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Frode Gjerstad Trio + Steve Swell: Bop Stop (Clean Feed)

The indefatigable Norwegian saxophonist Frode Gjerstad invites trombonist Steve Swell, with whom he collaborated in 2011 on the live album "At Constellation", to join his trio with Jon Rune Strom on double bass and drummer Paal Nilssen-Love, at Cleveland's Bop stop during their 2017 tour, recording this impressive concert of exemplary collective free jazz. ... Click to View

Matt Piet & His Disorganization (w / Berman / Mazzarella / Daisy): Rummage Out (Clean Feed)

A young and fresh voice in the creative Chicago improv scene, pianist and composer Matt Piet who leads his own trio and the band Four Letter Words, and one third of Rempis/Piet/Daisy, introduces a new quartet with saxophonist Nick Mazzarella, cornet player Josh Berman, and drummer Tim Daisy, a superb example of the energetic and active Chicago scene. ... Click to View

Benoit Delbecq 4 (w / Turner / Hebert / Cleaver): Spots On Stripes (Clean Feed)

French pianist Benoit Delbecq brings together frequent collaborators from New York--Mark Turner on tenor saxophone and drummer Gerald Cleaver--and from Paris--Delbecq himself and double bassist John Hebert--for an album of refined and inventive contemporary jazz, the work of masterful players with years of experience and collaborations dating back to 2003. ... Click to View

Samo Salamon / Tony Malaby / Roberto Dani: Traveling Moving Breathing (Clean Feed)

A peer of Tim Berne, David Binney, Sabir Mateen, Mark Helias, &c., Slovenian guitarist Samo Salamon presents an album of original compositions and one collective improvisation from his ever-changing Bassless Trio, here with drummer Roberto Dani and saxophonist Tony Malaby on tenor and soprano, in an introspective album of profound technique and lyrical playing. ... Click to View

Sara Serpa (w / Laubrock / Fiedlander): Close Up (Clean Feed)

Lisbon, Portugal native, singer and composer Sara Serpa in a trio with saxophonist Ingrid Laubrock and cellist Erik Friedlander, recording live at Pete's House, in Brooklyn, for an album of unusual and creative vocals inspired by experimentation and changing identities, bringing a unique approach to improvised vocals in the company of accomplished players. ... Click to View

Turbamulta (Raon / Sao / Ferreira / Martins / Aroso): Turbamulta (Clean Feed)

With orchestration of harp, daxophone, idiophones, piano, cello, guitar, percussion, sampling & electronics, the Portuguese quintet Turbamulta (roughly translates to "rowdy mob", though clearly a very sophisticated mob) was born from the band Powertrio of Eduardo Raon, Joana Sa and Luis Martins, expanded to blend compositional, EA and improv approaches into something unique and beautiful. ... Click to View

Jonas Cambien Trio (w / Roligheten / Wildhagen): We Must Mustn't We (Clean Feed)

Leveraging influences in improvisation and contemporary compositional music, Belgian/Oslo pianist Jonas Cambien, a member of Simiskina and Platform, extends his own trio of saxophonist Andre Rolighete and drummer Andreas Wildhagen with trumpeter Torstein Lavik Larsen on 2 tracks, as they balance jazz, avant, free improv and other hybrid forms in a compellingly creative album. ... Click to View

Mattias Risberg : Stamps (Clean Feed)

Swedish pianist Mattias Risberg demonstrates the passion he dedicates to vintage instruments like mellotron, Hammond organ, analog synthesizers, clavichord and even pipe organs in a solo album of piano, with some light preparations, and the pedals of a Moog Taurus, an inventive album of improvisations inspired by the vivid images of postage stamps. ... Click to View

Maria da Rocha: Beetroot & Other Stories (Shhpuma)

Using violin, viola, synth and effect pedals, Portuguese string player Maria da Rocha creates rich environments of sound and unusual rhythmic structures over which she plays with subtlety and transcendence, in her first solo album, using her unique language as she tells the story of a beet and a witch, inspired by Odyssey Ulysses and Circe from Cortazar. ... Click to View

