presents a complete rehearsal of the trio of Philip White (electronics), Chris Pitsiokos (sax) and C. Spencer Yeh (violin), as they discuss their work and develop a piece entitled "Shredding Treatise"; and an interview by Nate Wooley of Baltimore music researcher, record producer, and writer Ian Nagoski. ... Click to View


Monas (Fisher / DeBlase / Millions): Freedom [CASSETTE] (Astral Spirits)

With connections from both the free jazz and improvising rock scene, including Borbetomagus, Many Arms, Caribou, Anthony Braxton, William Parker, Zevious, &c, the trio of Colin Fisher (saxophone, guitar), Johnny DeBlase (electric bass) and Kid Millions (drums) debut their Monas project of intense, electronically spiked, free form improvisation. ... Click to View


Jerman / Barnes: Karst [CASSETTE] (Astral Spirits)

Experimental sound artists Jeph Jerman and Tim Barnes continue their exploration heard in their erstwhile and Confton releases, here in two new tracks recorded in Arizona and Louisville as they prepared for their 2016 performance at the No Idea Festival in Austin, TX. ... Click to View


Birchall / Smal / Webster: Drop Out [CASSETTE] (Astral Spirits)

Two sides of the London trio of David Birchall on guitar, Rogier Smal on drums, and Colin Webster on alto saxophone, bringing a bit of madness into very free improv, the first side an immersion in unflagging collective improvisation of great detail, the second side a bringing introspective dialog into an evolving collaborative free-for-all. ... Click to View


More Eaze / A.F. Jones & Steve Flato: Split Release [CASSETTE] (Astral Spirits)

A split tape from Austin-based More Eaze (aka Marcus Rubio) and San Diego-based duo A.F. Jones and Steve Flato, More Eaze presenting a work of surprising twists, drone, and audio turns; Jones & Flato create an electronic composition of strange detail using a wide auditory palette encompassing the lowest to highest tones. ... Click to View


Marteau Rouge ‎ (Pauvros / Sato / Foussat): ... Un Jour Se Leve [VINYL] (Fou Records)

The free improvising trio of Makoto Sato on drums, Jean-Francois Pauvros on guitar and Jean-Marc Foussat on synthesizer & voice in a studio album of unique electro-acoustic dialog recorded in Paris in 2013. ... Click to View


Departement d'Education Psychique: Untitled [VINYL] (Fou Records)

The trio of Jean-Marc Foussat on synthesizer and voice, abd Dynamo Dreesen & SVN on electronics, crossing artists more associated with techno with free improvisation, here in their second release recorded live at Ohm in Berlin, Germany and at"Neues Deutchland" in 2016. ... Click to View


En Corps (Eve Risser / Benjamin Duboc / Edward Perraud): Generation (Dark Tree Records)

The 2nd album from En Corps, the improvising trio of Eve Risser on piano, Benjamin Duboc on double bass, and Edward Perraud on drums, was recorded live at Artacts 16 festival in St Johann, Austria in 2016, performing two building works--"Des Corps" and "Des Ames" (The Bodies, The Souls)--which evolve from intricate quiet interplay into rich harmonic interaction. ... Click to View


Anemone (John Butcher / Peter Evans / Frederic Blondy / Clayton Thomas / Paul Lovens): A Wing Dissolved in Light [VINYL] (NoBusiness)

A brilliant quintet brought together for the Tampere Jazz Happening, in Finland in 2013, with NY trumpeter Peter Evans, UK saxophonist John Butcher, Australian bassist Clayton Thomas, UK drummer/percussionist Paul Lovens, and French pianist Frederic Blondy for a phenomenal extended improvisation presented in parts: "Une Aile Dissoute Dans La Lumiere". ... Click to View


Klaus Treuheit / Lou Grassi: Port of Call [VINYL] (NoBusiness)

An informed set of creative iprovisations recorded in the studio and drawing clearly from the traditional jazz idiom between German pianist Klaus Treuheit and NY drummer Lou Grassi, performing original 4-part compositions including the "Misterioso", "L'espace Sonore", and "Lament # Pb". ... Click to View


