The Squid's Ear
Recently @ Squidco:

Biliana Voutchkova / Michael Thieke: Blurred Music (elsewhere)

Berlin-based violinist Biliana Voutchkova and German clarinetist Michael Thieke (Magic I.D., International Nothing) present a stunning achievement in blending compositional, pre-structured material with live improvisation, creating a blurring of virtually identical sections that create microtonal anomalies in timing, rhythm, timbre and motive, as heard in 3 amazing performances. ... Click to View


Matthew Revert / Vanessa Rossetto: Everyone Needs A Plan (erstwhile)

The second collaboration between sounds artist Vanessa Rossetto and writer and sound artist Matthew Revert is a monumental work that studies the evolution of communication through fragments of spoken words, and a rich tapestry of sound from acoustic and electronic instruments, field recordings, and perplexing and dramatic sources of sound. ... Click to View


Lucio Capece / Marc Baron: My Trust In You (erstwhile)

Two electroacoustic improvisers and composers--Lucio Capece on reeds, analog synths, effects, field recordings, drums machines, speakers in motion, and Marc Baron on field recordings and analog devices--developed these 6 extraordinary recordings that blend motion, perspective, sound and noise, and concrete references in a mystifying and mesmerizing journey in sound. ... Click to View


Melaine Dalibert : Musique pour le lever du jour (elsewhere)

Inspired by the work of Hungarian-born French media artist Vera Molnar, and by the vicissitudes of natural phenomena, French pianist and composer Melaine Dalibert developed algorithmic procedures to compose this work, translating to "Music for the Daybreak", as an illusory "endless piece" of meditative layered, resonant music in the mode of Morton Feldman. ... Click to View


Otomo Yoshihide / Paal Nilssen-Love: 19th of May, 2016 (PNL)

An intensively diverse and thrilling game of "cat and dog" between Norwegian percussionist Paal Nilssen-Love and Japanese guitarist Otomo Yoshihide, performing live at Dom Cultural Center, Moscow, Russia in 2016 for two extended improvisations that exemplify incredible technical skills, reflective and introspective dialog, and cathartic release; absolutely impressive. ... Click to View


Marker (w/ Ken Vandermark): Wired For Sound (Audiographic Records)

The debut from this Chicago band merging strong grooves with free playing, with 2 guitarists--Andrew Clinkman & Steve Marquette, plus Macie Stewart on keys & violin, Phil Sudderberg on drums, and Ken Vandermark on reeds, each of the 3 tracks dedicated to an artist: Belgian movie director Chantal Akerman; German choreographer Pina Bausch; and Anthony Braxton and Bernie Worrell. ... Click to View


Vandermark / Kugel / Tokar: No-Exit Corner (Not Two)

the second CD by the trio featuring the tenor saxophonist and clarinetist Ken Vandermark, the drummer Klaus Kugel, and the bassist Mark Tokar has the band back at Krakow's Alchemia Club, bringing these three Chicago and European players together for a skronky, energetic romp of commanding playing alongside unorthodox approaches and powerfully creative intent. ... Click to View


Bobby Zankel & The Wonderful Sound 6: Celebrating William Parker at 65 (Not Two)

Celebrating bassist and composer William Parker's 65th birthday at the Painted Bride Art Center in Philadelphia in a band led by Bobby Zankel on alto saxophone, Muhammad Ali on drums, Dave Burrell on piano, Steve Swell on trombone, Diane Monroe on violin, and William Parker himself on bass, in a 4-part suite of beautifully turbulent and masterful free jazz. ... Click to View


Ernesto Rodrigues / Guilherme Rodrigues / Fred Marty / Carlos Santos: Jardin Carre (Creative Sources)

French double bassist Fred Marty joins Creative Sources core performers, violist Ernesto Rodrigues, cellist Guilherme Rodrigues and electronic artist Carlos Santos for an extensive improvisation exploring both lyrical and pointillistic improvisation, themed loosely around a garden quartet or frame, the music detailed, active and formidably sophisticated. ... Click to View


Urlich Mitzlaff : Ten Sonic Miniatures about the "Scream" by Edvard Munch (Creative Sources)

Using Edvard Munch's famous painting "The Scream" as his muse, German cellist living in Portugal, Ulrich Mitzlaff, presents 10 acoustic miniatures from just over a minute to 4 1/2 minutes in length, including wildly interactive moments of delirium to darkly melodic bowed passages, using his impressive technique to create vivid depictions of Munch's work. ... Click to View


4! (Patrizia Oliva / Carlo Mascolo / Domenico Saccente / Felice Furioso): Factorial (Creative Sources)

