The Squid's Ear
Recently @ Squidco:

Evan Parker / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant: Mopomoso Tour 2013 | Making Rooms [4 CDs] (Weekertoft)

An excellent 4-CD set from a UK tour of the long-running London monthly concert series Mopomoso, featuring improvisations from various grouping of John Russell, Evan Parker, John Edwards, David Leahy, Pat Thomas, Alison Blunt, Benedict Taylor, Kay Grant & Alex Ward. ... Click to View

Alvin Curran: Natural History [VINYL] (Black Truffle)

The first-ever vinyl issue of Alvin Curran's 1983 cassette release, a composition of organized field recordings, a major work he describes as a series of "still lifes" from 20 years of recordings with an engrossingly diverse set of curious and concrete sounds - amazing! ... Click to View

Sam Shalabi / Alan Bishop & Sam Shalabi: Mother Of All Sinners (Puppet On A String) [VINYL] (Unrock)

Montreal guitarist Sam Shalabi and Sun City Girls guitarist Alan Bishop in a release on Unrock's Saraswati Series, string-oriented albums; here Shalabi performs on electric guitar and oud, while Bishop plays alto sax and sings in a "oriental psychedelic free form". ... Click to View

Aaron Dilloway: Songs About Jason [VINYL 10-inch] (Amethyst Sunset)

Originally released in limited edition of forty copies for a solo/duo show with Jason Lescalleet in 2013, this 10" release remasters the original release, a disorienting and melodic album of tape loops and dark ambient drone. ... Click to View

Bushman's Revenge: Jazz, Fritt Etter Hukommelsen (Rune Grammofon)

The Norwegian trio of guitarist Even Helte Hermansen, drummer Gard Nilssen, and bassist Rune Nergaard in their 8th Bushman's Revenge album, bridging free improvisation and 70s style prog-oriented rock, non-histrionic, outstanding instrumental music with great depth. ... Click to View

Bushman's Revenge: Jazz, Fritt Etter Hukommelsen [VINYL + CD] (Rune Grammofon)

The Norwegian trio of guitarist Even Helte Hermansen, drummer Gard Nilssen, and bassist Rune Nergaard in their 8th Bushman's Revenge album, bridging free improvisation and 70s style prog-oriented rock, non-histrionic, outstanding instrumental music with great depth. ... Click to View

Bushman's Revenge: Bushman's Fire [VINYL + CD] (Rune Grammofon)

Live recordings at Cafe Mono in Oslo, Norway of the extended edition of Bushman's Revenge, the trio of guitarist Even Helte Hermansen, drummer Gard Nilssen, and bassist Rune Nergaard with David Wallumrod on Hammond Organ and Kjetil Moster on saxophone. ... Click to View

Peter Brotzmann / Steve Noble / John Edwards: The Worse The Better (Otoroku)

CD edition of the first set performed by the trio of Peter Brotzmann, Steve Noble and John Edwards at Cafe OTO in January 2010 during Brotzmann's first residency at the venue, and the first time this trio had played together. ... Click to View

Hearts & Minds (Stein / Giallorenzo / Rosaly): Hearts & Minds [VINYL] (Astral Spirits)

The Chicago trio of Jason Stein on bass clarinet, Paul Giallorenzon on keys, and Frank Rosaly on drums, performing a joyful album of lyrical jazz, blending compositions and free playing with modern creative skills and unpredictable, enthusiastic soloing; superb! ... Click to View

Talibam! w/ Alan Wilkinson: It is Dangerous to Lean Out [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

The Downtown NY insanely creative duo Talibam! of Kevin Shea on drums and Matt Motel on keys is joined by free improvising legend, saxophonist Alan Wilkinson, for two incendiary improvisations performed live at Sant'anna Arresi Jazz Festival in Sardinia, Italy. ... Click to View

Tim Stine Trio The: Tim Stine Trio [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

Acoustic guitarist Tim Stine and his trio with upright bassist Anton Hatwich and drummer Frank Rosaly, an all-star group of younger Chicago players in an album of buoyant, original improvisations with great give-and-take from a superb working band of contemporaries. ... Click to View

Konstrukt w/ Graham Massey & David McLean: Live at Islington Mills [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

The Turkish Konstrukt trio teamed up with 808 State guitarist Graham Massey and pianist David Andrew McLean (Charles Hayward's Anonymous Bash) for a live album at Islington Mill in Salford England for two sides of blistering avant-funk, cosmic space sounds. ... Click to View

Rankin-Parker/Pearce: Odd Hits [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