Paul Rutherford / Sabu Toyozumi: The Conscience [VINYL] (NoBusiness)

The 1st in a series of unreleased concerts from the 90s recorded in Japan by Chap-Chap Records, acquired by NoBusiness to bring them to light; this duo album brings the late and influential UK free improvising trombonist Paul Rutherford together with drummer Sabu Toyozumi for five far-ranging dialogs of both reflective and enthusiastical energetic playing. ... Click to View


Itaru Oki / Nobuyoshi Ino / Choi Sun Bae: Kami Fusen [VINYL] (NoBusiness)

An exciting and uniquely orchestrated free jazz trio concert recorded live at Cafe Amores, Hofu, Yamaguchi in Japan in 1996 from the trio of Itaru Oki on trumpet and bamboo flute, Nobuyoshi Ino on bass, and Choi Sun Bae on trumpet, Ino providing often stunningly quick bass lines over which the otherwise rhythm-less band are afforded great flexibility. ... Click to View


Itaru Oki / Nobuyoshi Ino / Choi Sun Bae: Kami Fusen (NoBusiness)

An exciting and uniquely orchestrated free jazz trio concert recorded live at Cafe Amores, Hofu, Yamaguchi in Japan in 1996 from the trio of Itaru Oki on trumpet and bamboo flute, Nobuyoshi Ino on bass, and Choi Sun Bae on trumpet, Ino providing often stunningly quick bass lines over which the otherwise rhythm-less band are afforded great flexibility. ... Click to View


Spunk: Still Eating Ginger Bread For Breakfast (Rune Grammofon)

Norway's unconventional improvising quartet SPUNK with Maja S. K. Ratkje, Hild Sofie Tafjord, Lene Grenager and Kristin Andersen are heard live at Nasjonal Jazzscene in Oslo, Norway in 2015, capturing these two sets of uniquely unexpected and jaw-dropping recordings from a band on the cutting edge of avant improvisation. ... Click to View


Whit Dickey / Mat Maneri / Matthew Shipp: Vessel In Orbit (Aum Fidelity)

While working with Matthew Shipp on an Ivo Perelman album, drummer Whit Dickey and pianist Shipp agreed to record an album of their own and enlisted violist Mat Maneri to record this album of deep space-themed improvisations, collective music of heavy propulsion that bursts from impassioned exchange to convoluted clusters of sound. ... Click to View


Daunik Lazro / Joelle Leandre / George Lewis: Enfances 8 Janv. 1984 (Fou Records)

A live recording at 28 rue Dunois, in Paris, France in 1984 from the trio of Daunik Lazro on alto sax, Joelle Leandre on double bass and voice, and George Lewis on trombone, a trans-Atlantic enounter of creative inventiveness and innovative vision, a great document of three persistent masters captured early in their incredible careers. ... Click to View


Evan Parker / John Edwards / Steve Noble : PEN (Dropa Disc)

Bringing together three leaders from the UK free jazz scene, the new trio of Evan Parker on tenor sax, Steve Noble on drums & percussion, and John Edwards on double bass present a masterful album drawing from the roots of free improvisation in playing that rises and recedes like a tidal force, captured live at the Oorstof concert series in Antwerp. ... Click to View


Ballister: Low Level Stink [VINYL & DVD] (Dropa Disc)

One of the super-groups of free improvisation, colliding elements of jazz, rock, ea-improv and beyond, the Ballister trio of Chicago stalwarts Dave Rempis (sax) and Fred Lonberg-Holm (cello) are captured live at the Oorstof concert series in De Studio, Antwerp, presenting the concert in a limited, combined vinyl LP and DVD release. ... Click to View


Evan Parker / John Russel / Ian Brighton / Phillip Wachsmann / Marcio Mattos / Trevor Taylor: Live From Cafe Oto (FMR)