Free electroacoustic improvisation from the Italian quartet of Patrizia Oliva on voice, electronics, bawu, objects, Carlo Mascolo on prepared trombone, Domenico Saccente on accordion and prepared piano, and Felice Furioso on drums, cupa cupa, contrabbassa, sounded objects, using voice and unusual instrumentation to guide unusual and forward-thinking improv. ... Click to View


Frantz Loriot : Reflections on an Introspective Path (Neither/Nor Records)

French-Japanese violist Frantz Loriot's first solo album takes the viola into unusual territory, using an acousmatic approach to create music and sounds with no visual reference by transforming the sound of the viola through preparations and remarkable extended techniques, layering and assembling his works to create concrete statements of movement. ... Click to View


Costa's Acustica, Carlo: Strata (Neither/Nor Records)

New York composer and drummer Carlo Costa assembled this accomplished ensemble of NY improvisers for a live performance at IBeam in Brooklyn, capturing his piece "Strata" that evolves layers of sound from very sparse to densely yet accesibly stacked sound, varying recurring material to change perspectives in the aural space as the piece progresses; impressive. ... Click to View


Flin van Hemmen (w/ Neufeld / Obsvik): Drums of Days (Neither/Nor Records)

Debut album as a leader from drummer and pianist Flin van Hemmen, an evocative album of original compositions and improvisations recorded in a trio with Eyvind Opsvik on double bass and Todd Neufeld on acoustic guitar, with Tony Malaby on alto and soprano sax on one track; a beautifully cinematic and poetic album that allows for space and reflection. ... Click to View


Peter Blegvad : Bandbox [6 CD BOX SET] (Recommended Records)

Starting with Blegvad's "Downtime" LP, this box traces the evolution of the Peter Blegvad Trio into a quintet with Karen Mantler and Bob Drake, released in a solid box with a double CD of alternate versions, unreleased material and live performances, plus a 72 page book of photographs, memorabilia, drawings, documents and recollections; the ultimate reissue! ... Click to View


Roberto Musci / Giovanni Venosta: Messages & Portraits (2018 Edition) (Recommended Records)

A welcome reissue of two 1980s, forward-thinking albums of electronic compositions from Milanese ethnomusicologist composers, sound engineers and performers Giovanni Venosta and Roberto Musci, incorporating exotic field recordings from their world travels into accessibly sophisticated pieces, creating unexpectedly innovative, novel and melodically rich hybrids. ... Click to View


Vitor Rua & The Metaphysical Angels: When Better Isn't Quite Good Enough [2 CDs] (Recommended Records)

Guitarist Vitor Rua (GNR, Telectu) recorded the 15 pieces of this 2-CD set first as a series of overdubbed solo improvisations, using his virtuosic skills to create intriguing and compelling works, which he orchestrated and recorded with the quintet of Hernani Faustino on bass, Luis San Payo on drums, Manuel Guimaraes on organ, Nuno Reis on trumpet, and Paulo Galao on clarinets. ... Click to View


Allen Ravenstine : Waiting For The Bomb [VINYL] (Recommended Records)

Many years after Pere Ubu and his work as a pilot, one of the world's most unique synth players, Allen Ravenstine, releases an album of composed works, 18 discrete hybrid miniature sound worlds that blend acoustic, real-world and synthetic sounds in unorthodox ways that elusively twist conventional approaches with unexpected elements and narrative twists. ... Click to View


Lance Olsen Austin : Dark Heart (Another Timbre)

Four fascinating and detailed compositions from Canadian composer and painter Lance Austin Olsen, each work giving the performers space to collaborate on the results, using graphic scores and Cage-like elements from recordings; performers include Terje Paulsen, Gil Sanson, Ryoko Akama, Isaiah Ceccarelli, Katelyn Clark, Patrick Farmer and Apartment House. ... Click to View


Alex Jang : Momentary Encounters (Another Timbre)

Four fragile and mostly minimal works by Victoria-based composer Alex Jang, performed by the Apartment House ensemble, with solo pieces by Heather Roche on clarinet + field recordings, one with Cristian Alvear on guitar, an acoustic quintet, and "any three players" designed for any mix of instrumentation, here on melodica, vibraphone & cello. ... Click to View


Linda Smith Catlin: Wanderer (Another Timbre)

Eight sophisticated chamber pieces composed by Linda Catlin Smith and realized by the Canadian Apartment House ensemble, including a solo piano performed by Philip Thomas, a piano duo with Thomas and Mark Knoop, and works for percussion & cello, 2 quintet pieces for strings, percussion and winds, and two 7-piece conducted works with two percussionists, strings and brass. ... Click to View