An exhilarating and unusual set of duos for drum and cello from Daniel Pierce and Teddy Rankin-Parker, the latter known for Nicole Mitchell's Black Earth Ensemble, ICE, and work with Primus; together they deliver intense and captivating polyrhythms and unexpected string sonics. ... Click to View

Tashi Dorji / Tyler Damon: Live at the Spot +1 [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

The free improvising duo of Himalayan guitarist Tashi Dorji and drummer Tyler Damon, who preform regularly as a duo based in Asheville, NC and Bloomington, IN, here in a live album of thick and energetic interaction bordering on the ecstatic, recorded in two exhilarating concerts. ... Click to View

R. Dockery Lee / Smokey Emery: Cathedrelic [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

An album of dark and cavernous sound in the second release from the sound-sculpting duo of R. Lee Dockery and Smoke Emery (aka Daniel Hipolito), two long tracks that evolve with the patience and intensity of a dark sacramental journey in deeply detailed drone. ... Click to View

Ben Bennett : Trap [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

Twelve tracks of solo percussion using a variety of drum-like devices, an intense album of percussive possibilities that surprise in the variety of approaches, the intensity of sound, and the dynamics of each work, using close microphones to capture sonic details. ... Click to View

Jerman / Barnes: Goethe (Confront)

An extended improvisation of muted sound from the long-running duo of Jeph Jerman and Tim Barnes, performing live at Non-Event in Boston, creating mysterious analog sounds and cycles of drones with underlaying metallic textures creating an environment of suspense. ... Click to View

Angharad Davies / Tisha Mukarji: Ffansion | Fancies (Another Timbre)

The title reflecting violinist Angharad Davies' Welsh Roots, this duo with inside pianist Tisha Mukarji furthers the collaborations of these improvisers, recording in St Catherine's Church in South London, using the acoustics of the space to shape the form of their music. ... Click to View

Illogical Harmonies (Chang / Majkowski): Volume (Another Timbre)

A joint composition for violin and double bass, developed over six months in 2015 by violinist and Wandelweiser composer Johnny Chang with bassist Mike Majkowski, a fragile and beautifully revealing work in 5 parts that moves slowly through subtle harmonic changes. ... Click to View

Linda Smith Catlin : Dirt Road (Another Timbre)

Canadian composer Linda Catlin Smith's extended composition for violin and percussion in 15 parts, performed by percussionist Simon Limbrick and violinist Mira Benjamin, a unique orchestration that reveals a journey of steady pace, tension and beauty. ... Click to View

Bryn Harrison : Receiving the Approaching Memory (Another Timbre)

Bryn Harrison's highly acclaimed, labyrinthine composition for violin & piano from 2014, expertly realised by violinist Aisha Orazbayeva and pianist Mark Knoop, for whom this 5-part work of beautiful repetitions reflecting tapestries of sound was written. ... Click to View

Sergio Merce: Be Nothing (Edition Wandelweiser Records)

A beautifully ambient album of analogue synthesiser, microtonal saxophone and electronics by Argentinian saxophonist Sergio Merce, a single long track that pauses and resumes its rich tones and harmonies at a deliberate and measured pace, allowing each environment to ring. ... Click to View

John Cage : Branches (Edition Wandelweiser Records)

The Ensemble Daswirdas performs John Cage's "Branches" composition, which is based on a previous work, "Child of Tree", but here each performer plays an 8 minute variation of that work, which is performed on amplified pods, cacti, and other plant materials. ... Click to View

Radu Malfatti: Radu Malfatti (Edition Wandelweiser Records)

Austrian trombonist and composer presents two works: a solo piece for trombone comprised of a series of detached sonic events; and a work performed with the Wandelweiser String Quartet, using bowing and blowing techniques to create punctuations of unusual sound. ... Click to View

Wilmington Sound Orchestra: Play Russolo (Bad At Raving Foundation)

Two interpretations of Luigi Russolo's 1914 Futurist noise composition "Risveglio Di Uns Citta" ("The Awakening Of A City"), performed forwards and backwards, from a live performance at Squidco headquarters in Wilmington, NC. ... Click to View

Nate Wooley: Argonautica (Firehouse 12 Records)

Trumpeter Nate Wooley's major 3-part work makes oblique reference to dodecaphony, ambient tape music, and the minimalist rock of Terry Riley, conceived as a tribute to Wooley's mentor Ron Miles, who performs alongside Devin Gray & Rudy Royston (drums), Cory Smythe & Jozef Dumoulin (piano). ... Click to View

Peter Evans: Lifeblood [USB Drive] (More Is More)

Trumpeter Peter Evans' first solo release in over 5 years, presenting two demanding and impressive live performances from 2015/16, during Evan's residency at Roulette, and at Bop Stop in Cleveland, presented on a USB credit card drive in mp3 and wav formats, with liner notes. ... Click to View