London's Cafe Oto organized a reunion of String Thing, guitarist Ian Brighton's project with violinist Phillip Wachsmann, bassist Marcio Mattos, & Trevor Taylor on percussion and electronics, adding guitarist John Russell and saxophonist Evan Parker, here capturing an impressive night of improv, and Brighton's first public appearance in nearly 40 years. ... Click to View


Fred Lonberg-Holm / Adam Golebiewski: Relephant (Bocian)

Chicago free improvising cellist and electronicist Fred Lonberg-Holm and Poznan, Germany drummer, having worked together in larger group settings, met as a duo at MDK Dragon Club in Ponzan to record these four far-ranging improvisations of unusual textures, rhythms and sonic interactions. ... Click to View


Antoine Chessex / Apartment House / Jerome Noetinger: "Plastic Concrete" / "Accumulation" (Bocian)

Two long-form compositions combining acoustic and electronic orchestration by Antoine Chessex, convoluted works that take unusual twists and turns from spirited interaction to beautiful sonic passages, performed at London's Cafe Oto by an ensemble including Dominic Lash, Andrew Sparling, Jerome Noetinger, &c. ... Click to View


Miles Okazaki: Trickster (Pi Recordings)

Intricate interplay in modern jazz from guitarist Miles Okazaki in a quartet with fellow New Yorkers Craig Taborn on piano, Anthony Tidd on bass, and Sean Rickman on drums--Tidd and Rickman his compatriots in Steve Coleman and Five Elements--performing Okazaki's playfully complex and innovative compositions that drive some serious grooves. ... Click to View


The Necks: Unfold [VINYL 2 LPs] (Ideologic Organ)

Four side-long improvisations from the Australian trio of Chris Abrahams on piano, Tony Buck on drums, and Lloyd Swanton on bass, each side a masterpiece of slowly transpiring and evolving music, unhurriedly expanding each track to reveal tension and allure. ... Click to View


Archer / Clark / Grew / Hunter: Felicity's Ultimatum (Discus)

The 2nd release in a new series of small groups drawn from members of the Discus Music family, where the group meets, writes, rehearses and records in one single session, here developing ten compositions from all four players edited into a continuous sequence of structure and improvisation, embracing melody, texture and pure abstraction. ... Click to View


Orchestra of the Upper Atmosphere: 02 (Discus)

An absolutely impressive album blending advanced/progressive rock forms with improvisation, starting from collective improvisation and layering in the studio to create a sophisticated psychedelic music, the second album from this ensemble that is headed by Martin Archer (reeds & keys), Chris Bywater (keys & synth), and Steve Dinsdale (drums & percussion). ... Click to View


Daniel Levin / Ingebrigt Haker Flaten / Chris Corsano: Spinning Jenny (Trost Records)

Three innovative improvisers, Daniel Levin on cello, Ingebrigt Haker Flaten on bass, and Chris Corsano on drums, in a studio album of collective free playing that's traverses both ferocious and introspective aspects of their dialog with tremendous technical skill and wonderful creative strategies. ... Click to View


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Op-Ed (Opinions and Editorials)


  Musical Activism: An Open Call  
By Marc Ribot

On tour in Europe during the first twelve days of the recent invasion of Iraq, I witnessed something close to bereavement among audience members at the apparent consent of most Americans to Bush's agenda of war and empire.

It was exhausting, in addition with all the other pressures of performance, to deal with expectations to represent "America" in this situation. Although it felt strange to speak about the war during performances - I'm a guitarist, not a lecturer - it felt even stranger not to. The one thing about which I felt certain was that the incredible level of anger and opposition I witnessed was no longer simply about one lousy political decision, but had become a critique of the legitimacy of the power of empire, and it wasn't going to stop when the war ended.

Indeed, it hasn't. It remains nearly impossible to get on stage without addressing (or failing to address) the context within which, whether we like it or not, our music is now heard.

This database project described below was conceived as a means through which artists and musicians will be able to say what needs to be said politically in the formats where it will do the most good, to help to change a political context which, simply put, has become intolerable.