Cassandra Miller : O Zomer! (Another Timbre)

Two ensemble works and two solo pieces by Christian Wolff's favourite contemporary composer, Cassandra Miller, who is blazing a very personal trail through the experimental music world, with brilliant performances by Apartment House, Mira Benjamin, Philip Thomas, and Charles Curtis with the BBC Scottish Symphony Orchestra, conducted by Ilan Volkov. ... Click to View


Cassandra Miller : Just So (Another Timbre)

A disc of extraordinary string works by Canadian composer Cassandra Miller, presenting four string quartets superbly played by the Quatuor Bozzini quartet of Clemens Merkel on violin, Alissa Cheung on violin, Stephanie Bozzini on viola, and Isabelle Bozzini on cello, including the large work "About Bach", awarded the Jules Leger Prize for New Chamber Music. ... Click to View


Bucher / Countryman (w/ Simon Tan / Isla Antinero): Extremely Live in Manila (ChapChap Records)

A live concert in Quezon City from the Manila based duo of Rich Countryman on alto saxophone and Swiss drummer Christian Bucher, who are joined on one track by acoustic bassist Simon Tan and trombonist Isla Antinero. ... Click to View


Ernesto Rodrigues / Guilherme Rodrigues / Adam Pultz Melbye / kriton b.: The Distant Sound Within (Creative Sources)

Three strings--cello from Guilherme Rodrigues, double bass from Adam Pultz Melbye, and viola from Ernesto Rodrigues--plus harmonium and objects from Kriton Beyer, in a live performance at Kuhlspot Social Club in Berlin, each of the 9 movements a concentrative work named with a three-letter onomatopoeia, as the players draw sound from a mysterious dark distance. ... Click to View


Akmee (Pedersen / Jerve / Albertsend / Wildhagen): Neptun (Nakama Records)

Debut album from this Oslo collective quartet of free improvisers led by drummer Andreas Wildhagen (Nilssen-Love Large Unit) with Erik Kimestad Pedersen on trumpet, Kjetil Jerve on piano, and Erlend Olderskog Albertsen on double bass, a thoroughly modern band that balances more experimental playing with improv in the European tradition; a strong start. ... Click to View


Akmee (Pedersen / Jerve / Albertsend / Wildhagen): Neptun [VINYL] (Nakama Records)

Debut album from this Oslo collective quartet of free improvisers led by drummer Andreas Wildhagen (Nilssen-Love Large Unit) with Erik Kimestad Pedersen on trumpet, Kjetil Jerve on piano, and Erlend Olderskog Albertsen on double bass, a thoroughly modern band that balances more experimental playing with improv in the European tradition; a strong start. ... Click to View


Nakama: Worst Generation (Nakama Records)

Freely improvised and unusual collective improv from the quintet of Christian Meaas Svendsen (double bass), Andreas Wildhagen (drums), Ayumi Nataka (piano), Adrian Loseth Waade (violin) and Agness Hvizdalek (voice), an abstract yet energetic album with Hvizdalek's voice adding an exotic edge to extended techniques based in free jazz strategies. ... Click to View


Nakama: Worst Generation [VINYL] (Nakama Records)

Freely improvised and unusual collective improv from the quintet of Christian Meaas Svendsen (double bass), Andreas Wildhagen (drums), Ayumi Nataka (piano), Adrian Loseth Waade (violin) and Agness Hvizdalek (voice), an abstract yet energetic album with Hvizdalek's voice adding an exotic edge to extended techniques based in free jazz strategies. ... Click to View


Machinefabriek: Engel (Machinefabriek)

Rutger Zuydervelt, AKA Machinefabriek, expanded the existing score for Marta Alstadsaeter & Kim-Jomi Fischer's dance piece "Engel", which is a contemporary piece combining dance and circus acrobatics, the new soundtrack a large work combining rich mirages of electronica, ambient sound, assertive noise, and even a section of Paal Nilessen-Love's drumwork. ... Click to View


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The Squid's Ear
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Op-Ed (Opinions and Editorials)


  Musical Activism: An Open Call  
By Marc Ribot

On tour in Europe during the first twelve days of the recent invasion of Iraq, I witnessed something close to bereavement among audience members at the apparent consent of most Americans to Bush's agenda of war and empire.

It was exhausting, in addition with all the other pressures of performance, to deal with expectations to represent "America" in this situation. Although it felt strange to speak about the war during performances - I'm a guitarist, not a lecturer - it felt even stranger not to. The one thing about which I felt certain was that the incredible level of anger and opposition I witnessed was no longer simply about one lousy political decision, but had become a critique of the legitimacy of the power of empire, and it wasn't going to stop when the war ended.