Satoko Fujii / Joe Fonda: Duet (Long Song Records)

First meeting of Japanese pianist Satoko Fujii and New York bassist Joe Fonda, initiated at the suggestion of Fonda, recorded in Portland, Maine at the Dimensions in Jazz Series, a beautifully recorded and intimate duo of superb dialog between two seasoned improvisers. ... Click to View

Bertrand Denzler / Antonin Gerbal / Alex Dorner: Le Ring (Confront)

Having performed in duos previously, this trio came together at Festival Noise No. 5, at Theatre Le Ring, in Toulouse, the sound of the group is a "malleable space in which the musicians generate small or bigger shapes, simple and complex sounds, irregular and mechanical rhythms." ... Click to View

Forebrace (Ward / Sassi / Horro / Doulton): Steeped (Relative Pitch)

Blending jazz and rock forms with frenetic excitement and masterful control, multi-reedist Forebrace quartet with Roberto Sassi (electric guitar), Santiago Horro (electric bass) and Jem Doulton run the gamut on exultantly virtuosic improvisation, here recording live at Cafe Oto. ... Click to View


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Op-Ed (Opinions and Editorials)

  Musical Activism: An Open Call  
By Marc Ribot

On tour in Europe during the first twelve days of the recent invasion of Iraq, I witnessed something close to bereavement among audience members at the apparent consent of most Americans to Bush's agenda of war and empire.

It was exhausting, in addition with all the other pressures of performance, to deal with expectations to represent "America" in this situation. Although it felt strange to speak about the war during performances - I'm a guitarist, not a lecturer - it felt even stranger not to. The one thing about which I felt certain was that the incredible level of anger and opposition I witnessed was no longer simply about one lousy political decision, but had become a critique of the legitimacy of the power of empire, and it wasn't going to stop when the war ended.

Indeed, it hasn't. It remains nearly impossible to get on stage without addressing (or failing to address) the context within which, whether we like it or not, our music is now heard.

This database project described below was conceived as a means through which artists and musicians will be able to say what needs to be said politically in the formats where it will do the most good, to help to change a political context which, simply put, has become intolerable.

We're inviting touring artists to participate in a pilot project version to be launched around February 1, 2004. Anyone can back out at any time, but expressions of interest/commitment (along with brief bios if possible) are needed to apply for grants to build the database.

Best regards, Marc Ribot Musicians Solidarity Database [correspondence may be sent to]

WHAT: The Musicians Solidarity Database will connect internationally touring recording artists/musicians with anti-war and global justice organizations local to their touring dates.

The Database is an initiative of the Musicians Solidarity Network (MSN). Although open and useful to all artists regardless of origin or tour destination, the actual possibilities will probably reflect the current touring routes. The intent is for participating artists to be able to integrate whatever degree of activity on behalf peace/democracy/social justice organizations they feel able to commit to into their regular tour itineraries with a minimum of effort, and for the organizations to benefit from cultural support.

HOW: Touring artists enter their upcoming tour schedules, tech needs, and other necessary info and preferences into the database. Major peace/ democracy/social justice organizations access the info and cross-reference the dates of their planned events with touring artists' availability. The organizations then send the musicians/artists a set of proposals (for example: to speak or perform at a demonstration). The artist accepts whichever proposals they choose, and forward their acceptance along with whatever time or tech specs apply back to the organizations. The organizations confirm the date.

Even if tour schedules are too tight to allow for an artist's participation in outside events, artists can arrange, through the data bank, to make merchandise/ literature table space available to organizations they support.

Great care will be taken to make the data-base user friendly to both artists and organizations.

WHY?: An enormous divide has opened in political understanding between the US and most of the rest of the world, particularly in Europe. Most touring artists and musicians are already well aware of this.

But artists who speak out against Bush's agenda of war and empire, particularly in the US, run the risk of alienating fans or even being subjected to radio and other forms of blacklisting.

In Europe, things are different, at least for the time Being. Manu Chao's "Clandestino" was a hit because of, not in spite of, his close identification with the social forum movement. Whether this will always be true is difficult to say: the same forces that created Bush are also pushing Europe steadily rightward. But it's true now.

The database is a way to turn this political differential into a force for progressive change in the US, enable artists who want to be active to do so, provide organizations against war and for global justice with a constant stream of performing artist support, and build a global network of artists and activists.

It will help artists to limit the economic risks of activism by connecting them with activists and audiences who share their views.

For example, contact with non-US activists and anti-war audiences will enable US musical/cultural figures (and global cultural figures who wish to sell in the US market) to speak out. It's no accident the Dixie Chicks spoke out against the war while in Europe.