We're inviting touring artists to participate in a pilot project version to be launched around February 1, 2004. Anyone can back out at any time, but expressions of interest/commitment (along with brief bios if possible) are needed to apply for grants to build the database.

Best regards, Marc Ribot Musicians Solidarity Database [correspondence may be sent to msolidarity@squidco.com]



WHAT: The Musicians Solidarity Database will connect internationally touring recording artists/musicians with anti-war and global justice organizations local to their touring dates.

The Database is an initiative of the Musicians Solidarity Network (MSN). Although open and useful to all artists regardless of origin or tour destination, the actual possibilities will probably reflect the current touring routes. The intent is for participating artists to be able to integrate whatever degree of activity on behalf peace/democracy/social justice organizations they feel able to commit to into their regular tour itineraries with a minimum of effort, and for the organizations to benefit from cultural support.

HOW: Touring artists enter their upcoming tour schedules, tech needs, and other necessary info and preferences into the database. Major peace/ democracy/social justice organizations access the info and cross-reference the dates of their planned events with touring artists' availability. The organizations then send the musicians/artists a set of proposals (for example: to speak or perform at a demonstration). The artist accepts whichever proposals they choose, and forward their acceptance along with whatever time or tech specs apply back to the organizations. The organizations confirm the date.

Even if tour schedules are too tight to allow for an artist's participation in outside events, artists can arrange, through the data bank, to make merchandise/ literature table space available to organizations they support.

Great care will be taken to make the data-base user friendly to both artists and organizations.

WHY?: An enormous divide has opened in political understanding between the US and most of the rest of the world, particularly in Europe. Most touring artists and musicians are already well aware of this.

But artists who speak out against Bush's agenda of war and empire, particularly in the US, run the risk of alienating fans or even being subjected to radio and other forms of blacklisting.

In Europe, things are different, at least for the time Being. Manu Chao's "Clandestino" was a hit because of, not in spite of, his close identification with the social forum movement. Whether this will always be true is difficult to say: the same forces that created Bush are also pushing Europe steadily rightward. But it's true now.

The database is a way to turn this political differential into a force for progressive change in the US, enable artists who want to be active to do so, provide organizations against war and for global justice with a constant stream of performing artist support, and build a global network of artists and activists.

It will help artists to limit the economic risks of activism by connecting them with activists and audiences who share their views.

For example, contact with non-US activists and anti-war audiences will enable US musical/cultural figures (and global cultural figures who wish to sell in the US market) to speak out. It's no accident the Dixie Chicks spoke out against the war while in Europe.

As more artists risk opinions outside the US mainstream, it will change the political math that has discouraged dissent by encouraging fans to question their mass-media enforced opinions. And contact between US audiences and European/international artists willing to speak out will help break the US media censorship of the depth of world opposition to war and empire.

Of course, the issues affecting us all aren't confined to the US: the same political/economic forces that put Bush in power in the US are alive and well in Europe and elsewhere. The problems are global and gestures of solidarity from touring musicians are needed to keep the spirit of opposition global as well.

A secondary benefit of the database involves musicians and artists rights issues. There are some issues of interest from anti-war, cultural, and labor perspectives. For example, the role of the Clear Channel monopoly in censoring opposition to the war, blacklisting anti-war artists, and even organizing pro-war demonstrations in the US is both an anti-war issue, and an infringement on artists' freedom of expression.

SPECIFICATIONS Filters, both passive/automatic and active/human will ensure that participating orgs are major and respected, and that participating artists are at a sufficiently professional level to be of use to them.

  • Access to the database will be strictly limited to approved organizations.
  • Contact between artists and organizations will take place within a database 'mailbox' so that artists/managers run no risk of having personal/business email accounts flooded with requests.
  • Whatever form of participation the artist chooses - be it a gig, a single song, or a brief statement - the database format will ensure that all necessary technical requirements and conditions are met, without extensive back and forth between artists, managers and organizations.
  • Artists will have access to full information about events they are being invited to participate in and about the organizations asking them to participate.
  • Artists' participation in the database will be confidential (although at this stage, we may need to list participating artists in grant applications) unless the artists themselves choose to make it public.