Tyler Higgins (w / Stevens / Higgins): Blue Mood (Shhpuma)

Hailing from Atlanta, GA, guitarist Tyler Higgins is also a multi-instrumentalist and composer who merges genres of moody, cinematic music based around folk, blues, and jazz and twisted with unusual approaches, aided in his endeavors by drummer Paul Steven and wordless vocalist Ellen Higgins, producing a alluring set of musical narratives. ... Click to View

Roscoe Mitchell / Montreal-Toronto Art Orchestra: Ride The Wind (NESSA)

Reedist and composer Roscoe Mitchell in a collaboration with the Montreal - Toronto Art Orchestra, an extraordinary group of improvising musicians comprised of 6 woodwind, piano, vibraphone, tuba, 2 each of trumpet, trombone, viola, string bass and drums plus Mitchell on sopranino saxophone, a profoundly elaborate and absorbing work for a large improvising ensemble. ... Click to View

Barre Phillips / Motoharu Yoshizawa: Oh My, Those Boys! (NoBusiness)

Two bass players--European free improv legend Barre Phillips and Japanese master Motoharu Yoshizawa--met at Cafe Amores in Yamaguchi, Japan in 1994, with Phillips on an amplified acoustic upright and Yoshizawa using an electric vertical 5-string bass of his own design, as the two weave and merge their unique sounds and approaches in a brilliant concert. ... Click to View

Barre Phillips / Motoharu Yoshizawa: Oh My, Those Boys! [VINYL] (NoBusiness)

Two bass players--European free improv legend Barre Phillips and Japanese master Motoharu Yoshizawa--met at Cafe Amores in Yamaguchi, Japan in 1994, with Phillips on an amplified acoustic upright and Yoshizawa using an electric vertical 5-string bass of his own design, as the two weave and merge their unique sounds and approaches in a brilliant concert. ... Click to View

Samuel Blaser / Gerry Hemingway: Oostum [VINYL] (NoBusiness)

A fantastic album of free improvisation between two creative and versatile players captured live at Kerkje van Oostum, Groningen, The Netherlands in 2015--percussionist Gerry Hemingway and trombonist Samuel Blaser--both using immense talent and unorthodox approaches to their instruments as they shift from unexpected atmospheres to lyrical richness. ... Click to View

Martin Blume / Tobias Delius / Achim Kaufmann / Dieter Manderscheid: Frames & Terrains [VINYL] (NoBusiness)

A great example of collective free improvisation from the quartet of drummer/percussionist Martin Blue, tenor saxophonist and clarinetist Tobias Delius, pianist Achim Kaufmann, and double bassist Dieter Manderscheid, performing live at the LOFT in Cologne, Germnay in 2016 for two extended intricate, melodic, and commanding performances of expressive and passionate free jazz. ... Click to View

Grant Weston Calvin : Improv Messenger [CD + DOWNLOAD] (577)

Performing on drums, trumpet, guitar, bass, moog bass, and keyboards, Philadelphia born and West Coast drummer/multi-instrumentalist Grant Calvin Weston, a member of Ornette Coleman's Prime Time Band, presents an album or fierce drumming and powerful electronic sources balanced with beautifully paced sonic environments, 16 tracks of diverse and gripping music. ... Click to View

Elio Amberg / Christoph Baumann: Life In A Pond (Creative Sources)

Nine freely improvised introspections as "enlightening spots on different forms of life in a rather muddy environment" from Lucerne, Switzerland based tenor saxophonist Elio Amberg and pianist Christoph Baumann, wonderful miniatures of great style and skill, a diverse exploration of their fictional pond that's quite spellbinding and exciting. ... Click to View

Paul Morgan Khimasia : peoplegrowold (Confront)

Paul Khimasia Morgan is a British guitarist and sound artist who performs on a prepared acoustic guitar body and zither, using objects and electronics to create works of tones, interventions and transitions, here in four rich pieces of well-chosen sound delivered with patient pacing, keeping each piece active while exploring the potential of his instruments and devices. ... Click to View