As more artists risk opinions outside the US mainstream, it will change the political math that has discouraged dissent by encouraging fans to question their mass-media enforced opinions. And contact between US audiences and European/international artists willing to speak out will help break the US media censorship of the depth of world opposition to war and empire.

Of course, the issues affecting us all aren't confined to the US: the same political/economic forces that put Bush in power in the US are alive and well in Europe and elsewhere. The problems are global and gestures of solidarity from touring musicians are needed to keep the spirit of opposition global as well.

A secondary benefit of the database involves musicians and artists rights issues. There are some issues of interest from anti-war, cultural, and labor perspectives. For example, the role of the Clear Channel monopoly in censoring opposition to the war, blacklisting anti-war artists, and even organizing pro-war demonstrations in the US is both an anti-war issue, and an infringement on artists' freedom of expression.

SPECIFICATIONS Filters, both passive/automatic and active/human will ensure that participating orgs are major and respected, and that participating artists are at a sufficiently professional level to be of use to them.

  • Access to the database will be strictly limited to approved organizations.
  • Contact between artists and organizations will take place within a database 'mailbox' so that artists/managers run no risk of having personal/business email accounts flooded with requests.
  • Whatever form of participation the artist chooses - be it a gig, a single song, or a brief statement - the database format will ensure that all necessary technical requirements and conditions are met, without extensive back and forth between artists, managers and organizations.
  • Artists will have access to full information about events they are being invited to participate in and about the organizations asking them to participate.
  • Artists' participation in the database will be confidential (although at this stage, we may need to list participating artists in grant applications) unless the artists themselves choose to make it public.

Previous Blog & Editorial Articles:
Internet Radio, MusicWorks, Blossom Toes & Rational Diet!
Creative Sources & psi - June 2007 Releases
In Brief: Sleepytime Gorilla Museum, Kato Hideki, People Like Us
Ground-Zero's Early Releases Reviewed
Bark! Lacy! Massacre! Death Ambient!
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Emanems and Androids
Cleanfeeding from Portugal to Montreal
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Tough Rock
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LTM, Subliminal, &c.
News Starting
AECO: Fifth Decade
The Squid's Ear 1st Or So Anniversary
Cheek to Cheek Misdemeanors - NYC's Cabaret Laws: Infracting Cheek to Cheek
Musical Activism: An Open Call
The Upside of Dowloading
Ameri-chord: Johnny Cash Remembered - Skip Heller - Amer-chord - Johnny Cash & June Carter
The Zorn Non-Interview - Ah, John, We Hardly Knew Ye
Hope for the Snowballs - The 2003 Jazz Journalists Association Awards
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Support Live Strangers - An Open Invitation for New Yorkers to Take a Freakin' Chance, or a Chastisement
London's Burning - Marc Ribot

The Squid's Ear presents
reviews about releases
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written by
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Recent Selections @ Squidco:

Claudia Quintet, The:
Super Petite

Alvin Curran:
Natural History
(Black Truffle)

Evan Parker /
Pat Thomas /
John Russell /
John Edwards /
Alex Ward /
Alison Blunt /
Benedict Taylor /
David Leahy /
Kay Grant:
Mopomoso Tour 2013 |
Making Rooms

Konstrukt w/
Graham Massey &
David McLean:
Live at
Islington Mills
(Astral Spirits)

Talibam! w/ Alan Wilkinson:
It is Dangerous
to Lean Out
(Astral Spirits)

Hearts & Minds
(Stein /
Giallorenzo /
Hearts & Minds
(Astral Spirits)

Peter Brotzmann /
Steve Noble /
John Edwards:
The Worse The Better

Satoko Fujii /
Joe Fonda:
(Long Song Records)

Nate Wooley:
(Firehouse 12 Records)

Peter Evans:
[USB Drive]
(More Is More)

(Ward /
Sassi /
Horro /
(Relative Pitch)

(w/ Anne Bakker /
Edita Karkoschka):
(Self Released)

(Johansson /
Alberts /
Hoyer /
Live in New York
(Clean Feed)

Unnatural Ways:
We Aliens

John Butcher /
Stale Liavik Solberg:
So Beautiful,
It Starts To Rain
(Clean Feed)

Elliott Sharp Aggregat
(Bynum /
Greene II /
Jones /
(Clean Feed)

Naked Wolf
(Ex /
Gibson /
Jaeger /
Provan /
(Clean Feed)

(Wilkinson /
Johannsesn /
Hoyer /
North And South

Michel Blanc :
Le Miroir
des Ondes

Joelle Leandre 10:
Can You
Hear Me?

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