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Internet Radio, MusicWorks, Blossom Toes & Rational Diet!
Creative Sources & psi - June 2007 Releases
In Brief: Sleepytime Gorilla Museum, Kato Hideki, People Like Us
Ground-Zero's Early Releases Reviewed
Bark! Lacy! Massacre! Death Ambient!
May 14, 2007 New Squidco Shipping Rates
Ambiances Magnetiques @ The Stone, NYC
Emanems and Androids
Cleanfeeding from Portugal to Montreal
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Tough Rock
John Wall, Sonic Arts
LTM, Subliminal, &c.
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AECO: Fifth Decade
The Squid's Ear 1st Or So Anniversary
Cheek to Cheek Misdemeanors - NYC's Cabaret Laws: Infracting Cheek to Cheek
Musical Activism: An Open Call
The Upside of Dowloading
Ameri-chord: Johnny Cash Remembered - Skip Heller - Amer-chord - Johnny Cash & June Carter
The Zorn Non-Interview - Ah, John, We Hardly Knew Ye
Hope for the Snowballs - The 2003 Jazz Journalists Association Awards
A Stone Turned - Irving Wilson Stone, 1922-2003
Knit One, Pearl Zero
Support Live Strangers - An Open Invitation for New Yorkers to Take a Freakin' Chance, or a Chastisement
London's Burning - Marc Ribot


The Squid's Ear presents
reviews about releases
sold at Squidco.com
written by
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Recent Selections @ Squidco:


Evan Parker/
John Russel/
Ian Brighton/
Phillip Wachsmann/
Marcio Mattos/
Trevor Taylor:
Reunion Live
From Cafe Oto
(FMR)



Miles Okazaki:
Trickster
(Pi Recordings)



Orchestra of the
Upper Atmosphere:
02
(Discus)



The Necks:
Unfold
[VINYL 2 LPs]
(Ideologic Organ)



Evan Parker/
John Edwards/
Steve Noble :
PEN
(Dropa Disc)



Ballister:
Low Level Stink
[VINYL & DVD]
(Dropa Disc)



Ivo Perelman/
Joe Morris/
Gerald Cleaver:
The Art Of
The Improv Trio
Volume 6
(Leo)



The International Nothing:
The Power Of
Negative Thinking
(Monotype)



Angelica Sanchez Trio
(w/ Michael Formanek/
Tyshawn Sorey):
Float the Edge
(Clean Feed)



Michael Attias Quartet
(w/ Ortiz/
Hebert/
Hebert):
Nerve Dance
(Clean Feed)



Harris Eisenstadt
Canada Day
(w/ Wooley/
Bauder/
Niggenkemper):
On Parade in Parede
(Clean Feed)



Trespass Trio
(Zanussi/
Strid/
Kuchen):
The Spirit of Pitesti
(Clean Feed)



MIR 8
(Andrea Belfi/
Werner Dafeldecker/
Hilary Jeffery/
Tim Wright):
Perihelion
[VINYL]
(Shhpuma)



Daniel Sarid Trio:
Leventuruos
(OutNow Recordings)



Trouble Kaze
(Fujii/
Agnel/
Tamura/
Pruvost/
Lasserre/
Orins):
June
(Helix Circum-Disc)



MarsaFouty
(Jean-Luc Foussat/
Fred Marty):
Concerts
(Fou Records)



Matt Mitchell
plays Tim Berne:
Forage
(Screwgun)



I Am Three
(Eberhard/
Neuser/
Marien):
Mingus Mingus Mingus
(Leo)



Simon Nabatov:
Monk 'N' More
(Leo)



Derek Bailey/
Joelle Leandre/
George Lewis/
Evan Parker :
28 Rue Dunois Juillet 1982
(Fou Records)







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