Giacomo Salis / Paolo Sanna: Humyth (Confront)

Creative uses of percussion from Italian drummers Giacomo Salis and Paolo Sanna, who explore gesture, movement, listening, and the investigation of natural materials and found objects, in five studio tracks that present the results of their research in both rhythmic sections and sections of abstract sound, honed from concerts, studio albums, and a collaboration with Jeph Jerman. ... Click to View

Ame Zek: First Bow (Creative Sources)

Croatian guitarist and electroacoustic musician Ame Zek in an album of electroacoustic improvisation using prepared guitars, acoustic percussions, self made objects, contact microphones, analog modular synthesizer, amplified feedback speakers, magnetic field microphones and digital midi machines; an album of raw, raspy, dark and dissonant sound. ... Click to View

Derek Bailey & Company: Klinker [2 CDs] (Confront)

Derek Bailey's Company in recordings from 2000 at The Klinker in London, with four performers--Bailey on guitar, Simon H. Fell on double bass, Mark Wastell on violincello, and Will Gaines tap dancing--the concert presenting various permutations of these musicians improvising, with narrations from Bailey, Fell, Wastell and Gaines punctuating the recordings. ... Click to View

Phil Maguire / James L. Malone: Working Title (Confront)

Phil Maguire (Verz label) exchanges abstract electronics from a variety of lo-fi devices with glitch and aberrant guitarist James L. Malone, a London improviser who has worked with Eddie Prevost, Phil Durrant, Steve Beresford and Adam Bohman, as the two trade strange sonic disruptions, avoiding pandemonium, instead using noise in pointed discourse. ... Click to View

Phil Minton / Roger Turner: Scraps Of Heard (Confront)

London Free Improv Scene long-standing members, vocalist Phil Minton and drummer/percussionist Roger Turner's first album together, "Ammo", was released in 1984; the two have continued to record together, and this live recording from 2016 in Hanover, Germany shows the two continuing to create distinctly bizarre and wonderfully personal dialog unlike any other. ... Click to View

Golden Oriole: Golden Oriole (BeCoq)

Rough and ready, angular instrumental rock from this Stavanger, Norway-based instrumental duo of Kristoffer Riis on guitar and Thore Warland on drums, two parts of the power-trio Staer, here creating a massive dose of momentum as they push heavy rhythmic riffs with odd tonality and a great sheen of prickly effect layers, in a compelling and muscular album. ... Click to View

Loubatiere / Warnecke: Couleurs Chimeriques (BeCoq)

An album of rich aural environments contrasted with clamorous action and disintegrating sound from the duo of French percussionist Rodolphe Loubatiere performing on snare drum and Berlin-based sound sculptor Pierce Warnecke, their second album as a duo presenting a sophisticated and diverse set of compositions that both entrance and disrupt their listeners. ... Click to View

IKB: Apteryx Mantelli (Creative Sources)

IKB continue their series of albums graced with taxonomic latin names for animals, here with the North Island brown kiwi bird, as the string- and wind-heavy electroacoustic ensemble led by violist Ernesto Rodrigues present this extended improvisation of subtle motion and understated complexity live at O'Culto da Ajuda, in Lisbon, Portugal in 2017. ... Click to View

Finn Loxbo / Erik Blennow Calalv : Snow Country (Creative Sources)

A duo between Swedish guitarist Finn Loxbo (Fire! Orchestra) and bass clarinetist Erik Blennow Calalv, in a low-key, moody and tranquil album of improvisations with titles implying their unhurried approach to their dialog--"Clouds", "Moving, Dancing", and "Ryoanji"-- making a beautiful album of nearly ambient but decidedly determined music. ... Click to View

Kang Hwan Tae : Live at Cafe Amores (NoBusiness)