Indeed, it hasn't. It remains nearly impossible to get on stage without addressing (or failing to address) the context within which, whether we like it or not, our music is now heard.

This database project described below was conceived as a means through which artists and musicians will be able to say what needs to be said politically in the formats where it will do the most good, to help to change a political context which, simply put, has become intolerable.

We're inviting touring artists to participate in a pilot project version to be launched around February 1, 2004. Anyone can back out at any time, but expressions of interest/commitment (along with brief bios if possible) are needed to apply for grants to build the database.

Best regards, Marc Ribot Musicians Solidarity Database [correspondence may be sent to msolidarity@squidco.com]



WHAT: The Musicians Solidarity Database will connect internationally touring recording artists/musicians with anti-war and global justice organizations local to their touring dates.

The Database is an initiative of the Musicians Solidarity Network (MSN). Although open and useful to all artists regardless of origin or tour destination, the actual possibilities will probably reflect the current touring routes. The intent is for participating artists to be able to integrate whatever degree of activity on behalf peace/democracy/social justice organizations they feel able to commit to into their regular tour itineraries with a minimum of effort, and for the organizations to benefit from cultural support.

HOW: Touring artists enter their upcoming tour schedules, tech needs, and other necessary info and preferences into the database. Major peace/ democracy/social justice organizations access the info and cross-reference the dates of their planned events with touring artists' availability. The organizations then send the musicians/artists a set of proposals (for example: to speak or perform at a demonstration). The artist accepts whichever proposals they choose, and forward their acceptance along with whatever time or tech specs apply back to the organizations. The organizations confirm the date.

Even if tour schedules are too tight to allow for an artist's participation in outside events, artists can arrange, through the data bank, to make merchandise/ literature table space available to organizations they support.

Great care will be taken to make the data-base user friendly to both artists and organizations.

WHY?: An enormous divide has opened in political understanding between the US and most of the rest of the world, particularly in Europe. Most touring artists and musicians are already well aware of this.

But artists who speak out against Bush's agenda of war and empire, particularly in the US, run the risk of alienating fans or even being subjected to radio and other forms of blacklisting.

In Europe, things are different, at least for the time Being. Manu Chao's "Clandestino" was a hit because of, not in spite of, his close identification with the social forum movement. Whether this will always be true is difficult to say: the same forces that created Bush are also pushing Europe steadily rightward. But it's true now.

The database is a way to turn this political differential into a force for progressive change in the US, enable artists who want to be active to do so, provide organizations against war and for global justice with a constant stream of performing artist support, and build a global network of artists and activists.

It will help artists to limit the economic risks of activism by connecting them with activists and audiences who share their views.

For example, contact with non-US activists and anti-war audiences will enable US musical/cultural figures (and global cultural figures who wish to sell in the US market) to speak out. It's no accident the Dixie Chicks spoke out against the war while in Europe.

As more artists risk opinions outside the US mainstream, it will change the political math that has discouraged dissent by encouraging fans to question their mass-media enforced opinions. And contact between US audiences and European/international artists willing to speak out will help break the US media censorship of the depth of world opposition to war and empire.

Of course, the issues affecting us all aren't confined to the US: the same political/economic forces that put Bush in power in the US are alive and well in Europe and elsewhere. The problems are global and gestures of solidarity from touring musicians are needed to keep the spirit of opposition global as well.

A secondary benefit of the database involves musicians and artists rights issues. There are some issues of interest from anti-war, cultural, and labor perspectives. For example, the role of the Clear Channel monopoly in censoring opposition to the war, blacklisting anti-war artists, and even organizing pro-war demonstrations in the US is both an anti-war issue, and an infringement on artists' freedom of expression.

SPECIFICATIONS Filters, both passive/automatic and active/human will ensure that participating orgs are major and respected, and that participating artists are at a sufficiently professional level to be of use to them.

  • Access to the database will be strictly limited to approved organizations.
  • Contact between artists and organizations will take place within a database 'mailbox' so that artists/managers run no risk of having personal/business email accounts flooded with requests.
  • Whatever form of participation the artist chooses - be it a gig, a single song, or a brief statement - the database format will ensure that all necessary technical requirements and conditions are met, without extensive back and forth between artists, managers and organizations.
  • Artists will have access to full information about events they are being invited to participate in and about the organizations asking them to participate.
  • Artists' participation in the database will be confidential (although at this stage, we may need to list participating artists in grant applications) unless the artists themselves choose to make it public.



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