Korean free saxophonist Kang Tae Hwan recorded this album of sincere and satisfying solo improvisations in 1995 at Cafe Amores, in Hofu, Yamaguchi, Japan, two decades after forming his first free jazz trio of experimental improvisations, demonstrating powerful technical skills and a unique voice on the sax; a long-overdue distillation of his music. ... Click to View

Kang Hwan Tae: Live at Cafe Amores [VINYL] (NoBusiness)

Korean free saxophonist Kang Tae Hwan recorded this album of sincere and satisfying solo improvisations in 1995 at Cafe Amores, in Hofu, Yamaguchi, Japan, two decades after forming his first free jazz trio of experimental improvisations, demonstrating powerful technical skills and a unique voice on the sax; a long-overdue distillation of his music. ... Click to View

Jeph Jerman : The Bray Harp (White Centipede Noise)

Aural explorer Jeph Jerman reworks 20 years of source material into this large work of recurring sound, obscuring sources in a rugged mill that turns its sonic grist into a mesmerizing flow of ringing tones and resolute grit, constructed from Jerman's own recordings and tapes from Eric La Casa and Oskar Burmmel, and metal & wood from Ben Brucato. ... Click to View

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Op-Ed (Opinions and Editorials)

  Musical Activism: An Open Call  
By Marc Ribot

On tour in Europe during the first twelve days of the recent invasion of Iraq, I witnessed something close to bereavement among audience members at the apparent consent of most Americans to Bush's agenda of war and empire.

It was exhausting, in addition with all the other pressures of performance, to deal with expectations to represent "America" in this situation. Although it felt strange to speak about the war during performances - I'm a guitarist, not a lecturer - it felt even stranger not to. The one thing about which I felt certain was that the incredible level of anger and opposition I witnessed was no longer simply about one lousy political decision, but had become a critique of the legitimacy of the power of empire, and it wasn't going to stop when the war ended.

Indeed, it hasn't. It remains nearly impossible to get on stage without addressing (or failing to address) the context within which, whether we like it or not, our music is now heard.

This database project described below was conceived as a means through which artists and musicians will be able to say what needs to be said politically in the formats where it will do the most good, to help to change a political context which, simply put, has become intolerable.

We're inviting touring artists to participate in a pilot project version to be launched around February 1, 2004. Anyone can back out at any time, but expressions of interest/commitment (along with brief bios if possible) are needed to apply for grants to build the database.

Best regards, Marc Ribot Musicians Solidarity Database [correspondence may be sent to]

WHAT: The Musicians Solidarity Database will connect internationally touring recording artists/musicians with anti-war and global justice organizations local to their touring dates.

The Database is an initiative of the Musicians Solidarity Network (MSN). Although open and useful to all artists regardless of origin or tour destination, the actual possibilities will probably reflect the current touring routes. The intent is for participating artists to be able to integrate whatever degree of activity on behalf peace/democracy/social justice organizations they feel able to commit to into their regular tour itineraries with a minimum of effort, and for the organizations to benefit from cultural support.

HOW: Touring artists enter their upcoming tour schedules, tech needs, and other necessary info and preferences into the database. Major peace/ democracy/social justice organizations access the info and cross-reference the dates of their planned events with touring artists' availability. The organizations then send the musicians/artists a set of proposals (for example: to speak or perform at a demonstration). The artist accepts whichever proposals they choose, and forward their acceptance along with whatever time or tech specs apply back to the organizations. The organizations confirm the date.

Even if tour schedules are too tight to allow for an artist's participation in outside events, artists can arrange, through the data bank, to make merchandise/ literature table space available to organizations they support.

Great care will be taken to make the data-base user friendly to both artists and organizations.

WHY?: An enormous divide has opened in political understanding between the US and most of the rest of the world, particularly in Europe. Most touring artists and musicians are already well aware of this.

But artists who speak out against Bush's agenda of war and empire, particularly in the US, run the risk of alienating fans or even being subjected to radio and other forms of blacklisting.

In Europe, things are different, at least for the time Being. Manu Chao's "Clandestino" was a hit because of, not in spite of, his close identification with the social forum movement. Whether this will always be true is difficult to say: the same forces that created Bush are also pushing Europe steadily rightward. But it's true now.

The database is a way to turn this political differential into a force for progressive change in the US, enable artists who want to be active to do so, provide organizations against war and for global justice with a constant stream of performing artist support, and build a global network of artists and activists.

It will help artists to limit the economic risks of activism by connecting them with activists and audiences who share their views.

For example, contact with non-US activists and anti-war audiences will enable US musical/cultural figures (and global cultural figures who wish to sell in the US market) to speak out. It's no accident the Dixie Chicks spoke out against the war while in Europe.

As more artists risk opinions outside the US mainstream, it will change the political math that has discouraged dissent by encouraging fans to question their mass-media enforced opinions. And contact between US audiences and European/international artists willing to speak out will help break the US media censorship of the depth of world opposition to war and empire.

Of course, the issues affecting us all aren't confined to the US: the same political/economic forces that put Bush in power in the US are alive and well in Europe and elsewhere. The problems are global and gestures of solidarity from touring musicians are needed to keep the spirit of opposition global as well.

A secondary benefit of the database involves musicians and artists rights issues. There are some issues of interest from anti-war, cultural, and labor perspectives. For example, the role of the Clear Channel monopoly in censoring opposition to the war, blacklisting anti-war artists, and even organizing pro-war demonstrations in the US is both an anti-war issue, and an infringement on artists' freedom of expression.

SPECIFICATIONS Filters, both passive/automatic and active/human will ensure that participating orgs are major and respected, and that participating artists are at a sufficiently professional level to be of use to them.

  • Access to the database will be strictly limited to approved organizations.
  • Contact between artists and organizations will take place within a database 'mailbox' so that artists/managers run no risk of having personal/business email accounts flooded with requests.
  • Whatever form of participation the artist chooses - be it a gig, a single song, or a brief statement - the database format will ensure that all necessary technical requirements and conditions are met, without extensive back and forth between artists, managers and organizations.
  • Artists will have access to full information about events they are being invited to participate in and about the organizations asking them to participate.
  • Artists' participation in the database will be confidential (although at this stage, we may need to list participating artists in grant applications) unless the artists themselves choose to make it public.

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reviews about releases
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written by
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Recent Selections @ Squidco:

Matt Piet &
His Disorganization
(w /
Berman /
Mazzarella /
Rummage Out
(Clean Feed)

Frode Gjerstad Trio
+ Steve Swell:
Bop Stop
(Clean Feed)

Kidd Jordan /
Alvin Fielder /
Joel Futterman /
Steve Swell:
Masters Of

Roscoe Mitchell /
Art Orchestra:
Ride The Wind

Paul Morgan Khimasia:

Barre Phillips /
Motoharu Yoshizawa:
Oh My,
Those Boys!

Martin Blume /
Tobias Delius /
Achim Kaufmann /
Dieter Manderscheid:
Frames & Terrains

Derek Bailey &
[2 CDs]

Barre Phillips /
Motoharu Yoshizawa:
Oh My,
Those Boys!

Matthew Shipp Quartet:
Sonic Fiction

Max Eastley /
Steve Beresford /
Paul Burwell /
David Toop:
Whirled Music
(Black Truffle)

Stephen O'Malley /
Anthony Pateras:
Reve Noir

William Hooker
(Feat. Ava Mendoza /
Damon Smith):
(Astral Spirits)

Quin Kirchner:
The Other Side
Of Time
(Astral Spirits)

Anthony Braxton :
(Parker) 1993
(New Braxton House)

John Zorn:
The Urmuz

Lehn Schmickler
(Thomas Lehn /
Marcus Schmickler):
Neue Bilder
(Mikroton Recordings)

Veryan Weston:
The Make Project

Silke Eberhard Trio:
Being Inn

Taylor Bynum Ho :
Enter the Plustet
(Firehouse 12 Records)

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